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Masaccio, Tribute Money, 1425 |
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Fra Angelico, Annunciation, 1440 |
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Sandro Botticelli, Birth of Venus, 1480 |
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Robert Campin, Merode Altarpiece, 15th century |
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Jan van Eyck, Arnolfini Portrait, 15th century |
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Rogier van der Weyden, Deposition, 15th century |
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Hugo van der Goes, Portinari Altarpiece, 15th century |
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| Donato Bramante, Tempietto, 1502-3 |
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Leonardo da Vinci, Mona Lisa, 1503-5 |
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Michelangelo, David, 1501-4 |
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Michelangelo, Fall of Man, 1510 |
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Raphael, Madonna of the Meadow, 1505 |
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Giorgione, Pastoral Concert, 1510
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a type of perspective used by artists in which the relative size, shape, and position of objects are determined by drawn or imagined lines converging at a point on the horizon.
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| an effect of contrasted light and shadow created by light falling unevenly or from a particular direction on something |
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| painting done rapidly in watercolor on wet plaster on a wall or ceiling, so that the colors penetrate the plaster and become fixed as it dries |
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describes how much painting can be done in a single day of painting. |
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| a modern term used to designate a tradition of philosophy that arose in the 3rd century AD based on the ancient greek philosopher Plato |
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| an Italian Dominican friar and preacher active in Renaissance Florence. He was known for his prophecies of civic glory, the destruction of secular art and culture, and his calls for Christian renewal |
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a type of slow-drying paint that consists of particles of pigment suspended in a drying oil, commonly linseed oil |
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when objects in a painting are placed at an angle to the picture plane, but their linear elements don’t converge at a single point; an illusion of depth is suggested, but the space doesn’t seem coherent. |
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method of creating the illusion of depth, or recession, in a painting or drawing by modulating colour to simulate changes effected by the atmosphere on the colours of things seen at a distance. |
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atmospheric/aerial perspective |
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a branch of art history, studies the identification, description, and the interpretation of the content of images: the subjects depicted, the particular compositions and details used to do so, and other elements that are distinct from artistic style. |
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| a smoky-like quality to a painting; hazy |
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The Warrior Pope. His papacy was marked by an active foreign policy, ambitious building projects, and patronage for the arts—he commissioned the destruction and rebuilding of St. Peter's Basilica, plus Michelangelo's decoration of the ceiling of the Sistine Chapel |
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an Italian painter, architect, writer, and historian, most famous today for his Lives of the Most Excellent Painters, Sculptors, and Architects, considered the ideological foundation of art-historical writing. |
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| Linear perspective, humanism, classicism, Individualism Emotion (kind of) |
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Early Italian Renaissance Style (Painting) |
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| Dynamism and Expresion, Oil Paint, Depth of Symbolism, personal empirical vision, telescopic vision |
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| Pyramid, Flemish influence, naturlastic, atmospheric perspective, oil painting, traits from EIR, figures are mounmental, Sfumato, chiaroscuro |
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High Italian Renaissance Style |
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| A little odd (compared to HIR), landscapes, depth, realistic space of figures, oil painting |
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Venetian High Renaissance Style |
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