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the most renowned art of Java and Bali; a shadow puppet show; all-night epic that recounts the never-ending battles of the forces of light and dark, good and evil.
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an orchestra of mainly bronze instruments; set to accompany the wayang kulit;
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a tuning system of seven pitches per octave with some adjacent intervals significantly larger than others
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tuning system of five pitches per octave with the adjacent intervals close to the same size
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a javanese word that means "a characteristic; refined"; it is reflected in the heroes of their dramas
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javanese word translated "coarse"; the counterbalancing side of the alus
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the short introduction to the gamelan; leads the listener into the world of the gamelan and the mode and character specific to the piece
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thick-keyed metallaphone with a box resonator played with a single hard wooden or horn mallet in the right hand; constructed in three different sizes, each playing an octave apart; three sizes: demung, barung, panerus
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the bass member of the gendér family; played with a large padded mallet
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family of thin-keyed metallaphones with tube resonators. mallets with disc shaped heads covered in felt strike the instrument with a soft mellow tone; mallet is held in each hand and keys are damped with the palms or sides of hands.
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horizontal branze kettle-gong instruments;2 or 3 sets tuned to a different octave; players hold mallet in each hand, the mallets softened with cord wrapped around the end.
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two-string spike fiddle; played by the melodic leader o the orchestra; leads the melodic instruments of the javanese gamelan
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a wooden xylophone with a box resonator; played in parallel octaves with two flexible mallets, their disc-shaped ends wrapped in felt, the gambang has a soft and delicate sound
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large zither plucked with fingernails; ornate carving and feet of the instrument were influenced by European furniture of the colonial period
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end-blown bamboo duct flute
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set of large horizontal kettle-gongs; tall sloping faces
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largest vertical gong; also known simply as gong; end the meterical cycle of gamelan music
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two double-headed; smaller drum is called ketipung, larger one is called kendang gending
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the central and more ornate melody in a javanese gamelan; it is never heard, and exists only in the minds of the players
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the core melody played by the saron metallaphones that often dominate the javanese gamelan compositions; it forms a middle ground between the slowly sounding gongs and the faster melodic instruments
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literally the "flowering" of the music; guided by the same mode, contour, and the other melodic forces that form the rest of the music; the heart of the javanese gamelan performance
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certain known patterns in the javanese gamelan that ultimately coincide with the balungan at the ends of phrases
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often translated as "mode" but includes a heirarchy of stressed and unstressed tones and characteristic motives
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the pattern of regular punctuation of the composition by certain gong strokes
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the large phrase defined by the duration between successive gong notes
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the amount of notes that are played per beat
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relationships between the rhythmic densities of various instruments to the beat
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cipher notation in which numbers represent pitches
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style of balinese gamelan; large ensemble not only plays for the dance after which it is named, but also accompanies other dances, ceremonial and occasional music, and unaccompanied instrumental performances; literally means "to flare up like the lighting of a match"; explosive, non-pulsitile introductions
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lead metallaphone player in a balinese gamelan
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slow-moving, core melody of a balinese gamelan; played by softer single instruments
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collectively, the metallapones that play fast figuration in a balinese gamelan
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traditional dance that is found commonly in the repertoire of a gamelan gong kebyar; solo dancer represents the character depicted in the mask
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short repeated melodies that are part of the topeng
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movement made by the dancer in a topeng that cues the drummer who then cues the rest of the gamelan
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one of bali's most famous forms of music; no instruments; shouts, chants and songs of bare-chested men, they become the gamelan.
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most dazzling technique of the kebyar style; type of figuration where the players of the metallaphones divide into two parts which consist of fast, complex syncopations, which form a very fast composite melody that interlocks the two parts
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most famous dance in Bali; about a mythical dragon-like animal that is the holy protector of a village; two men dress up in an elaborate costume
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