Term
| http://upload.wikimedia.org/wikipedia/commons/0/08/Leonardo_da_Vinci_%281452-1519%29_-_The_Last_Supper_%281495-1498%29.jpg |
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Definition
The Last Supper
Leonardo da Vinci, 1495–1498
tempera on gesso, pitch and mastic
http://en.wikipedia.org/wiki/The_Last_Supper_%28Leonardo%29 |
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Term
| http://upload.wikimedia.org/wikipedia/commons/9/94/Sanzio_01.jpg |
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Definition
The School of Athens
Raphael, 1509–1510
http://en.wikipedia.org/wiki/The_School_of_Athens
Rapahel, school of Athens 0 1 pt perspected, center (You can compare this painting to Leo’s Last Supper)
Earth colors
Commissioned by a pope, now in the Vatican.
high renn, realism, humanism, center in the focus. this was to battle martin luther!!! |
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Term
| http://upload.wikimedia.org/wikipedia/commons/6/63/Michelangelos_David.jpg |
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Definition
David
Michelangelo, 1504
Carrara Marble
http://en.wikipedia.org/wiki/David_%28Michelangelo%29 |
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Term
| http://upload.wikimedia.org/wikipedia/en/2/2d/Titian-pastoral.jpg |
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Definition
Concert Champêtre (Pastoral Concert).
Louvre, Paris. A work which the Louvre now attributes to Titian, c. 1509
Giorgione
http://en.wikipedia.org/wiki/Giorgione |
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Term
| http://upload.wikimedia.org/wikipedia/commons/7/73/God2-Sistine_Chapel.png |
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Definition
The Creation of Adam
The Sistine Chapel ceiling, painted by Michelangelo between 1508 and 1512, is one of the |
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Term
| http://upload.wikimedia.org/wikipedia/commons/9/9a/Jacopo_Pontormo_004.jpg |
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Definition
The Deposition from the Cross (Pontormo)
Jacopo Pontormo, circa 1525–1528
oil on wood
http://en.wikipedia.org/wiki/The_Deposition_from_the_Cross_%28Pontormo%29 |
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Term
| http://upload.wikimedia.org/wikipedia/commons/3/3e/Tintosoup.jpg |
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Definition
The Last Supper (1594
Tintoretto
http://en.wikipedia.org/wiki/Tintoretto |
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Term
| http://upload.wikimedia.org/wikipedia/commons/c/c7/Albrecht_Dürer_026.jpg |
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Definition
The Four Apostles
Albrecht Dürer, 1526
Oil on lindenwood, 215 × 76 cm
http://en.wikipedia.org/wiki/The_Four_Apostles |
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Term
| http://www.octc.kctcs.edu/crunyon/Eng262/01-neoclassicism/01-intro/bernini_david.jpg |
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Definition
David
Gian Lorenzo Bernini, 1623-1624
Marble
Rome, Galleria Borghesehttp://en.wikipedia.org/wiki/David_%28Bernini%29 |
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Term
| http://upload.wikimedia.org/wikipedia/en/b/bb/CaravaggioConversionPaul01.jpg |
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Definition
The Conversion of Saint Paul
Caravaggio, 1600/1601
Oil on cypress wood
http://en.wikipedia.org/wiki/The_Conversion_of_Saint_Paul_%28Caravaggio%29 |
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Term
| http://upload.wikimedia.org/wikipedia/commons/2/27/Michelangelo_Caravaggio_040.jpg |
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Definition
The Calling of Saint Matthew
Caravaggio, 1599-1600
Oil on canvashttp://en.wikipedia.org/wiki/The_Calling_of_St_Matthew_%28Caravaggio%29 |
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Term
| http://upload.wikimedia.org/wikipedia/commons/a/a4/Velazquez-Meninas.jpg |
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Definition
Las Meninas/maids of honor, completed in 1656
Velaquez
http://en.wikipedia.org/wiki/Diego_Velázquez |
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Term
| http://upload.wikimedia.org/wikipedia/commons/4/40/Frans_Hals_014.1633 |
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Definition
Hals, Archers of Saint Hadrian
1633
Hals is best known for his portraits, mainly of wealthy citizens. He also painted large group portraits, many of which showed civil guards. He was a Baroque painter who practiced an intimate realism with a radically free approach. His pictures illustrate the various strata of society; banquets or meetings of officers, sharpshooters, guildsmen, admirals, generals, burgomasters, merchants, lawyers, and clerks, itinerant players and singers, gentlefolk, fishwives and tavern heroes.
In group portraits, such as the Archers of St. Hadrian, Hals captures each character in a different manner. The faces are not idealized and are clearly distinguishable, with their personalities revealed in a variety of poses and facial expressions.
His first master at Antwerp was probably Van Noort but he then entered the atelier of painter and historian Carel van Mander. (Hals owned some Mander paintings, that were amongst the items sold to pay his bakery debt in 1652). He soon improved upon the practice of the time, as exemplified by Jan van Scorel and Antonio Moro, and gradually emancipated himself from traditional portrait conventions.
