Term
|
Definition
Mark Rothko, White and Greens in Blue, 1957
-used layers upon layers of translucent paint |
|
|
Term
 19.47 |
|
Definition
| John Chamberlain, Dolores James, 1962 |
|
|
Term
 19.51 |
|
Definition
| Louise Bourgeois, Cumul I, 1968 |
|
|
Term
 20.39 |
|
Definition
| Lucio Fontana, Spatial Concept or Concetto Spaziale (Attese), c. 1960 |
|
|
Term
 20.52 |
|
Definition
| Lucian Freud, Reflection (Self-Portrait), 1983-85 |
|
|
Term
 20.57 |
|
Definition
Barbara Hepworth, Squares with Two Circles (Monolith), 1963
-monolith
-bronze
|
|
|
Term
 21.1 |
|
Definition
| Richard Hamilton, Just what is it that makes today’s homes so different, so appealing? 1956 |
|
|
Term
 21.4 |
|
Definition
| Peter Blake, On the Balcony, 1955-57 |
|
|
Term
 21.5 |
|
Definition
| R.B. Kitaj, The Autumn of Central Paris (After Walter Benjamin), 1972-73 |
|
|
Term
 21.6 |
|
Definition
| David Hockney, A Bigger Splash, 1967 |
|
|
Term
 21.10 |
|
Definition
| Robert Rauschenberg, Bed, 1955 |
|
|
Term
 21.12 |
|
Definition
| Robert Rauschenberg, Estate, 1963 |
|
|
Term
 21.14 |
|
Definition
| Jasper Johns, Target with Plaster Casts, 1955 |
|
|
Term
 21.16 |
|
Definition
| Jasper Johns, Painted Bronze, 1960 |
|
|
Term
 21.20 |
|
Definition
| Allan Kaprow, Photograph from Household, a Happening commissioned by Cornell University, 1964 |
|
|
Term
 21.23 |
|
Definition
| George Segal, The Diner, 1964-66 |
|
|
Term
(book-> man sitting in store w/ all objects made by hand)
21.25 |
|
Definition
Claes Oldenburg, seated in The Store, 107 E. 2nd St., New York, December 1961
-bought a store and studio
-made everything in the store (minus display cases/shelves)
-hangers, elaborate/expressive shoes, dresses, etc.
|
|
|
Term
|
Definition
| Claes Oldenburg, Floor Cake (Giant Piece of Cake), 1962 |
|
|
Term
 21.37 |
|
Definition
| Larry Rivers, Dutch Masters and Cigars II, 1963 |
|
|
Term
 21.38 |
|
Definition
| Roy Lichtenstein, Whaam! 1963 |
|
|
Term
 21.40 |
|
Definition
| Roy Lichtenstein, Artist’s Studio: The Dance, 1974 |
|
|
Term
 21.42 |
|
Definition
| Andy Warhol, 210 Coca-Cola Bottles, 1962 |
|
|
Term
 21.45 |
|
Definition
| Andy Warhol, Last Self-Portrait, 1986 |
|
|
Term
 21.46 |
|
Definition
James Rosenquist, F-111, 1965
-prob most famous work
-made to fit Leo Castelli's galler perfectly
-bought at gallery for 40 thousand dollars (most ever to living artist)
|
|
|
Term
 21.48 |
|
Definition
| Tom Wesselmann, Great American Nude #57, 1964 |
|
|
Term
 21.49
like this but minsu 'the figure 5' and on a slanted square canvas (diamond) |
|
Definition
| Robert Indiana, The Demuth Five, 1963 |
|
|
Term
 21.52 |
|
Definition
| Marisol, The Family, 1962 |
|
|
Term
 21.53 |
|
Definition
| Wayne Thiebaud, Pie Counter, 1963 |
|
|
Term
 21.55 |
|
Definition
Edward Kienholz, The State Hospital, 1966
-constructed walls for piece
-darker
-fishbolws w/fish in face
-neon light 'think'bubble->thinking/dreaming of exactly what is happening, can't even have something better in his dreams
|
|
|
Term
 21.56 |
|
Definition
Jess, Will Wonders Never Cease: Translation #21, 1969
-instead of refereingcing comic books , he does kids books
-take ready made imagery and alters it (like lichenstein) but adds more of a tctile element
|
|
|
Term
 21.58 |
|
Definition
| Edward Ruscha, Every Building on the Sunset Strip, 1966 |
|
|
Term
 21.59 |
|
Definition
| Luis Jiménez, Man on Fire, 1969 |
|
|
Term
 21.61 |
|
Definition
| Yves Klein, Leap into the Void, 1960 |
|
|
Term
 21.64 |
|
Definition
| Jean Tinguely, Homage to New York, 1960 |
|
|
Term
 21.65 |
|
Definition
| Niki de Saint-Phalle, Black Venus, 1965-67 |
|
|
Term
 21.68 |
|
Definition
| Arman, Long-Term Parking, 1982 |
|
|
Term
 21.72 |
|
Definition
| Christo and Jeanne-Claude, Wrapped Reichstag, Berlin, 1971-95 |
|
|
Term
 21.74 |
|
Definition
| Piero Manzoni, Achrome, 1959 |
|
|
Term
 21.77 |
|
Definition
| Robert Frank, Political Rally, Chicago, 1956 |
