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The distance behind and in front of the main focus of the shoot in which objects are still displayed sharply.
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Lens <35mm focal length
-allows cinemtographers to explore a depth of field that shows different visual planes simultansously.
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a lightweight camera that did not have to be mounted and therefore allowed cinematography to evolve to on location shooting.
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lens >75mm
-allows the cinematographer to magnify and flaten objects at a greater distance.
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a camera stabilization device that allows cinematographers to follow action smoothly and rapidly w/o unsteady movement.
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shooting a film and the film is digialy saved and encoded.
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the foundation of film editing
- describes the break and common border that separate two shots from two different pieces of film.
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the position from which a person, event or an object is seen.
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re-creates the prosepctive of a character through camera placement.
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represents the more impersonal perspective of the camera.
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the specific highlighted object within the point of view, the point in the image that if most completely outlined and defined by the lens fo the camera.
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contains, limits and directs the point of view within the borders of the rectangular frame.
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shows details of an object of person, such as a face or hands or a flower on a windowsill, perhaps indicating the nuances of the characters feelings or thoughts or suggesting the special significance if the object.
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places considerable distance between the focus of the shot and the camera.
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the middle ground of cinematography usually see the camera shows the human body from the waist or hips up.
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present a opoint of view downwards toward the individuals on the scene.
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view the subject from a position lower than it is.
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sometimes called a crane due to the machine on which it is mounted.
-depicts the action from high above, sometimes looking directly down on it.
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same thing as an overhead shot given the name from the machine used to mount the camera
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point-of-view shots re-create the perception of the character through camera techniques like low and high angle shots depending on the character
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multiple planes in the image are all in focus
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only a narrow range of field in focused, but here too, the choice of a depth of field indicates what is significant in the image.
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move sthe frame of the camera from side to side without changing the placement of the camera, the camera rotates on its verticle axis.
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cuts out images from a continuous piece of filmed action to transform the movement of real human figures into rapid, jerky gestures.
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describes many different ways that the image can be set up and manipulate during filming.
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joins two pieces of film, one with the central action or object and the other with the additional object, background that would be difficult to create physically for the shot.
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alternating bewteen two or more strands of simultaneous action.
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edits that intentionally create gaps in the action.
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juxtaposes two nimages whose dramatic differences creates a jarring visual effect.
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gradually lighten an object until it complete appears
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briefly superimposes one shot over the next, which takes its place; one image fades out while the other fades in.
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a transition used to join two shots
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generally an intial long shot that established the setting and oreints the viewer in space to a clear view of the action
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standard practice when filming a converstation, close shot of both characters
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restore the objective view, maing the action perfectly clear to the viewers
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editing pattern that begins with a shot of one character taekn from an angle at one end of the axis of action and follows with a second shot of the second character from the opposite angle.
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a shot that depicts a characters response to the action in the previous shot
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follows one or more images of the present with one or more of the past
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connects an image of the present with one or more of the past
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shots of relatively long duration; the image is sustained for what seem like an inordinate amount of time
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recording and reproducing sound through technologies that encode and decode it as digital information
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has its source in the narrative world of film
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sound that does not belong to the characters world
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diegetic music, music that has its sources on screen
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members of the sound crew that watch the movie and simulteneuously generate live sound effects
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actors watch the film footage and re-record their lines to be dubbed into the soundtrack
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re-recording
-important stage in post-production, can occur only after the image track inclduing the credits is done.
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