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the way you organize the art elements to accomplish a particular effect
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repeating of an art element (shape, color, line, etc.) over and over
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repeating an art element at intervals to create movement
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sequence in which the parts radiate from one point
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sequence in which parts show a progression or change
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combination of identical art elements (shape, color, size, etc.)
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combination of opposite shapes, colors, sizes, etc.
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arranging of visual elements in a work equally
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visual elements distributed equally
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visual elements distrubuted unequally
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relationship of one part to another
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"oneness" achieved by effective use of the art elements/principles
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| Art Elements of Design (7) |
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line, direction/space, shape, size/form, value, color, texture
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art element that has hue, value, and intensity
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| Color Theory/Color Schemes |
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plan for organizing colors
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across from one another on the color wheel (e.g. blue and orange)
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three colors next to one another on the color wheel that have a common hue
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many different values of one color (e.g. many shades of blue, both shades and tints)
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| Split Complementary Colors |
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color & two colors to either side of its complement (e.g. tellow, red violet, and blue violet)
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colors that form an equilateral triangle on the color wheel (e.g. green, purple and orange)
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basic colors that cannot be made by mixing (red, yellow, and blue)
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formed by two primary colors mixed together (orange, green, and violet)
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| Intermediate/Tertiary Colors |
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formed by mixing a primary color and secondary color
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colors that fall in between and include green and violet; suggest distance
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colors between and including red to yellow; suggest focus
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strength (brightness and dullness) of a color
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lightness and darkness of a color
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small white area showing reflected light
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colors that cannot be seen through
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either a material used to create artwork or a material used to change the consistency of paint
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| How To Create A Neutral (3) |
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equal amounts of complementary colors; equal amounts of primary colors; blue and brown combination
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communicated feeling or emotion, usually achieved through light and color
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relationship of parts that gives the effect of looking as though all parts are under the same condition of air and light
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water-based paint with transparent qualities
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oil-based paint with opaque qualities
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plastic-based paint with both transparent and opaque qualities
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form of painting in which compressed air is used to spray paint onto a surface
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surface on which one works (e.g. canvas, paper, mat, etc.)
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tool on which one mixes colors; an artist's choice of colors
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| Oil Painting Techniques (5) |
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wet, dry, scumbling, glazing, impasto
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values are allowed to dry before adding the next
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quickly applying a thick layer of paint over a dark, dry layer
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applying a thin, transparent layer of paint over a dry layer
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applying thick layers of paint to a canvas and built up, typically by means of a palette knife
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| Watercolor Techniques (18) |
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wash, graded wash, wet on wet, rubbed wash, spatter, spongeing, salt, dry brush, detail line, scrapping, dabbing, crayon resist, rubber resist, saran wrap/aluminum foil/crumpled paper, stenciling, found objects, straw blowing, spray bottle
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covering an area in one value
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covering an area with gradual value, going from light to dark
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applying wet paint to wet paper to create a soft-edged appearance
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round, flat, bright, and filbert
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modeling forms in such a manner that visible lit parts seem to emerge from the surrounding dark; widely used by Renaissance and Baroque Italian artists
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creating the illusion of a three-dimensional object; French for "trick of the eye"
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pictures grouped by a common theme
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the manner in which art elements are arranged in a work of art
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translating observed images onto paper, using line or value
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full-value blending, contour line, positive/negative, tone
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technique of shading through smooth, gradual application of value
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technique that uses only lines to represent a subject
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portraying shapes and the empty space around them (FA II charcoal assignment)
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lines or dots that suggest texture or value
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series of lines that create values and texture
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series of dots that create values and texture
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unused, empty space (space around forms)
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shapes or forms in a picture
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the progression of a given hue from its darkest value to its lightest; can depict either a tint or a shade
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dark area cast by an object
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overlapping, value gradation, size gradation, texture gradation, color change, perspective
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thinness or thickness of a line
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type of line used (e.g. curvy, zigzag, straight, heavy, etc.)
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all forms can be reduced to this
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added to create 3-D appearance
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| Light Values; Dark Values |
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names of locations where various art elements may be placed
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artist's individual way of creating
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| Ways To Indicate Center Of Interest (3) |
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contrasting art elements (size/form, texture, value), positioning lines that lead into picture, using human interest objects
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vantage point is center of picture, generally straight lines are used to indicate focus, focus is generally obvious
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placing elements in the foreground in order to draw attention to focus
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artwork with length and width, but not depth, forms a pattern
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abstract work of art consisting of many different media pasted onto a surface
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intended to take the place of words; advertises a story, record, calendar, card, etc.
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decorative design that uses visual repetition; has rhythm but no movement
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creating the illusion of depth on a two-dimensional surface
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characterized by forms that project from a flat surface
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can be both beautiful and useful (e.g. jewelry, weaving, ceramics, wood carving, etc.)
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all elements unified with respect to proportion, space, volume, and movement
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art element that has length, width, and depth
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bulk of a form (when one creates in terms of a cone, a cylinder, a sphere, etc.)
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stretching an object or figure to unreal proportions, in order to communicate an idea or feeling
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enlarging (part of) an object or figure in order to communicate an idea or feeling
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method of drawing an object or figure so that it seems to go back into space
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can be "invented" or "simulated"
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texture that does not represent real texture but creates the sensation of one by the repeating of lines and shapes in a pattern
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drawn texture that imitates real texture
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area that is primary focus of attention
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art principle; one particular art element being stressed
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medium of powdered color mixed together with a binder; used to create a soft-edge picture
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period characterized by the theory that art should conform to idealistic models of proportion
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period characterized by well-balanced style based on symmetry, variety, and movement; arose out of a reaction to a crisis in faith
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period that literally means "revival" or "rebirth" (of classical awareness); reassertion of spiritual values
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naturalistic representation used to depict light effects or atmosphere with the use of broken color
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stressed self-expression rather than naturalistic effects; used free brushstrokes; historically embraces such schools as Impressionism and Expressionism
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theory of expressing one's inner emotions; noted for bizarre distortions, violent colors, and gestural brushstrokes
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stressed abstract form by the use of intersecting planes, cubes, cones, etc. and transparent colors
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movement originating in France; influenced by Freudianism, i.e. the subconscious activities of the mind; dream-like quality
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movement characterized by optical design showing movement, in which the surfaces were mathematical, hard-edged, and smooth
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movement that originated in England from popular culture of advertising, mass media, comic strips, etc.
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