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Developed in France during the late 19th and early 20th centuries. Painted as if someone just took a quick look at the subject of the painting. Usually in bold colors and did not have a lot of detail. Usually outdoor scenese like landscapes. Painted to look like they were shimmering.
Manet, Claude Monet, Pissarro, Renoir, Degas, Caillebotte, Mary Cassatt, Berthe Morisot, James Whistler, Homer, Singer Sargent |
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Moved beyond ideals of Impressionism (light, shading, and color). Combined those principles with a study of the structure of the subject. Move toward abstraction in composition and message but retain sold forms, exploring structure and preserving traditional elements like perspective.
Cézanne, Vincent Van Gogh, Paul Gauguin, Henri de Toulouse-Lautrec |
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Artist uses small dots or strokes of paint to make up the pictures. From far away, dots blend together to form the picture and gie the impression of different colors and they blend together.
Georges-Pierre Seurat, Paul Signac |
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Opposed values of rationalism and material progress that dominated Western culture and explored the nomaterial realms of emotion, imagination, and spirituality. Sought a deeper and more mysterious reality than the one we encounter in everyday life. Conveyed this through amigious subject matter and formal stylization suggestive of hidden and elusive meanings.
Henri Rousseau, Gustave Moreau, Redon, James Ensor, Edvard Munch, Ryder |
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| Courbet, Jean-François Millet, Jan-Baptiste-Camille Corot, Roa Bonheur, Honoré Daumier, Ilya Repin, Thomas Eakins, Winslow Homer |
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Looks like art that is done by a child. Usually painted very simply, and subjects are "flat" or 2-dimensional.
Paul Klee, Henri Matisse |
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1st modern movement of the 20th century. Occurred at the Salon d'Automne, where all types of artists showed work. Only lasted 4 years, beginning in 1905. Leader of movement was Henri Matisse. Fauvism means "wild beasts" in French. Got this name because paintings had birght, unusual colors. Subjects were shown in a simple way, and colors and patterns were bright and wild.
André Derain, Henri Matisse |
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Artists tries to express certain feelings about something. Concerned with having their paintings express a feeling than in making the paintings look like what they were painting.
Emil Nolde, Ludwig Kirchner, Käthe Kollwitz, Paula Modersohn-Becker, Egon Schiele, Marc Chagall |
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Mostly paintings. Painting are not supposed to look real. Uses geometric shapes to show what is being painted. Early cubists used mainly grays, browns, greens, and yellows. After 1914, started to use brighter colors.
Pablo Picasso, Georges Braque, Marc Chagall, Robert Delaunay, Fernand Léger, Gino Severini, Umberto Boccioni, Kazimir Malevich, Vladimir Tatlin, Liubov Popova |
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Aimed both to free Italy from its past and to promote a new taste for the thrilling speed, energy, and power of modern technology and modern urban life.
Gino Severini, Umberto Boccioni |
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For "the supremacy of pure feelingin creative art" motivated by "a pure feeling for plastic (that is, formal values"
Kazimir Malevich |
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| Spiritualism of the Blue Rider |
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The Blue Rider formed in Munich around the painters Kandinsky and Marc, who both considered blue the color of spirituality.
Vasily Kandinsky, Franz Marc |
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