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| Classis early church understanding of atonment(forgive throug christ death & ressurection |
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· a collection of metrical psalms created under the supervision of John Calvin
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Paraphrases of the biblical psalms in verse, often designed for singing to tunes of a simple, popular type
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text developed in midevil period
originally in Latin
Developed out of Latin |
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| took root in the cotton fields and rural camp meeting |
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· Characteristics
· –Simplicity
· –Repetitiveness and limited vocabulary
· –Reliance on the refrain (created for those who could not read)
· –Maintained its style without any significant change
· •Atonement centered
· •Often didactic (teaches)
· •Focuses on human suffering of the sinner
Expresses sentiments of uncomplicated activist religion
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| Song of Praise or Joy, usually around Christmas |
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3 coming of christs
(1-Bethlehem, Christmas)
(2- the eschaton, end times)
(3- Christ in Daily Life) |
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Restoring
Jesus Christ Saving |
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Includes all different types of people
(Humankind VS Mankind) |
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| Old Language that is no longer used |
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Theology about the end of time
(Christ's Final Victory)
Final Fulliment=Salvation
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Theology of Church
(what it is and who belongs to it) |
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| Comparison between two unlike entities that highlights a common characteristic |
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| Charactestics of a Classic Text |
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Known for Excellence
Timeless
Speaks Across barriers of Generation, culture, gender, economy
Can Constantly renew itself
Gets at the Heart of what it means to be human |
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| Criteria for altering classis hymn texts |
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Euphonic-must sound good
Elegant
Must not disturb the memory bank
Should not change nature of hymn- should not be a new hymn
Must be recognizable |
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| Either all music is sacred or none is. Worship music be about praise and proclomation. Music is, gods gift, praise and proclamation, craft, a vehicle for participation of the people. |
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Restricted Congregational Song
Music must be
monophonic
metrical psalms
monosyllabic |
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| Denied the use of Congregational Song |
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Father of English Hymnody
Argued for Hymn Singing |
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Organizer of Methodism Reform Movement
Edited his brothers hymns and assigned the tunes |
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| Primary hymn writer in Methodism Reform Movement |
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| Wrote Article on African American Worship |
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19th Century Writer
Wrote the old Rugged Cross |
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Wrote About Feminism in Hymnody
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| Author of "God Beyond all Names" |
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