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| Rodney Castledon Theory of Labyrinth at Knossos |
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| Temple Complex. Minoans had contact with Egypt, Mycenae, and Middle Eastern Cultures. |
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| Underground tunnels, deceased buried. Burial ground not hiding site, show the influences of orphism. |
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| Path to Jerusalem. Completed a trip to the holy land. Spiritual Quest. |
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| Humor and parody to translate the deities. The only characters that talk. "Interpretors" |
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| images emerge through interactions between cultures. |
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| content directed cultures |
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| stress equality, honesty, acceptance, tolertance, logic |
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| Art critic in 1994 who didn't see Bill T. Jones work Still Here because it was too sad and postmodern. |
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| Arthur Evans Theory on Labryrinth at Knossos |
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| Christ as "The Good Shepard" |
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| Hindu goddess associated with death and recreation. 50 sounds of sankrit dialect. Apotropaic face (wide eyes, open mouth, large teeth, distended tongue, and wild hair) |
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| symbolic hand, arm, leg, and foot gestures of hindu deities. |
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| Snake Goddesses/ Palace of Minos at Knossos |
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| temple (castledon's theory) location for burial (wunderluchs theory). Cyclical, regenerative, rebirth, female centric. |
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| seen throughout all cultures. Oneness, the totality of an individual or group of people. in wayang kulit symolizes the story going on. |
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| View that major ideas originate locally, with local influences (environment etc). |
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| Malekula people of Vanuata. Deceased memorize the labyrinth pattern. Temes. |
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