Charles Willson Peale, American, 1741 - 1827

Oil on canvas

Perugino (Pietro Vannucci), Italian, 1450-1523.
Christ Delivering The Keys of The Kingdom To Saint Peter-1481/83.

1500 Andrea Mantegna The Lamentation over the Dead Christ

Tempera on canvas, 68 x 81 cm
Pinacoteca di Brera, Milan

The Pharoh Menkaure and his wife, Queen Khamerernebty, 4th Dynasty, from Gize.c. 2515 B.C.E

Erechtheum

In Athens

447-432 BCE

Parthenon

in Athens

447-432 BCE

Birth of Athena

east pediment of the Parthenon

Pantheon in rome

117-125

colossal statue of Emperor Constatine

330 AD

in rome

Rome, Old st.peters, c.320-229; erected by emperor Constatine

Thin wall construction

St. Gall Plan,c.820

Ideal Monastery

Hilldesheim (Germany), St. Michael's, 1000-1031, Bishop Bernward

(thin wall construction)

Toulouse (France), St. Semin, 1070-1120

-barrel vault-doesnt allow clerestory lighting

-made of stone/brick

-pulls your eyes upward now

Vezelay (france), La Madeleine c.1120-32

-flying buttress (support)

-empirical engineering solution

Chartes (france), Cathedral, 1134 c. 1220/50

-notion of perfection (geometric shape)

-taller,stained glass;but basic layout

Amiens Cathedral (France), 1220-36

 -built quick (had $)

-has ornaments on outside

-more elaborate

Jean Gerome, "Pygmalion and Galatea",1890

-mimic object of desire

Irish/North English Artist, St.Matthew page, "Echterrech Gospels", c.700

-Not worried about body/idea of human saint

Reliquary Statue of St.Foy, Conques (France), 940-984

-Gold with roman face guard

-decoration

"Fall of Man", Hildesheim, St. Michael's,1015 

-bronze doors commissioned by Bishop Bernward

-Tells narrative of old/new testament

The evils of profane music, vezelay,c.1120-32

-moses and the golden claf also in this

Jamb Statues, solomon and the queen of sheeba, c,1150

Chartes cathedral 

St.Theodore, South Portal, Chartes Cathedral,c.1230

-much more realistic columns

Giotto, Ognissanti, Madonna, 1310, florence

frescoes tempora panel

Cimbue, St.Trinita madonna, c.1280

tempora panel

Clause Sluter, Well of Moses, Charte chartreuse de champmol, dijon (france), 1395-1406

limestone

-looking at natural and realistic

-carefully analyzed face

Jan Van Eyck, Portrait of a Couple, 1434

oil on canvas

-signed and dated

Florence, Baptistry, South door, Andrea Pisano, 1330-36

bronze

Florence, baptistry, north door, 1401 Lorenzo Ghiberti(left) filippo Brunellesch(right)

Sacrifice of Isaac by Abraham, bronze

-competition trial process

ghiberti jacob and esau, florence baptistry, bronze, 15th century

-perspective

Florence, Maria del carmine, Brancacci chapel, c.1424-27

painting on wall

Michelangelo, David, marble,1501-04

-Palazzo della Signoria in florence

Willem Blaue, World Map, 1604-1664

-placed in center (othering)

Benin Oba head with carved ivory tusk

-decorated scenes (holy, symbolic)

Iyoba and attendants, brass, 18th century, benin

-mimics the world

Sapi-Portuguese (sierra leone), c.1500, salt cellar, ivory

-awesome ivory work

Hans Burgkmeir, Portrait of Jacob Fugger, c.1510-12, Chiaroscuro, woodcut

-now color, using 2 blocks

Martin Schongauer, christ carrying the cross, c.1475, engraving

-biggest engraving

-i can do what a painter does

Albrecht Durer, Adam and Eve, 1504, engraving

-perfect proportions 

Rembrandt, Three Crosses, c.1653, etching and drypoint

-when is print complete?

Lorenzo Benini, apollo and daphne, rome, marble

-metamorphosis

-makes it look soft

David, lorenzo benini, 1623-24, marble

-likes drama 

-in motion

Portrait Bust of Cardinal Scipio, Lorenzo Bernini, c.1625,rome

-motion (talking) tries to make it come to life

Rembrandt van rijn, self-portrait, etching,1630

-surprised expression

Rembrandt, portrait of Jan Six, 1654, painting

-painterly