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Definition
| Hagia Sophia, Constantinople, 532–537 |
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| Justinian and Attendants, mosaic, apse wall of San Vitale, Ravenna, Italy, 547 |
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| Icon of Christ, encaustic on wood, 6th century |
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| Chi-Rho-Iota page, Book of Kells (Scotland), manuscript (tempera and gold leaf on vellum), ca. 800 |
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| Equestrian statuette of Charlemagne (or Charles the Bald), bronze, from Metz, France, 9th century |
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| Palatine Chapel, Aachen (Germany), 792-805 |
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| Gislebertus, Last Judgment, marble, tympanum of Saint Lazare, Autun, France, ca. 1120-1135 |
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| Abbey church of Saint-Étienne at Caen, France, begun 1067, vaulted ca. 1120 |
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| Chartres Cathedral, France, rebuilt 1194-1220 (plan, interior, and south transept façade with jamb statues of saints) |
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| Christ as Pantokrator, dome mosaic in the Church of the Dormition, Daphni, Greece, ca. 1100 |
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Virgin (Theotokos) and Child (Vladimir Virgin), icon, tempera on wood, ca. 1200
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| Giotto, Madonna Enthroned, tempera and gold leaf on wood, ca. 1310 |
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| Giotto, Last Judgment, fresco, Arena Chapel, Padua, 1305-6 |
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| Duccio, Maestà (Virgin and Child Enthroned with Saints), gold leaf and tempera on wood, for Siena Cathedral, Italy, ca. 1308-11 |
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| Simone Martini, Annunciation, for Siena Cathedral, tempera and gold leaf on wood, 1333 |
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| Ambrogio Lorenzetti, Effects of Good Government in the City and in the Country, fresco, Siena, Italy, 1338-40 |
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| Robert Campin, Mérode Triptych (Altarpiece of the Annunciation), oil on wood, ca. 1425-1430 |
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| Jan van Eyck, Ghent Altarpiece, oil on wood, completed 1432 |
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| an van Eyck, Man in a Red Turban (self-portrait?), oil on panel, 1433 |
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| Rogier van der Weyden, Descent from the Cross, oil on panel, ca. 1435 |
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| The Limbourg Brothers, Les Trés Riches Heures du Duc de Berry (The Very Sumptuous Hours of the Duke of Berry), manuscript, 1413-1416 (page showing October) |
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| Donatello, St. George, marble, c. 1410-15, for Or San Michele, Florence |
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| Donatello, David, bronze, ca. 1440-1460 |
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| Gentile da Fabriano, Adoration of the Magi (Strozzi altarpiece), tempera and gold leaf on wood, 1423 |
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| Masaccio, The Holy Trinity, fresco, Santa Maria Novella, Florence, c. 1424-27 |
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| Masaccio, Expulsion of Adam and Eve, Brancacci Chapel, Florence, frescoes, ca. 1427 |
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| Sandro Botticelli, The Birth of Venus, tempera on canvas, ca. 1484-1486 |
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| Filippo Brunelleschi, Santo Spirito, Florence, designed 1434-1436 |
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| Leon Battista Alberti, Palazzo Rucellai, Florence, ca. 1452-1470 |
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