-1296- tuscany

-dome engineered by brunolleschi

-octagonal dome

-original floor plan- bramante 1505

-nave addition- carlo maderno+toward obelisk

-completed dome- Giacomo Della Porto

-Piazza+baldachino+throne- bernini 

-completed greek cross plan- michelangelo

-canopy 90 ft high- pantheon portico

-small cupola- vignola

-piazza obliqua + retta

-columns get smaller more vertical emphasis on facade

-massive dome - 16 ribs- not octagonal - taller less outward thrust

-Giacomo Vignola 1568

-order society of jesus

review elevation terms

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- Rome, near spanish embassy

- arch : Specchi and M.B. - Sanctis

- begins at fountain, ended at trinita dei monti

-1723

-1502 - renaissance

-bramante

-centered door was impossible

- circular dome

-tuscan columns

-doric entablature

-perfect proportions

- S carlo alle quattro fontane

-also has funky floor plan-thick walls

- Francesco Borromini (bernini rival)

-oval, axis leading to altar

-stretched greek cross plan

-complex plan, equi triangles- interlocking circles

-geometry reliant (no Golden section)

-paired columns

-richly coffered dome +oculus- hexagons-

-facade - concave+convex complex

-praying figures create vertical theme

-undulating entablature

Villa Rotunda- 1566

-Palladio

-place- vicenza

-square in plan

-Loggias on all four fronts

-perfect use of golden sections

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St Pauls Cathedral- 1675

- Wren (life work)

-original "too roman"

-"warrant design" - latin cross design

-woodcarver : Grinling Gibbins

-Ironworker - Jean Jijou

-used triple dome:

dome masonry

cone

wood superstructer covered with lead exterior dome

series of number

1+1+2+3+5+8+13+17 so on etc...

A is proportional to B, and B is proportional to C

same time A= B+C and so on.