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Mona Lisa
Leonardo Da Vinci
"Universal Man"
used sfumato = smoky hazy atmosphere |
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Last Supper
Leonardo da Vinci
oil & tempera |
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Assumption of the Virgin
Correggio
Parma Cathedral dome
illusionistic ceiling painting = his biggest contribution |
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School of Athens
Raphael
Stanza della Signatura, Rome (Pope's Library)
Aristotle & Plato center figures |
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Sistine Chapel Ceiling
Michelangelo |
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Moses
Michelangelo
for tomb of Pope Julius II |
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Last Judgement
Michelangelo
Sistine Chapel, Rome
-influenced by religions climate of Protestant revolts |
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Tempietto
Donato Bramante
Rome |
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| method used by Bramante in designing St. Peter's |
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ideal church plan of the High Renaissance
During the Renaissance the ideal church plan tended to be centralized; that is, it was symmetrical about a central point, as is a circle, a square, or a Greek cross (which has four equal arms). Many Renaissance architects came to believe that the circle was the most perfect geometric form |
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facade of Il Gesu
Giacomo da Vignola (plan)
Giacomo della Porta (facade)
-model of many churches for 2 centuries
-no aisles
-'volutes' serve as transition from higher upper to the wider lower stories |
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mannerism = art as basis of an art style, not nature
-intricate and learned allegories
-elongation
-ambiguous space
-jarring colors |
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Maddona with the long Neck
Parmigianino |
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Villa Rotunda
Andrea Palladio
-Palladio's ideas were influential in England & American architecture |
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Church of San Giorgio Maggiore
Palladio
-Venice |
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Venus of Urbino
Titian
-established oil on canvas tradition |
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Feast in the House of Levi
Veronese
-originally known as the Last Supper
-changed after Inquisition questioned appropriateness
-huge oil on canvas
-Veronese specialized in large pageant scenes |
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