Hals was fond of daylight and silvery sheen, while Rembrandt used golden glow effects based upon artificial contrasts of low light in immeasurable gloom. Both men were painters of touch, but of touch on different keys — Rembrandt was the bass, Hals the treble. Hals seized, with rare intuition, a moment in the life of his subjects. What nature displayed in that moment he reproduced thoroughly in a delicate scale of color, and with mastery over every form of expression. He became so clever that exact tone, light and shade, and modeling were obtained with a few marked and fluid strokes of the brush. |
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Term
| What/When was the high rennissance like? |
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Definition
the high renn – proportions are correct, color is earthy, important thing in the middle
16th century Europe -- stuff in the early 1500s
Includes:
Martin Luther creating Lutherism in 1517 by posting up 95 theses in wittenberg
Leo Da Vinci
Michaelangelo
Raphael
Giogorne
Frari
etc. |
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Term
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Definition
And mannerism – realism is less of a priority, brighter color,
proportions are a lil off, important thing does not have to be in the middle
LATE 16th century - 1500s
Artists:
Pontormo
Tintoretto |
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Term
| http://upload.wikimedia.org/wikipedia/commons/d/d4/The_Embarktion_for_Cythera.jpg |
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Definition
Watteau, Return from Cythera
Rococo style - colors aren’t has careful – green blotch of trees, etc. no center focus
Light hearted, often erotic |
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Term
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Definition
Rococo style - colors aren’t has careful – green blotch of trees, etc. no center focus
Light hearted, often erotic
WATTEAU
though Rococo originated in the purely decorative arts, the style showed clearly in painting. These painters used delicate colors and curving forms, decorating their canvases with cherubs and myths of love. Portraiture was also popular among Rococo painters. Some works show a sort of naughtiness or impurity in the behavior of their subjects, showing the historical trend of departing away from the Baroque's church/state orientation. Landscapes were pastoral and often depicted the leisurely outings of aristocratic couples.
Jean-Antoine Watteau (1684–1721) is generally considered the first great Rococo painter. He had a great influence on later painters, including François Boucher (1703–1770) and Jean-Honoré Fragonard (1732–1806), two masters of the late period. Even Thomas Gainsborough's (1727–1788) delicate touch and sensitivity are reflective of the Rococo spirit. |
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Term
Which David is who's and explain...
http://upload.wikimedia.org/wikipedia/commons/6/63/Michelangelos_David.jpg
http://www.octc.kctcs.edu/crunyon/Eng262/01-neoclassicism/01-intro/bernini_david.jpg |
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Definition
1. Michaelangelo of the High RENN period
1501 to 1504,
IMPORTANT:
It came to symbolize the Florentine Republic, an independent city state threatened on all sides by more powerful rival states. This interpretation was also encouraged by the original setting of the sculpture outside the Palazzo della Signoria, the seat of civic government in Florence. The completed sculpture was unveiled on 8 September 1504.
2. Berini of the Itallian Baroque!!! itallian baroque. DRAMA! Energy!
1623
Can talk about the influence of ancient greek art, from polykleito’s ‘spear bear’, etc. |
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Term
| What/when is Itallian Baroque? |
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Definition
most itallian baroque was focused on restoring catholicism.
Berini - David
Carvaggio (Conversion of Saint Paul) / (Calling of Saint Matthew)
Velaquez - the maids of honor - spain!!! actually |
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Term
http://upload.wikimedia.org/wikipedia/commons/6/61/Fiesta_campestre.jpg
mention |
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Definition
Giorgione 0 pastoral symphony
1508
high renn art! :D
done in venice
for this painting:
some believe it to be an early work by his student titian.
venitian art is often described as poetic. |
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Term
| When/What was the Dutch Republic like? |
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Definition
Not big on the 'religious' thing. the absence of a ruler and the calvinist concern for the potential misuses of religious art. Dutch REPUBLIC = bunch of ol' calvinist. Yup yup yup.
Artists:
Hals – the archer of saint handrian. Did not like the religious scenes, the artists did not th religious scnes or figures and simply stuck to things like this.
rachel ruysch - flower still life (BLEH!!!)
1517 martin luther rebelled against the church. Talk about how religion affects these paintings! |
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Term
| What is neoclassism, significance, artists? |
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Definition
the enlightenment had made knowlege of ancient rome and greece. steady stream of ppl to italy. neoclassicism embodies enlightenment ideals.
neoclassicism was big on having morals in the paintings.
Artists:
Angelica Kauffmann - cornelia presenting her children as her treasures
Jaques-Louis David - Oath of the Horatii 1784
(about the waring cities of Alba ALLLLBA, and Rome.
Jaques-Louis David - The Death of Marat - 1793
Marat was a revolutionary radical writer and david's personal friend. he was assassinated in 1793. he was stabbed to death while in his medicinal bath. the letter is how the woman gained entrance. this was a sad pic meant to serve as an 'alterpiece' for the new civic 'religion'
ingres - grande odalisque 1814
at first drew acid criticism. crtics saw ingres as a rebel in from and content. kept attacking until mid 1820s when another painter like him appeared suddenly, everyone likes it. -___- poor ingres. poor neoclassicism |
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Term
| What is romanticism, etc? |
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Definition
the neoclassicism reinforced enlightenment thought from voltaire
buuuut
romanticism followed rousseau's words, "Man is born free, but is everywhere in chains!"
also following the idea that "I am like no one in the whole world. I may be no better, at least I am different." individual freedom is a biggie principle for romanticism.
this is all very dramatic and very emotional. not always religious.
Artists:
Francisco Goya - The Third of May 1808 - 1814.
spanish have horrified expressions - humanity, while the firing squad seems to be inhumane. The one peasant about the be shot is in the 'crucifiction' pose.
Gericault - raft of the madusa 1818-1819
actual historical event. the ship medusa shipwrecked when it ran aground on a reef. 150 men built a makeshift raft from the shift. it drifted for 12 days and only 15 people survived. x-shaped composition. the corner of the raft that juts out towards the audience envokes the audience
gericault even visted morgues and hospitals |
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Term
| http://upload.wikimedia.org/wikipedia/commons/3/33/Battle_of_Gettysburg.jpg |
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Definition
The harvest of death - timothy o’sullivan
Grucsome, horrible, actions shots documentary aspect t of it.
How things receeded into the background
Painters tend to show an entire scene. Photography cut off building, and people. Eventually, the painters took note. |
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