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Unity of mood
Continuity of rhythm
continuous melody
polyphonic texture
birth of functional harmonic system
terraced dynamics
harpsichord & organ
figured bass
vigorous movement
10-40 players |
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| Baroque Era Characteristics |
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| faster outer movement of 3 moves & works with material passed back and forth between concerto & tutti |
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| always byns played by tutti; returns in different keys |
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| polyphonic composition based on imitation; 4-6 voices; answer sounds same as theme but different tnal level |
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| suite generally began with overture |
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| first dance of suite; popular moderate tempo dance |
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| lively french dance in triple meter |
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| spanish dance, one of the slowest baroque, Triple meter with emphasis on second bent creates "halting" |
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| upbeat & lively in compound meter, concludes suite. |
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| drama set to music, singing, playing, acting, costumes, scenery, staging, lighting |
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| prominent solo song (multiple during opera) highlight of the evening |
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| style of singing adopting rhythms of normal speech with a keyboard accompaniment |
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| created Orfeo...about Orpheus |
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| large scale, for solo instrument & orchestra |
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| performer of extraordinary mastery |
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| violinist; 4 Seasons is his best known composition, Charles VI |
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| 1685-1750, Eisenach, Germany; composer organis, t, brought Baroque to ultimate maturity, religious music, JJ |
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| 1685-1759, German-English composer, most famous for his Italian operas and english oratorios, Rinaldo, world traveled & cultured, never married |
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| Music for the Royal Fireworks |
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galant style
less rigid
emphasizes form, balance, symmetry, and emotional restraint
Haydn, Mozart, Beethoven
contrast of mood
flexibility of rhythm
homophonic texture
tuneful melodies
balanced phrases
wider dynamics
piano replaces harpsichord |
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| characteristics of the Classical Era |
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| transparent accompaniment |
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| theme & variations of Classical |
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| uncomplicated melodic statement |
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| form using recurring theme (ABACA&ABACABA) |
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| movement of Classical music |
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| usually 1st movement, 3 main parts |
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| strings, woodwinds, brass, precussion |
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| 2-9 players, no conductor, intimate |
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| most prominent chamber music |
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| father of symphony, fared well, Early work was not high level, Known for his humor; surprise loud chord, friend/admirer of Mozart & teacher of Beethoven, music director to Hungarian Nobles, 12 great London symphonies, young choir boy but treated poorly, Where Papa Haydn is, no harm can come |
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| String Quartet #4 in C Minor |
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| Trumpet Concerto in E-flat |
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| Trumpet Concerto in E-flat |
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