Rubens, Rape of the Daughters of Leucippus, 1618, oil on canvas, 7 ft x 7 ft, Baroque, Netherlands

Rubens, The Garden of Love, 1630, Baroque, oil on canvas, 6.5 ft. x 9 ft., Netherlands

Rembrandt

The Blinding of Samson

1636

oil on canvas

7 ft x 9 ft, Baroque, Holland

Rembrandt, The Night Watch,  1642, oil on canvas, 12 ft x 14 ft, Holland, Baroque

Rembrandt, Supper at Emmaus, oil on canvas, 1628, oil on panel, Baroque, Holland

Rembrandt, Supper at Emmaus, 1648, oil on wood, 2 ft x 2 ft, Baroque, Holland

Vermeer, Girl with a Pearl Earring, 1665, oil on canvas, 17 in x 15 in, Holland, Baroque

Vermeer, View of Delft, 1660, 3 ft x 4 ft, oil on canvas, Holland, Baroque

Vermeer, The Letter, 1670, oil on canvas, Baroque, Holland, 17” x 15”

Ruisdael , Landscape with the Ruins of the Castle of Egmond II, Holland, Baroque, 1650, 3 ft x 4 ft, oil on canvas

Saenredam, 1645, oil on panel,  16” x  13”, Interior of Utrecht, Dutch Baroque

Claude Lorrain,  Baroque, French but worked in Italy, oil on canvas, 1650s

Claude Lorrain,  Baroque, French but worked in Italy, oil on canvas, 1650s

Poussin, The Holy Family on the Steps, 1648, oil on canvas, French Baroque,

Poussin, The Dance to the Music of Time, 1640, oil on canvas, 3 ft x 3.5 ft, French Baroque

Boffrand, Salon de la Princesse, Hotel de Soubise, French Rococo, multi media, 1740

Watteau, Pilgrimage to Cythera, 1719, oil on canvas, 4 ft x 6 ft, French Rococo

Boucher, The Triumph of Venus, 1740, oil on canvas, 4 ft x 5 ft, French Rococo

Boucher

Venus Comfronting Cupid

Fragonard, The Happy Accident of the Swing, 1767, oil on canvas, French Rococo

Rigaud, Louis XIV, 1700, oil on canvas, French Rococo, 9.5 ft x 5 ft

Gainsborough, The Morning Walk, 1785, English Rococo, 30” x 20”, oil on canvas

Hogarth, Scene from Marriage a la Mode, 1743, oil on canvas, 2’ x 3’

West, The Death of General Wolfe, 1770, oil on canvas, 5 ft x 7 ft, American working in England, transition from Neoclassicism to Romanticism

Ben West, Death on the Pale Horse, American working in England, 1796, 2 ft x 4 ft, oil on canvas, Romanticism

David, Oath of the Horatii, 1784, Neoclassicism, oil on canvas, French, 11 ft x 14 ft

David, Death of Marat, 1793, oil on canvas, 5 ft x 4 ft, French, Neoclassical

David, The Death of Socrates, 4’ x 6 ft’, oil on canvas, 1787, Neoclassical, French

David, Napoleon at St. Bernard’s Pass, 1800, oil on canvas, 8.5 ft x 7 ft, transition into Romanticism, French

Jefferson, Rotunda, University of Virginia, 1822, Neoclassical, American

Greenough, George Washington

1841

Neoclassical

12' tall

Gericault, Raft of the Medusa, 1819, 16 ft x 21 ft, oil on canvas, French romanticism

Gericault, Madwoman, 1822, oil on canvas, 2.5 ft x 2, French romanticism

Delacroix, Boat of Dante, 1822, oil on canvas, 6 ft x 8 ft, oil on canvas, French romanticism

Delacroix, Death of Sardanopolis, 1827, 12 ft x 16 ft, oil on canvas, French romanticism

Delacroix, The Women of Algiers, 1834, oil on canvas, 6 ft x 7.5 ft, French romanticism

Goya, The Executions of May 3, 1808; 1814; oil on canvas, 8.5 ft x 11 ft; Spanish Romanticism

Courbet, Funeral at Ornans, 1850, 10 ft x 22 ft, Realistic Romanticismm, oil on canvas, French

Courbet, the Stone Breakers, 1850, 5 ft x 8.5 ft, oil on canvas, French realism

Manet, Olympia, 1863, oil on canvas, 4 ft x 6 ft, French realism

Monet, Terrace at Sainte-Adresse, 1867, oil on canvas, French impressionism

Monet

Cathedral Facades of Rouen

Renoir, Moulin de la Galette, 4 ft x 6 ft, oil on canvas, French impressionism, 1876

head of French academy (Baroque)

STUDIED FRESCOES BUT DID OILS

Raphael is his idol

primary colors bc color was to emotional

looked back to Renaissance, used graph paper for paintings, wants reasonable response to paintings, very controlled. Lines all linked

french baroque never belonged to academy

LANDSCAPES

went out into real landscape and drew pieces BUT took them back to his studio and pieced them together- light and space is imporant to claude

varnish gave works a golden glow, atmospheric perspective. 

he would have two parts to his titles, landscape and noble theme

ex. "Landscape: Marriage of Isaac and Rebecca"