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Title: Twentieth-Century Architecture

Description: Chapters 1 and 2

Total Flash Cards: 49

Created: 10/04/2007 16:10:11

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Garden City Ebenezer Howard combine country with city carefully controlled environment eliminate land speculation self-sufficient Radburn NJ
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David Burnham and Edward Bennett opposite garden city modern civic grandeur designed to lighten impacts of uncoordinated urban growth improve traffic health recreation and culture focus on regional transportation civic classicism Plan for Chicago
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1893-World Columbian Expedition built classical fairgrounds "white city" electric lights on large scale formal monumentality
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Washington DC grid with diagonal blvd(s) romanticism redesign memorial axis line limestone/conices/collumns influenced by columbian Exposition (housing challenge after large expensive civic buildings)
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The Industrial City Tony Garnier imaginary industrial center socialist ideas of political power and property rights reinforced concrete cubic severity health utility and beauty through consistent rational approach to planning and construction neve
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The Futurist City
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Antonio Sant'Elia influenced by American Skyscrapers assault on cultural conventions no center or clear edge nodes w/in service/circulation networks fragmented unsettling elevators on exterior to express movement part of EXPRESSIONIST MOVEMENT no ornament speed/transportation emphasized
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Le Corbusier radically different design for Paris buildings for both aesthetic and function light and air geometric clarity 3 MILLION PEOPLE!! house expresses larger societal goals smaller footprint on ground, more stories standardization
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Le Corbusier and peers (28 architects) creation of new modern architecture progressive design criticism structure for lookse coalition vehicle for promotion of modern design significant changes in professional identity of architects rational calcula
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CIAM defined town planning according to function 4 categories -- housing, work, recreation, and traffic (not culture)
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Athens Charter
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established codes, funds and financing procedures for public housing
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National Housing Act of 1902 (Netherlands)
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Michel De Klerk 1913-1919 extended traditional dutch brick in housing project in Amsterdam varied surface textures individualized buildings
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Karl Ehn Vienna 1930 Karl-Marx-Hof strong political vision superblock-1/2 mile long In 1917 -- 75% were in low grade housing 1400 apartments (5200 residents) working class fortress
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Wrote Modern Housing orgins of housing problems reviewed contemporary solutions activist critic Co-founder/leader of Labor Housing Conference lobbied for creation of US Housing Authority
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Catherine Bauer
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H.P. Berlage Amsterdam Exchange 1897-1903 contemporary needs and possibilities simplification/elimination of historic detail tectonic issues rather than historical forms
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Otto Wagner, Postal Savings Bank, Vienna, 1902-04 authentically modern architecture (as opposed to eclectic historicism) exposed bolt heads crossing a cultural threshold
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Erich Mendelsohn Rudolf Mosse Building Berlin 1922 no attempt to harmonize new and old structure modernity erupts out of the shell of the preexisting building defiant and assertive
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Louis Sullivan, Wainwright Blg, SL,1891 form follows finance masonry vs. Steele artistically considered building base-shaft-capiatl organization
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Cass Gilbert, Woolworth Blg, NYC, 1913 building as machine for money international style beaux-arts movement
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1916 Zoning ordinance encouraged setback style/towers
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Wm Van Alen, Chrysler Blg, NYC, 1928-29 Art Deco references to automotive design
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Shreve, Lamb, Harmon, Empire St Blg, 1931
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Howe & Lescaze, PSFS, Philadelphia, 1931-32 only American building in MOMA exhibit on modern arch.
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Louis Sullivan, Carson, Pirie, Scott, Chicago, 1889-1901
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Antonio Gaudi, Casa Mila, Barcelona, SP, 1905-11 combination of rational structure, natural forms, religious visions, esoteric symbolism massive stone faccade wroght iron balconies meant to look like seaweed hanging from a cliff
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Auguste Perret, 26 bis rue Franklin, 1902-03 rectilinear apartments