|
|
Term
 21.83 |
|
Definition
| Duane Michals, Paradise Regained, 1968 |
|
|
Term
 21.85 |
|
Definition
| Eddie Adams, Vietnamese General Executing Vietcong, 1968 |
|
|
Term
|
Definition
| Sam Francis, Untitled, No. 11, 1973 |
|
|
Term
 22.4
(the book has different colors) |
|
Definition
| Helen Frankenthaler, Interior Landscape, 1964 |
|
|
Term
 22.6 |
|
Definition
| Morris Louis, Kaf, 1959-60 |
|
|
Term
 22.8
(sorry about the pixelation) |
|
Definition
| Jules Olitski, High a Yellow, 1967 |
|
|
Term
 22.9 |
|
Definition
| Larry Poons, Nixes Mate, 1964 |
|
|
Term
 22.12 |
|
Definition
| Richard Diebenkorn, Ocean Park No. 54, 1972 |
|
|
Term
 22.15 |
|
Definition
| Cy Twombly, Untitled, 1978 |
|
|
Term
 22.18 |
|
Definition
| Ellsworth Kelly, Untitled (Mandorla), 1988 |
|
|
Term
 22.20 |
|
Definition
| Kenneth Noland, A Warm Sound in a Gray Field, 1961 |
|
|
Term
 22.25 |
|
Definition
| Al Held, Mantegna’s Edge, 1983 |
|
|
Term
 22.27
(book-> more red & lime green) |
|
Definition
| Victor Vasarely, Vega Per, 1969 |
|
|
Term
 22.28 |
|
Definition
| Bridget Riley, Drift No. 2, 1966 |
|
|
Term
 22.31 |
|
Definition
| Alexander Calder, La Grande Vitesse, 1969 |
|
|
Term
 22.35 |
|
Definition
| Chryssa, Ampersand III, 1966 |
|
|
Term
 22.38 |
|
Definition
| Robert Irwin, 9 Spaces, 9 Trees, 1983 |
|
|
Term
 22.40 |
|
Definition
| Anthony Caro, Riviera, 1971-74 |
|
|
Term
 22.41 |
|
Definition
| Frank Stella, Jasper’s Dilemma, 1962-63 |
|
|
Term
 22.46 |
|
Definition
|
|
Term
 22.47 |
|
Definition
| Donald Judd, Untitled, 1965 |
|
|
Term
 22.50 |
|
Definition
| Ronald Bladen, The X, 1967 |
|
|
Term
 22.51 |
|
Definition
| Robert Morris, Exhibition, Green Gallery, New York, 1964 |
|
|
Term
 22.53 |
|
Definition
| Sol LeWitt, Wall Drawing No. 652, on Three Walls, Continuous Forms with Color in Washes Superimposed, 1990 |
|
|
Term
 22.55 |
|
Definition
| Carl Andre, 37 Pieces of Work, Fall 1969 |
|
|
Term
 22.57 |
|
Definition
| Richard Serra, One Ton Prop (House of Cards), 1969 |
|
|
Term
 22.58 |
|
Definition
| Agnes Martin, Night Sea, 1963 |
|
|
Term
 22.60 |
|
Definition
| Robert Ryman, Classico III, 1968 |
|
|
Term
 22.62
(book-> bottom left corner is not attatched/complete) |
|
Definition
| Robert Mangold, Untitled, 1973 |
|
|
Term
 22.63
(book-> all tan) |
|
Definition
| Brice Marden, The Dylan Painting, 1966 |
|
|
Term
 22.65 |
|
Definition
| Dorothea Rockburne, Indication Drawing Series: Neighborhood from the wall series Drawing Which Makes Itself, 1973 |
|
|
Term
 22.67 |
|
Definition
| Jo Baer, Untitled (Wraparound Triptych – Blue, Green, Lavender), 1969-74 |
|
|
Term
 22.69 |
|
Definition
| Bernd and Hilla Becher, Water Towers, 1980 |
|
|
Term
 24.1 |
|
Definition
| Joseph Kosuth, One and Three Chairs, 1965 |
|
|
Term
 24.3 |
|
Definition
| Hans Haacke, Shapolsky et al., Manhattan Real Estate Holdings, a Real-Time Social System, as of May 1, 1971, 1971 |
|
|
Term
 <- this installed at this -> 24.4 |
|
Definition
| Daniel Buren, Untitled, 1973 |
|
|
Term
| Has an image (pyramids), story, and moral (Historical mispronounced sounds like hysterical) 24.5 |
|
Definition
| John Baldessari, “Art History” from the book Ingres and Other Parables, 1972 |
|
|
Term
(book-> SEPT.20.1966)
24.7 |
|
Definition
| On Kawara, The Today Series of Date Paintings, 1966 |
|
|
Term
 24.8 |
|
Definition
| Joseph Beuys, How to Explain Pictures to a Dead Hare, 1965 |
|
|
Term
 24.10 |
|
Definition
| Nam June Paik, TV Bra for Living Sculpture (worn by Charlotte Moorman), 1969 |
|
|
Term
  24.12 |
|
Definition
| Vito Acconci, Instant House, 1980 |
|
|
Term
 24.13 |
|
Definition
| Bruce Nauman, Self-Portrait as a Fountain, 1966-70 |
|
|
Term
24.16 |
|
Definition
| Chris Burden, All the Submarines of the United States of America, 1987 |
|
|
Term
 24.17 |
|
Definition
| Gilbert and George, The Singing Sculpture (“Underneath the Arches”), 1969 |
|
|
21.26
22.2
