Term
|
Definition
|
school of pisa - 12th c. - panel
ugly, christ alive and floating
christus triumph
images in terminals and behind torso
in siena, romanesque
|
|
|
Term
|
Definition
|
school of pisa - 1230 - panel
like #15 but gold and christ dead
suffering christ started in old st peters
|
|
|
Term
| St Francis with scenes from his life |
|
Definition
|
Bonaventura Berlinghieri - 1235 - panel
black robed st frances in gold house
st. francis started the set-up manger thing
|
|
|
Term
| Coppo di Marcovaldo
madonna and child |
|
Definition
|
1265- in orvieto
gold, mary has on crown and head bent, christ looks like little man.
striations on lap-byzantine style
early christian, ornate
|
|
|
Term
| Enthroned Madonna and Child with Angels and Prophets |
|
Definition
|
cimabue - 1280 - tempura on wood
for sta trinita in florence
stacked heads - pre-giotto where halos cover faces
|
|
|
Term
|
Definition
|
1285 - panel
dull color, christ kind of slumped with graceful arch
|
|
|
Term
|
Definition
|
nicola pisano - 1259
both nativity and crucifiction marble
romanesque- mary in center looks very strong like in cleopatra pose
|
|
|
Term
| Mary sister of moses- mirium |
|
Definition
|
giovanni pisano - marble - 1284
from fascade of siena cathedral
neck craned out so you can see from below
|
|
|
Term
|
Definition
|
Giovanni Pisano - 1298 - marble. ornate, animals at bottom of some columns
nativity and crucifiction scenes on top
|
|
|
Term
| Madonna and child for Arena Chapel |
|
Definition
|
Giovanni pisano - 1305 - marble
mary and christ look at eachother
|
|
|
Term
|
Definition
|
1246 - in Florence
gothic arches with islamic looking b&w alt. on edges
|
|
|
Term
|
Definition
|
1492 - in florence
very gold, very busy
with christ as my homie in center of vault
|
|
|
Term
|
Definition
|
1305 - Giotto - fresco in Padua
commission by enrico scrovegni
blue chapel
|
|
|
Term
| Enthroned Madonna with Saints |
|
Definition
|
giotto - 1305 - panel
halos cover faces
for church of the ognissanti in florence
|
|
|
Term
|
Definition
|
giotto - 1320's - fresco
bardi chapel, S. croce, in florence
francis in center laying down, clergy members surround most with heads bowed
pink back with teal sky
|
|
|
Term
|
Definition
|
andrea pisano - 1334 - marble
from companile in florence
god bent over handing something to adam
in square
|
|
|
Term
| Stimatization of St. Francis |
|
Definition
|
giotto - 1320's - fresco
bardi chapel in s. croce in florence
christ above francis, gold lines connect the two showing places of stimata
feet,hands,ribs
|
|
|
Term
| Annunciation to the Shephards |
|
Definition
|
Taddeo Gaddi - 1328
baroncelli chapel, s. croce, florence
setup like giottos stimata
gold angel on top guy looking back w/ animals on bottom
|
|
|
Term
| Salome Presenting the Baptist's Head to Herodias |
|
Definition
|
andrea pisano - 1330 - bronze
from the south doors of florence baptistry
in quatrafoil frame
|
|
|
Term
|
Definition
|
Duccio - 1285 - tempura and gold leaf on panel in florence
like cimabue and giotto's but only six angels in colored garments
|
|
|
Term
| Enthroned Madonna and Child |
|
Definition
|
duccio - 1308 - tempura on panel
from Maesta Alterpiece for siena cathedral
nativity, entry into jerusalem, and crucifiction. long rectangle, bunch of squared off scenes. gold.
|
|
|
Term
| St. Louis of Toulouse Crowning Robert of Anjou, King of Naples |
|
Definition
|
Simone Martini - 1317 - panel
very gold, just the two people. high dec border. angels have hands on his crown
|
|
|
Term
| Simone Martini's Annunciation |
|
Definition
|
1333 - tempura and g. l. on panel
for secondary altar in Siena Cathedral
Almost all gold but Mary in black, she shys away, angel has plant in his hand
|
|
|
Term
| The Blessed Agostino Novello and Four of his Miracles |
|
Definition
|
Simone Martini - 1330 - temp/g.l on panel
in Siena him with black robe and red book
head cocked like he's listening
|
|
|
Term
|
Definition
|
Simone Martini - 1340 - temp on panel
bright color, crowded, christ carring cross in red
|
|
|
Term
|
Definition
|
Pietro Lorenzetti - 1340 - temp on panel
for secondary altar in siena cathedral
floor and bed show the depth. mostly black orange green and gold. mary cut in half by the panels. baby washed in front center
genre touch on left
|
|
|
Term
| Presentation in the Temple |
|
Definition
|
Ambrogio Lorenzetti - 1342 - temp on panel
2ndary altar in siena cathedral
where blind holds christ recognize as messiah. ref to holy seplicur on top
|
|
|
Term
| Allegory of Good and Bad Government |
|
Definition
|
Ambrogio Lorenzetti - 1338 - fresco
landscapes, inticate on top and bottom
|
|
|
Term
| Enthroned Christ with Madonna and Saints |
|
Definition
|
Andrea Orcagna - 1354 - temp on panel
strozzi chapel, s. m. novella florence
split with traditional ideas on R and the domincan ideas on L
|
|
|
Term
|
Definition
|
Fillipo Brunelleschi - 1419 - florence
orphanage, long line of arches
detail of child wrapped-ref. to taking in children
|
|
|
Term
|
Definition
|
Fillipo Brunelleschi - 1418 - Florence
S. Lorenzo. used for burial, square floor plan
|
|
|
Term
| Dome for Cathedral of Florence |
|
Definition
|
Fillipo Brunelleschi - 1420
dome seperated by windows->seperate realm
double shelled and herring bone brick pattern kept it strong
|
|
|
Term
|
Definition
|
Medici Palace in Florence
a lot of striations, all white
|
|
|
Term
|
Definition
|
rough finish on buildings
|
|
|
Term
|
Definition
|
|
Term
|
Definition
|
giotto took hold of this. he his thought to be the ultimate "observer of nature" of the time.
|
|
|
Term
|
Definition
|
grey figures meant to be artificial statues, not actual people
|
|
|
Term
|
Definition
|
figures meant to stand for idea
|
|
|
Term
|
Definition
|
most expensive form of dec. esp. certain blue color.
sinopia, intonacco, arriccio, giornata
|
|
|
Term
|
Definition
|
town hall, built like fortress
crenalation to shoot arrows from
embattlement rustification
|
|
|
Term
|
Definition
|
important b/c italy was dangerous
|
|
|