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Berthod Lubetkin, Highpoint One, London, 1934 concrete acceptance of modern arch...kinda hostility and concern over destruction of existing architectural characture
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Adolf Loos Vienna Goldman and Salatsch differentiate between main commercial level and upper space.
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Wivi Lonn, Finland (1872-1966) established herself professionally through school designs
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Julia Morgan, CA (Cal-Berkeley) 1872-1957 YWCA buildings arts and crafts movement accepted to the Ecole des Beaux-Arts
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Joseph Olbrich, Secession Building, Vienna, 1897-98 art as revolution fidelity to historical precedents was seen as a failure of imagination return to elemental form juxtoposition of sphere and solid struggle between matter and spirit
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John Russell Pope & Otto R. Eggers, National Gallery of Art, 1937 classical gravitas legacy of the city beautiful movement recalls pantheon in Rome small dome to not challenge capital
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Goodwin & Stone, Museum of Modern Art, NYC, 1939 emphasis on volume rather than mass standardization (rather than classical concern for symmetry and axiality) avoidance of ornament
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Features of "international style" emphasis on volume rather than mass standardization (rather than classical concern for symmetry and axiality) avoidance of ornament majorly European Frank Lloyd Wright International Style=Modern Arch
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Modern Architecture:International Exhibition
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Team of architects: Wallace Harrison, Raymond Hood, Harvey Wiley Corbett Rockefeller Center attempt @ comprehensive planning mixed use land aquisition RCA building -- center public transit system (contrast worlds Fair)
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General Motors - futurama focus on private transportation
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New York World's Fair 1939
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Philip Webb, Red House, Kent, EN, 1859 varied sizes and locations of the windows reflect internal arrangements of the rooms surronded by gardens movement against industrialization built for William Morris focus on Craft Sons of industrialists-anti i
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Edwin Lutyens & Gertrude Jeyell, Munstead Heath, Surry, EN, ca. 1900 Gardening advocate natural gardens English in imagery despite "freedom from precedents" part of social reform campaign
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Charles & Henry Greene, Gamble Hse, Pasadena, CA, 1909 bungalow style (2 stories but looks like one) winter home simple life celebration of wood integration of architecture and enviroment
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Frank Lloyd Wright, Frederick Robie Hse, Chicago, IL, 1909 arts and crafts trancendetalist worked for Loius Sullican in Chicago built houses for commissions married at 19 emphasizes horizontality modern materials prairie style pro-machine protest against apartments archetectonic furniture
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Josef Hoffman, Palais Stoclet, Brussels, BEL, 1905-11 banking and art ample funds stoneclays
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Charles Rennie Mackintosh, Hill House, Outside Glasgow, Scotland, 1903 Glasgow School of Art sanitary homes attenuated proportions reproduced in magazines
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Le Corbusier, Domino, 1914-45 intended to replace destroyed housing inspired Barcelona Pavillion simple kit of standardized parts capable of rapid erection
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Barcelona Pavilion Mies Van der Rohe 1929 Inspired by Le Corbusier's Domino demonstrated spatial possibilities in column and slab system
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Le Corbusier, Villa Savoye, Poissey, FR, 1929 "machine" for living reductive purism seemed to negate gravity carefully orchestrated progression through space Five points of new Architecture 1. pilotis (this columns) that raised the building off the ground 2. Roof Terrace 3. Free plan 4. free facade 5. horizontal windows
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Alvar Aalto, Villa Maierea, Finland, 1938-9 Organic curves (departure from axial relationships) focus on texture wood warmth open attention to human scale international style and Finish vernacular tradition
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Hans Scharoun Vila Schminke Saxony Germany 1932-33 focus on light and nature included strategic skylighting effects
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Richard Neutra, Lovell House, LA, 1929 "health house" advocated vegetarianism, excersize, nudism infused Client personality steel frame cantilevered out
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Frank Lloyd Wright, Falling Water, PA, 1939 taught architecture during depression Wright's "comeback" revolved around 4 elements international style/romanticism Can't see waterfall in house built in furniture one great room small bedrooms
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Buckminster Fuller, Dymaxium House, 1927 affordable hygenic modern housing fabricated components anything unaccountable was irrelevant bore no resemblance to traditional image of house optimal technological solution to the problem of shelter
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