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| Painting technique that simulates niches or openings in ceiling that appear to reveal the sky |
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| Bands of relief suggest leather straps |
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| Strong light and shade contrast |
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| First period of Italian renaissance adapting the features of classical antiquity |
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| A painting technique that creates a trick of the eye with the illusion of perspective |
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| Open central courtyard with a grand, arched or gated doorway for carriage passage |
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| Decorative corner stones of brick or stone |
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| The importance of the individual |
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| Non structural , embedded columns flanking doors and windows |
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| Sunken panel in the shape of a square, rectangle, or octagon in a ceiling, soffit or vault |
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| Concave-convex interplay of architectural relationships creating a dynamic rhytem |
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| Hip roof with two slopes on each of it's four sides with lower slope being much steeper |
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| Three wing plan characteristic of palace architecture |
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| First or second floor reached by an outer staircase |
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| walkway or hallway characteristic of Palladian Villas |
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| Unpright stone slabs used to create walls during the stone age |
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| Roof structures inside the galleries and passages of the megalitic tombs where constructed of successive, circular courses of stone that projected inward, narrowing the circumference. |
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| The Mycenaean "great hall" featuring a symmetrical rectangular plan with vestibule fronted by an open, two-columned porch |
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| The "refinement" or slight curvature for visual correction characteristic in greek temples |
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| Celestial ______ significantly influenced the unique designs of new grange and stonehenge. |
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