ROY LICHTENSTEIN, Hopeless, 1963. Pop Art, USA.

·       ANDY WARHOL, Marilyn Diptych, 1962. Pop Art, USA.

·       AUDREY FLACK, Marilyn, 1977. Photo-Realism, USA.

·       DUANE HANSON, Supermarket Shopper, 1970. Hyperrealism, USA.

·       ANDY WARHOL, Green Coca-Cola Bottles, 1962. Pop Art, USA.

·       R. CRUMB (Robert Crumb), Keep on Truckin' , 1968. Underground comics, USA. 

• NAM JUNE PAIK, Video still from Global Groove, 1973. Color videotape, sound, 30 minutes. Video Art, USA.

• GEORGE BRECHT, b.1926, Event Scores. Ca. 1962. Performance Art (Fluxus), USA.

• YOKO ONO, Cut Piece. First performed 1964 at the Sogetsu Art Center in Tokyo. Performance Art, Japan, USA.

• SOL LEWITT, Six Curved Walls, 2004, Syracuse University. Conceptual Art, USA.

• JOSEPH KOSUTH, One and Three Chairs, 1965. Conceptual Art, USA.

• EVA HESSE, (1936-1970), Hang-Up, 1965–1966. “NON-ART,“ (Minimalist/Conceptual), USA.

• BRUCE NAUMAN, (b. 1941) The True Artist Helps the World by Revealing Mystic Truths (Window or Wall Sign), 1967. Conceptual, USA. 

• JOSEPH BEUYS, (1921-1986), How to Explain Pictures to a Dead Hare, a performance piece, 1965. Style: Beuys, just Himself (which is quite enough), German,

• YVES KLEIN, Leap into the Void, 1960. Conceptual & performance art, France.

• JUDY CHICAGO, (born Judy Cohen in 1939), American, The Dinner Party, 1979. Feminist Art, USA.

• BETYE SAAR, The Liberation of Aunt Jemima, 1972. Art & Politics, USA.

• ADRIAN PIPER, (b 1948), American. Calling Card, ca. 1986. Art & Politics, USA.

• BARBARA KRUGER, American, (born 1945 in Newark, New Jersey) dropped-out of SU art school, Untitled (I shop therefore I am), 1987. Art & critique, USA.

• KRZYSZTOF WODICZKO, The Homeless Projection, 1986. Outdoor slide projection at the Soldiers and Sailors Civil War Memorial, Boston. Organized by First Night, Boston. Video & Installation Art, Poland, USA.

• HAYAO MIYAZAKI & Studio Ghibli, MY NEIGHBOR TOTORO, 1988. Anime, Japan.

• MIRIAM SCHAPIRO, (b 1923), American, Pattern Painting & founder of Feminist Art Program, Anatomy of a Kimono (section), 1976. Feminist art, Art & identity, USA.

• FAITH RINGGOLD, (b 1930), American, Who’s Afraid of Aunt Jemima?, 1983. Feminist art, Art & identity, USA. The role of quilting, needlework, fabric, sewing.

• CINDY SHERMAN, (b 1954), Untitled Film Still #35, 1979. Feminist art, Art & identity, USA.

• ADRIAN PIPER, (b 1948), American, Cornered, 1988. Art & identity, USA.

• ROBERT ARNESON, (1930-1992) American, California Artist, 1982. Art & identity, USA.

• HANNAH WILKE, (1940-died of lymphoma in 1993), American, S.O.S.—Starification Object Series, 1974-82. Feminist art, Art & identity, USA. 

• ANA MENDIETA, (1948-1985), Cuban-American, Flowers on Body, 1973. 1^st of Silueta Series. Feminist art, Art & identity, USA.

• LORNA SIMPSON, (b 1960), American, Stereo Styles, 1988. Feminist art, Art & identity, USA.

• JAUNE QUICK-TO-SEE SMITH, (b 1940, Flatrock Reservation, Montana), Native American (Shoshone, Salish, Cree), Trade (Gifts for Trading Land with White People), 1992. Art & identity, USA.

• CHRIS OFILI, (b 1968) British, The Holy Virgin Mary, 1996. Art & Controversy, British.

• RICHARD SERRA, American, Tilted Arc, 1981. Sire-specific art, USA.

• MAYA YING LIN (b. 1959), Vietnam Veterans Memorial, Washington, D.C., 1981–1983. Memorial art & minimalism, USA

• MAGDALENA ABAKANOWICZ, 80 Backs, 1976–1980. Art & the human body, Poland.

• ROBERT SMITHSON, American, Spiral Jetty, 1970. Earth art, site-specific, USA.

• BARBARA KRUGER, American, (born 1945 in Newark, New Jersey) dropped-out of SU art school, Untitled (Your Gaze Hits the Side of My Face), 1983. Art & critique, USA.