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Nicola Pisano. Nativity, detail of Pisa Pulpit 1260. (Marble)
Early Renaissance
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Definition
Giotto. Madonna Enthroned. 1310. Tempera
Early Renaissance
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Definition
Robert Campin. Merode Altarpiece. 1425-30. Oil on panel.
Northern Renaissance
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Definition
Hubert /Jan van Eyck. Ghent Altarpiece. 1432. Oil on panel.
Northern Renaissance
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Definition
Jan van Eyck. The Arnolfini Wedding Portrait. 1434. Oil on panel.
Northern Renaissance
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Definition
Bosch. The Garden of Earthly Delights. 1510-15. Oil on panel.
Northern Renaissance
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Definition
Ghiberti. The Sacrifice of Isaac. Competition panel. 1401-1403.
Gilt bronze relief
Early Renaissance
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Definition
Masaccio. Trinity. 1425-28. Fresco
Early Renaissance
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Definition
Donatello. David. 1425-1430. Bronze
Early Renaissance
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Definition
Pollaiuolo. Battle of the Nudes. 1465-1470. Engraving
Early Renaissance
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Definition
Botticelli. Birth of Venus. 1484-86. Tempera
Early Renaissance
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Definition
Leonardo. The Last Supper. 1495-98. Oil and tempera
High Renaissance
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Definition
Leonardo da Vinci. Mona Lisa. 1503-5. Oil on panel.
High Renaissance
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Definition
Michelangelo. David. 1501-4. Marble
High Renaissance
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Definition
Michelangelo. The Creation of Adam. 1508-12. Sistine Chapel Ceiling. Fresco
High Renaissance
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Definition
15.22. Ghiberti. Gates of Paradise. Baptistery of San Giovanni, Florence. Gilt bronze.
Early Italian Renaissance |
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Definition
16.20. Michelangelo. The Fall of Man and The Expulsion from the Garden of Eden. 1508-12. Fresco
High Italian Renaissance |
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Definition
16.25. Raphael. The School of Athens. c. 1501-11. Fresco
High Italian Renaissance |
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Definition
17.8. Bronzino. Allegory of Venus. 1546. Oil on panel.
Mannerism
(Venus is cupids mother, Incest – grabbing cupids arrow, or is she disarming cupids arrows, father time revealing the curtain to show the scene of incest, the screaming figure is a representation of jealousy and Fraud, the little girl is a monster has legs and claws of a lion and a serpants tail and her hands are on backwords one hand has a honeycomb and the other has a stinger possibly representing the fraud of relationships, the boy with the flowers is a representation of happiness and joy, looks as if he is painting marble, distortion of cupids body, bright use of the blue paint is odd, everything in this scene is artificial) |
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Definition
17.12. Michelangelo. Last Judgment. 1534-41. Fresco
Mannerism |
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Definition
17.17. Michelangelo. St. Peter’s, Rome. 1546-64.
Italian Renaissance/Mannerism |
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Term
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Definition
17.27. Parmigianino. The Madonna with the Long Neck. c. 1535. Oil on panel
Mannerism (Extreme Elongation – fingers, bodies, Christ the baby in lap, arms represent the cross, Unstable pyramidal construction – unbalanced people, at the time considered very erotic because of the naked leg, the little man at the bottom, only one column) |
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Definition
17.30. Titian. Venus of Urbino. 1538. Oil on canvas
Venetian Renaissance |
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Definition
18.13. Grunewald. Isenheim Altarpiece. 1509-1515. Oil on panel
16th Century Northern Renaissance
(confrontation of death is something that the people can relate too) |
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Term
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Definition
18.19. Durer. Self-Portrait. 1500. Oil on panel
16th Century Northern Renaissance
(Expression with his hand, looks like christ, morphed as christ himself, relationship to the benediction, rise of the individual, transformed himself into a religious icon Christ) |
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Definition
19-3. Caravaggio. Conversion of St. Paul. c. 1601. Oil on canvas
Italian Baroque |
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Definition
19.5. Gentileschi. Judith and Her Maidservant with the Head of Holofernes. 1625. Oil on canvas
Italian Baroque |
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Definition
19.29. Bernini. David. 1623. Marble
Italian Baroque |
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Definition
19.38. Velasquez. Las Meninas (Maids of Honor). 1656. Oil on canvas
Spanish Baroque |
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Definition
20.1. Rubens. Raising of the Cross. 1610-11. Oil on panel
Northern Baroque |
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Definition
20.25. Rembrandt. Self-Portrait. 1658. Oil on canvas
Northern Baroque |
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Definition
20.34. Vermeer. Woman Holding a Balance. c. 1664. Oil on canvas
Northern Baroque |
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Definition
15.2. Brunelleschi. Dome of Florence Cathedral. 1420-36
Early Italian Renaissance |
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Term
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Definition
Highly Realistic - There is almost no abstraction or distortion of either human forms or objects in Northern Renaissance art.
Extremely Detailed - Every detail, no matter how small, is painstakingly painted.
Symbolism - Objects are often used as symbols that carry hidden meanings.
Unidealized Figures - Human figures are totally unidealized. They often look thin and pale. There is almost no Classical influence here at all.
Printmaking - The use of woodcut becomes a common way to produce images. |
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