Term
|
Definition
| Last Judgement, The Scrovegni Chapel. c.1305. GIOTTO (GIOTTO DI BONDONE). Fresco. Comissioned by Enrico Scrovegni for the Scrovegni (Arena) Chapel, Padua |
|
|
Term
|
Definition
| Raising of Lazarus, The Scrovegni Chapel. c.1305. GIOTTO (GIOTTO DI BONDONE). Fresco. Comissioned by Enrico Scrovegni for the Scrovegni (Arena) Chapel, Padua |
|
|
Term
|
Definition
| Lamentation, The Scrovegni Chapel. c.1305. GIOTTO (GIOTTO DI BONDONE). Fresco. Comissioned by Enrico Scrovegni for the Scrovegni (Arena) Chapel, Padua |
|
|
Term
|
Definition
| Tommaso di ser Giovanni. Brancacci Chapel, left wall, second register: The Tribute Money. c.1425. MASACCIO. Fresco, 2.47 x 5.97 m. Santa Maria del Carmine, Florence |
|
|
Term
|
Definition
| The Trinity. 1425-8? MASACCIO. Fresco. 667 x 317 cm. Florence, Santa Maria Novella. |
|
|
Term
|
Definition
| Equestrian Monument of Gattamelata. 1444-50. DONATELLO. bronze; 336 x 396 cm. Piazza del Santo, Padua. |
|
|
Term
|
Definition
| St. George. c.1416. DONATELLO. Marble. 214 cm. National Museum of Bargello, Florence. |
|
|
Term
|
Definition
| Virgin and Child with Saint Anne. c. 1510-13. LEONARDO DA VINCI. Oil on panel; 168 x 130 cm. Louvre, Paris. |
|
|
Term
|
Definition
| Last Supper (after 1979-99 restoration). Whole view with painted arches. 1495-98. LEONARDO DA VINCI. tempera and oil on plaster. 460 x 880 cm. Refectory, Santa Maria delle Grazie |
|
|
Term
|
Definition
| The School of Athens. 1508-11. RAPHAEL. fresco. Stanza della Segnatura, Vatican Palace, Rome. |
|
|
Term
|
Definition
| Portrait of Baldassare Castiglone. c. 1514-15. RAPHAEL. Oil on canvas, 82 x 67 cm. Paris, Musee due Louvre. |
|
|
Term
|
Definition
| Pieta. c.1498-1500. MICHELANGELO. carrara marble. Saint Peter's Cathedral, Rome. |
|
|
Term
|
Definition
| Creation of Adam, center third of section VII, The Sistine Chapel ceiling. 1508-1512. MICHELANGELO BUONARROTI. fresco; ceiling 45 x 128' (13.7 x 39 m). Vatican, Rome. |
|
|
Term
|
Definition
| The Sistine Chapel: The Last Judgement (view before cleaning). 1534-41. MICHAELANGELO BUONARROTI (1475-1564). Fresco; wall 48 x 44' (14.6 x 13.41 m). Vatican Palace, Rome |
|
|
Term
|
Definition
| Wedding Dance. before restoration. 1566. PIETER BRUEGHEL. Detroit |
|
|
Term
|
Definition
| Peasant Wedding Feast. c. 1566. PIETER BRUEGEL the ELDER. Oil on wood. 114 x 163 cm. Kunsthistorisches Museum, Vienna |
|
|
Term
|
Definition
| The Garden of Earthly Delights. c.1470. HIERONYMUS BOSCH. oil on panel. center panel 220 x 195 cm, side panels 220 x 97 cm. Prado, Madrid |
|
|
Term
|
Definition
| Self-Portrait in a fur-collared robe. 1500. ALBRECHT DURER. Oil on panel; 26 1/4 x 19 1/4". Alte Pinakothek, Munich |
|
|
Term
|
Definition
| Melancholia. 1514. ALBRECHT DURER. Copper plate engraving; 241 x 192 mm |
|
|
Term
|
Definition
| Adam and Eve. 1504. Albrecht Durer. Copper plate engraving; 255 x 196 mm. |
|
|
Term
|
Definition
Buon-"true" fresco,painting on wet plaster
Secco-paint on fresco once dry,mix stone with wet plaster
(fresco is a single image) |
|
|
Term
|
Definition
| Series of images relating to a certain theme. |
|
|
Term
|
Definition
|
|
Term
|
Definition
| Old explains new and new explains old. |
|
|
Term
|
Definition
| Lending money with interest (loansharks).Against church law. |
|
|
Term
|
Definition
| Release from time in purgatory. |
|
|
Term
| Private(donor) Chapel/Church |
|
Definition
| For the use of one person or a select group. |
|
|
Term
|
Definition
| How to distinguish between different levels or types of identity. |
|
|
Term
|
Definition
| Series of style that is consistent throught works. |
|
|
Term
|
Definition
| The structure on top of a dome,lets in light and blocks out rain. |
|
|
Term
|
Definition
| Big hole that lets light in from top of dome. |
|
|
Term
|
Definition
| Where the vault meets the wall.(fights gravity) |
|
|
Term
|
Definition
| Stabalizes arches and ceilings. |
|
|
Term
|
Definition
| More than one scene in same story in same image. |
|
|
Term
|
Definition
| Artisan's Guild for Narrative Painting |
|
|
Term
|
Definition
On the bapistry doors.
An engraving(casting). |
|
|
Term
|
Definition
| Italian renaissance is known for its renewal of classical forms,motifs and subjects. Ex:School of Athens-Raphael |
|
|
Term
|
Definition
| Minor variations in relief that looks deep. |
|
|
Term
|
Definition
Counter poise.
Shifted body stance.
|
|
|
Term
|
Definition
| Using optical illusion to make objects appear bigger,closer, or any deceiving of the human eye. |
|
|
Term
|
Definition
| The use of multiple colors in one entity. |
|
|
Term
|
Definition
|
|
Term
|
Definition
| Using a model to pour in metal and harden. |
|
|
Term
|
Definition
| Having a single vanishing point. |
|
|
Term
|
Definition
| Subject of a painting based on history. |
|
|
Term
|
Definition
| The way that an atmosphere can change how something in the distance appears. |
|
|
Term
|
Definition
|
|
Term
|
Definition
| A method of covering an already complete work of art to give it a glowing appearance. |
|
|
Term
|
Definition
| Technique of printmaking where an image is carved into a block of wood. |
|
|
Term
|
Definition
| An illustration made by cutting lines into a surface (usually wood or metal), inking the surface, and then printing it. |
|
|
Term
|
Definition
| A shading technique used in both drawing and painting, where tone is built up through a series of thin strokes or lines that are more or less parallel. |
|
|
Term
|
Definition
| Fantasy and science-fiction art. |
|
|
Term
|
Definition
| A painting or sculpture or a series of small paintings or sculptures in a long narrow strip forming the lower edge of an altarpiece or the face of an altar step or platform |
|
|
Term
|
Definition
| Painting divided into multiple sections or panels. |
|
|
Term
|
Definition
| Painting divided into three parts. |
|
|
Term
|
Definition
| Painting divided into two parts. |
|
|
