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| The material on or from which an artist chooses to make a work of art |
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A picture reproduced on paper,
often in multiple copies |
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Transparent paint made from pigment
and a binder dissolved in water |
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Relating to the Middle Ages; roughly, between the fall of the Roman Empire
and the Renaissance |
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| A period of cultural and artistic change in Eurpope from the 14th to the 17th century |
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| The art of emotive or carefully descriptive hand lettering or handwriting |
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| Fire-hardened clay, often painted, and normally sealed with shiny protective coating |
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| An organization or individual who sponsors the creation of works of art |
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Medieval associations of artists,
craftsmen, or tradesmen |
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| Institutions training artists in both the theory of art and practical techniques |
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The record of all known previous owners
and locations of a work of art |
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| A painting executed directly on to a wall |
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| Design school founded in Weimar, Germany, in 1919 |
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| Colors (such as blacks, whites, grays, and dull gray-browns) made by mixing complementary hues |
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| Paint made of pigment suspended in oil |
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| Hard, creamy-colored material from the tusks of such mammals as elephants |
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| Leonardo da Vinci, Mona Lisa, 1503. Oil on wood, Musee du Louve, Paris, France |
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