Details

Title: Greek Art & Archaeology Midterm

Description: WashU Symegoleau

Total Flash Cards: 25

Created: 03/02/2010 18:47:38

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Additional Archaeology Flashcards

Cards in this set:

Term
Definition

Title: Harpist

 

Time: 2700BCE, ECII

 

Artist:

 

Place: Cyldades (Keros)

 

Style: mimases: mimicing real life situaitons and people

- abstactions: most look like just a face with a nose b/c hte face was painted

Significance: offered as presents to the dead

- heads often broken off b/c thrown down before placed in burrial

- accompianing female figures with folded arms

 

History: the burial thing

 

Term
Definition

 

Title: Snake Goddess from Knosos

 

Time: 1600 BCE (MM III)

 

Artist: Minoan

 

Place: Crete (Knossos)

 

Style: Figural style - dependent on geometric shapes

 

Significance: Shows relationshups to Near Eastern and Mesopotamian figures

- could possibly be early athena reference (the mer-ne-it was in egypt at the time)

- owl on top of head which is a pre-cursor to Athena (wisdom)

-Ying minoan men and women wear ery large belt to show off waist, best athletes in ancient world

-May have initiated Olympic game

-Trace back to Crete

 

History: From early sanctuaries

- clothing is typical of women from the time

the very long dress w/ the dress exposed was a gesture inviting the gods of fertility and inviting health and fertility and good delivery of children

·     

 

 

Term
Definition

Title: Kamares Wares

 

Time: 2100 BCE, MII

 

Artist: Minoan

 

Place: Crete (Knosos Phaistos)

 

Style: Pithos: large jars able to store food for the winter and if sealed w/ clay can have wine that can age

 

 

- Very light “eggshell ware”

-the weird opens are abstractions from flowers they see in nature

- Light on dark: Use yellow red and orange in a polychrome (multicolor)

 

Significance:

- prefer to use their interpretation of what they see versus depicting exactly what they see (Decoration drawn from naturalism)

 

 

History:First time in history of making pots taht pottery was exported for its own sake (b/c it was beautiful)

- Always found in palaces

Used for festivals

 

Term
Definition

Title: Throne room

Time: 1425BCE - 1390 LMI

Artist: Minoan (throne) Mycenean (art)

Place: Knosos

Style:

- Carved out a of a single piece of alabaster phalsite

- modest style, small and intimate

Significance:

- perhaps religious sentitment

- can tell that the Miceneans painted over the frescoes b/c there was no wings on the griffin and they were more hasty in painting

History:

- probably used for religous ceremonies or rites

- Arthur Evans destroyed anything he thought was Mycenean

 

Term
Definition

Title: Knossos Starage Rooms

 

Time: 1600-1480, LMI

 

Artist: Minoan

 

Place: Knossos

 

Style:

- lay the stones inward

 

Significance:

- used as a type of food pantry where people would store their surpluss and come use at a time when their food was low

 

History:

- contained pithos of olive oil and grain possibly for tax payments

 

Term
Definition

Title: Bull Leaping Fresco

 

Time: 1425, LM I

 

Artist: Minoan

 

Place: East Wall Knossos

 

Style:

- ancient art depicts ONE person going through the leaping process

- dark immages are guys and the light immages are girls

 

Significance:

- demonstrating the rite of passage

- not a true fresco b/c painting on dry wall

 

- bull carried Europa to crete

- emphasize danger by showing the bull larger

 

History:

- bull leaping as coming of age rits

- both men and women compete (very dangerous and they are fearful and have to walk through the corridor and prove courage by walking throuhg it)

- if peopel died, considered sacrafice to fertility

- grab horns and cannot touhc the bull through the summersault

Term
Definition

Title: Harvest Vase

 

Time: 1550-1500, LM

 

Artist: Minoan


Place: Agia Triada, Crete


Style:

- rhyta: libation vessel

realistic immage (free interpreation)

- light hearted picture (laughter)

 

Significance:

- shape of ostrich egg

- libation vessel

 

History:

 

Term
Definition

Title:Sarcophagus

 

Time: 1400BC

 

Artist: Minoan

 

Place:Agia Triada

 

Style:

1) the black birds (shown in a double axe) are shown larger than life and symbolize death and the miporatance of it

2) the depcition of the body holds two calves, if you toch the lips with the blood of a sacrificial animal, then the spirits can talk, this means the depiction is not of the body but of the spirit (giving him a voice)

3) one guy is holding libations (rhyta) and another playing music

4) one guys is holding a boat symbolizing the trip to the afterlife (the griffins (on top) are a possible represenation of this

- limestone, covered in plaster painted in fresco

 

Significance:

- link to egyptian culture, retained by the greeks

- shows a belief in life after death

 

 

History:

- belief in life after death

Term
Definition

Title: Rhyton (hillside santuary)

 

Time: 1450BCE, LMI

 

Artist: Minoan

 

Place: Zakros

 

Style:

- no humans

 

Significance:

- lack of humans celebrated divinity and nature

 

- depiction of wild goats important in ancient greek culture (agrimi)

 

History:

  1) Carried the idea of a mother earth goddess from ancient times

2) In crete, every mountain top became a sanctuary and in modern day every mountain top has a chapel top and they are all named after st. elias, equivialnt of a sun god (every hiltop had a sanctuary)

Term
Definition

Title: Grave Circle A

 

Time:1500 BCE

 

Artist: Mycenean

 

Place:


Style:

- shaft graves

 

Significance:

- proved what Homer talked about wasn't fiction

- 19 people

- funerary gifts such as gold weapons

- belief in afterlife

 

 

History:

- upper class large grave

Term
Definition

Title: Inlaid Daggers

 

Time: 1550-1500BC


Artist: Mycenean


Place: Grave Circle A


Style:

- Niello (ead and potassium mixture): acts like an inlace; a glue of dark blue galss (It is lost now) (this same niello is found in egypt and shows trade)

- nilodic motifs: from the river nile

- Hunting lions, or lions hunting brids and other animls in the nile delta, whichis symbolized on the left side by pyros plants (the most abundant plant of egypt)

- And a lot of animals like hippos!, ancient Egyptians like to hunt them to protet the good life of the nile delta

- See a mixture of greek and Egyptian motifs

- Inlaid with scenes of hunting. (in an egyptian infused w greek fashion)

 

Significance:

-pieces (the inlaid pieces) are a specially made material from this culture

- depictions came from egypt, shows trade

- Marked by personalized grave markers called stelai
- Large amount of gold and weapons buried to carry on with the dead in the after life
- Gold masks show attempt at portraiture
- Presence of weapons show that Mycenaeans were warlike

 

History:

- At this time we have the exact same technique in Egypt in the tomb of the first pharaoh of the 18th dynasy (Ah-mose, the famous one of egypt)

- So these people helped the pharoh and were given a lot of gold and became rich and powerful

- Continues to show belief in afterlife
- Extension of the ideas expressed by sarcophagus at Agia Ther

 

Term
Definition

Title: Treasury of Atreus