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Styles of construction and ornamentation first used in Greek buildings; adopted by the Romans; most easily identified by the capitals; commonly used today as historical references.
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A decorative structure at the top of a column; this design is the easiest way to identify the Greek orders.
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The simplest of the Greek orders; the capital includes a round pillow-like stone topped by a flat, rectangular stone.
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A Greek order; the capital consists of large scrolls.
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The most complex Greek order; the capital includes stylized leaves and scrolls.
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A structural system with a post spanned by a single piece (e.g. stone columns spanned by a single piece of stone); in wood this is called post and beam.
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A free-standing vertical structural support.
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The vertical grooves carved into columns.
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A curved structure that spans an opening.
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An arch in the shape of a half circle; widely used by the Romans and again in the middle ages (identified as Romanesque).
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A pointed arch. Developed in the middle ages.
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A series of arches side by side.
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A series of arches, one behind the next, that enclose a space, producing an arched ceiling.
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The simplest of vaults, a continuous arched ceiling, with either round or pointed arches.
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Occurs where two tunnel vaults of the same size intersect at a right angle.
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A structure that encloses a space by using a series of continuous arches on a continuous round base.
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| Bearing-wall Construction |
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A structural method in which the building is held up by the outside walls, which must be thick and strong.
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A modern structural method that holds up a building with an internal frame of steel; the walls do not hold up the building as in earlier structural systems.
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An overhanging structure supported only on one side.
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The front of a building, often given special architectural design.
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The pattern of windows in a building.
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Building size as compared to the human body.
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Comparative size of parts of a building measured against other parts of the building.
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Stone, brick, masonry, concrete, wood, steel, glass.
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Brick or stone held together by mortar, a substance similar to concrete.
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Plot, live actor, theatrical space, theatrical event.
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| Plot, live actor, theatrical space, theatrical event |
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Series of closely related events.
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Live actor in the same space as the audience.
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Formal theater space or informal such as garage, basement, street corner.
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Actors and audience react to each other.
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Audience is able to fully immerse themselves in the story taking place on stage; accepting improbability within the framework of the work of art.
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| Aristotle Devices or Components of a Play |
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Plot, character, thought, diction, music and spectacle.
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| Plot, Character, Thought, Diction, Music, and Spectacle |
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Aristotle devices or components of a play.
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Series of closely related events; story structure.
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People of the play, vehicle through which the story is told.
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Theme, message, moral, central idea playwright is trying to get across.
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Language of the play: imagery, tone, and articulation.
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All sound; rhythm of sounds and vocal tones.
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All visual aspects of the production.
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A stage framed by a large rectangular arch that divides playing space from the audience.
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Stage that goes out into the audience area and is surrounded on three sides by seats.
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| Arena (or Theater in the Round) |
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Stage is surrounded on all sides by seats.
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Flexible space that can be configured for requirements of the production.
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| Tragedy, Drama, Comedy, Melodrama, Farce, Musical |
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Oldest form of recorded genre; serious play with protagonist of high social stature who has a flaw.
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A play with serious intent, but not universal significance; usually people of everyday type, but ending is often unhappy or at least serious.
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A funny play often about serious human conflict.
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Stereotypical and sentimental drama.
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Play written purely for entertainment.
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Play combining dialogue, music, and often dance.
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| Exposition, Conflict, Climax, Denouement |
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Background information; introduces the characters, situation and problem.
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Drama requires this; mechanism by which a situation becomes dramatic; begins with an inciting incident.
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The moment of maximum tension in the play when the primary conflict is resolved.
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Resolution of conflict; new harmony or understanding has been reached.
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Things happen on stage faster than they do in real life and audience accepts this.
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Principal character in a dramatic action.
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The character who opposes the action.
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Responsible for casting, rehearsal process, mounting of the play; communicates their vision for approach to the play to actors and designers.
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Provide the visual elements for the production including setting, costumes, lighting, props, and sound.
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People who bring the characters to life.
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The author of the script.
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| Concept or Production Approach |
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Vision of the entire production formulated and shared by the director.
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Plays that present life in a realistic manner; characters talk to each other without regard for the audience.
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Characters deliver the material out to the audience in a less than realistic manner.
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Style of theater in which design and approach to the play is highlighted and not necessarily a historical representation; style is removed from observable reality.
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To behave truthfully under an imaginary set of circumstances.
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Major movement on stage, usually predetermined and set by the director.
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Small actions performed by each character, necessary for specifically defining each character and for creating reality on stage.
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A long speech, delivered by one character, which may be heard but not interrupted by other is his/her presence.
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A speech wherein a character verbalizes his/her thoughts aloud while alone.
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Presentational in intent, meaning that the character(s) acknowledge the presence of the audience by speaking directly to them.
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A speech wherein a character expresses his/her thoughts in words audible to the audience but supposedly unheard by the other characters on stage.
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The imaginary wall between the actors and the audience.
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Energy, long or angular, fast or slow
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What the dance is trying to communicate.
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Everything around the dance; stage, props, etc.
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Dancing for dancing's sake.
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Pictures and words that describe what a dancer does.
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Arches that have something behind them that you can't see through.
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Actor looks like the character.
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Actor becomes the character.
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Conversation between two or more people.
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