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| Hybrid between indigenous mesoamerican and "modern" forms of culture. |
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| small paintings, expressed on pressed tin, wood, or canvas surfaces. Combinations of images for Christianity or local traditions of indigenous people. |
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| Small paintings (usually onn tin). Depicts life of a subject who is imperiled due to an illness and saved due to an intervening saint. |
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| Sculptural installations comprised of photos of the deceased ad related memorabilia, along with marigold flowers that returned soul is believed to follow when visiting the earthly realm. Used in Dias de los Muertos celebrations. |
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| Chicano and mainstream cultural elements that are combines in novel ways. |
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| This kind of hybrid stresses movement across cultures and value systems, and often reflects a transculturalism, or merging of cultural sensibilities. |
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| Borrows elements from mexican mainstream sources. The end product represents and expression that is greater than the sum of it parts. |
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| BROWN TIDE RISING, Otto Santa Anna |
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| (2009) "emphasizes that Latinos everywhere must seriously consider adopting the use of the kind of metaphorical language" (page 14). |
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| Restriced access to public services. |
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| Ended affirmative action. |
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| Ended bilingual education. |
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| (1988) Chagoya "That their language is imperiled by newly applied and strict impositions on the form of communication that may occur between people in American society further suggests endangerment of other aspects of their culture." (bottom of page 17) |
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| Earliest form of hybrid art, precortesian way of conveying ideas throughout meso-america. |
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