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Ucello Battle of San Romano 1440s foreshortening of horse seccular most monumental piece |
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Donatello David 1440s body of an adolecent standing on head of Goliath earliest suriving nearly lifesize nude |
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Michelozzo Medici Palace 1444 rustification Medici shield medieval architecture |
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Rossellino Rucellai Palace 1446 features roundels features the Rucellai coat of arms classical elements |
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Alberti Malatesta Temple 1450 incomplete roundels framed with wreaths triumphal arches |
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Della Francesca Baptism of Christ 1452 tree of knowledge main altarpiece christ in slight contrapasto pose |
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Della Francesca Madonna and Child with Saints 1472 coffered celing Mary seen as new Venus scallop shell and coral neclace, products of the sea |
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Donatello Mary Magdalen 1455 wood slight contrapasto aged and worn |
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Botticelli La Primavera 1480 continuous narrative pagan thought Madonna or Venus? |
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Botticelli Birth of Venus 1480 Madonna of the sea goddess in contrapasto pose anatomy of a classical figure |
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Mantenga San Zeno Altarpiece 1456 fruit=fertility coral beads=rebirth scenes inserted in ancient temple front |
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Mantenga St.Sebastian 1450 naturalism ancient architectural and sculptural ruins resembles Roman buildings |
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Gentile Bellini Portrait of Sultan Mehmet II 1480 Islamic cloth draped knight of Ottoman Empire round arches, square columns |
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Gentile Bellini Procession of the Reliquary of the True Cross 1496 Byzantine church civic harmony oil on canvas |
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Giovanni Bellini Madonna of the Meadow 1500 less sculptural figures illusion of death (crow) iconography (shows mary's future) |
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Giovanni Bellini San Zaccaria Altarpiece 1505 features St.Lucy corinthian pilasters egg=virgin's birth |
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Giovanni Bellini St.Francis 1485 skull=death of christ rock curves in response to outstretched arms barefoot=standing on holy ground |
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Verocchio Baptism of Christ 1470 angels done by Da Vinci dove of the holy spirit black bird=death |
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Da Vinci Annunciation 1470 sfumato technique sarcophugus foreshortened w/ scallop shell=rebirth |
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Da Vinci Vitruvian Man 1485 done in pen and ink located in Venice shows the symmetry of a man |
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Da Vinci Lady with Ermine 1485 mistress ermine used for capes of kings and queens makes her look royal |
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Da Vinci The Last Supper 1495 1 point perspective to head of Christ problematic figure to left of christ (Mary?) arms open, precursor to crucifixtion |
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Da Vinci Madonna and Child with St.Anne 1503 sfumato technique lamb=lamb of god Christ is the good shepherd |
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Da Vinci Mona Lisa 1503 sfumato technique located in the Louvre different pallette for foreground and background |
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