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diminished-minor or half diminished 7th |
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| Seventh chords built in Major Keys |
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| I7, ii7, iii7, IV7, V7, vi7, viiØ |
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| group of pitches that form a single harmonic idea. pitches may sound at once or in succession |
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| in triads built on natural minor scale |
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raise the seventh in chords 5 and 7 5 becomes Major, and 7 becomes diminished |
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also just 6 first inversion root on top |
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second inversion root in middle |
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also 6 5 first inversion 7 |
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also 4 2 and 2 third inversion 7 |
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7th chords built on minor scale |
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| i7, iiØ7, III7, iv7, V7, VI7, vii°7 |
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diminished-diminished or fully diminished |
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| 3, both voices move in by step |
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6 both voices move out by step |
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3 lower voice up a P4 or P5 upper voice down one step |
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| if one line skips or leaps |
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| the other should step or remain |
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if one line repeats or sustains |
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| the other should step, skip or leap |
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| contrary, similar, oblique |
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Not with P5 and P8
yes with thirds and sixths
but not too many |
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| into and out of P5 and P8 |
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| contrary or oblique motion |
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| when using the occasional dissonance |
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repeat one voice or step motion |
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Establish Tonic Chord with unison or octave close with usggestion of dominant to tonic harmonic. |
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