David Smith, Cubi XVIII

1963-1964

Polished stainless steel, 9' 7 3/4" high

Museum of Fine Arts, Boston, Massachusetts

Ellsworth Kelly, Red Blue Green

1963

Oil on canvas, 6' 11 5/8" x 11' 3 7/8"

Museum of Contemporary Art, San Diego

Frank Stella, Mas o Menos

1964

Metallic powder in acrylic emulsion on canvas, 9' 10" x 13' 8 1/2"

Musee National d'Art Moderne, Centre Georges Pompidou, Paris

Helen Frankenthaler, Bay Side

1967

Acrylic on canvas, 6' 2" x 6' 9"

Private collection, New York

Morris Louis, Saraband

1959

Acrylic resin on canvas, 8' 5 1/8" x 12' 5"

Solomon R. Guggenheim Foundation, New York

Tony Smith, Die

1962

Steel, 6' x 6' x 6'

Museum of Modern Art, New York

Donald Judd, Untitled

1969

Brass and colored fluorescent Plexiglas on steel brackets, 10 units, 6 1/8" x 2' x 2' 3" each, with 6" intervals

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C.

Maya Ying Lin, Vietnam Veterans Memorial

Washington, D.C.

1981-1983

Black granite, each wing 246' long

Louise Nevelson, Tropical Garden II

1957-1959

Wood painted black, 5' 11 1/2" x 10' 11 3/4" x 1'

Musee National d'Art Moderne, Centre Georges Pompidou, Paris

Louise Bourgeois, Cumul I

1969

Marble, 1' 10 3/8" x 4' 2" x 4'

Musee National d'Art Moderne, Centre Georges Pompidou, Paris

Eva Hesse, Hang-Up

1965-1966

Acrylic on cloth over wood and steel, 6' x 7' x 6' 6"

The Art Institute of Chicago

Kazuo Shiraga, Making a Work with His Own Body

1955

Mud

Joseph Beuys, How to Explain Pictures to a Dead Hare

1965

Photograph of performance art

Schmela Gallery, Dusseldorf

Carolee Schneemann, Meat Joy

1964

Performance: raw fish, chickens, sausages, wet paint, plastic, rope, paper scrap

Judson Church, New York City

Jean Tinguely, Homage to New York

1960, just prior to its self-destruction in the garden of the Museum of Modern Art, New York

Joseph Kosuth, One and Three Chairs

1965

Wooden folding chair, photographic copy of a chair, and photographic enlargement of a dictionary definition of a chair; chair, 2' 8 3/8" x 1' 2 7/8" x 1' 8 7/8"; photo panel, 3' x 2' 1/8"; text panel, 2' x 2' 1/8"

Museum of Modern Art, New York

Bruce Nauman, The True Artist Helps the World by Revealing Mystic Truths (Window or Wall Sign)

1967

Neon with glass tubing suspension frame, 4' 11" x 4' 7" x 2"

Private collection

Richard Hamilton, Just What Is It That Makes Today's Homes So Different, So Appealing?

1956

Collage, 10 1/4" x 9 3/4"

Kunsthalle Tubingen, Tubingen

Jasper Johns, Flag

1954-1955, dated on reverso 1954

Encaustic, oil and collage on fabric mounted on plywood, 3' 6 1/4" x 5' 5/8"

Museum of Modern Art, New York

Robert Rauschenberg, Canyon

1959

Oil, pencil, paper, fabric, metal, cardboard box, printed paper, printed reproductions, photograph, wood, paint tube, and mirror on canvas, with oil on bald eagle, string, and pillow, 6' 9 3/4" x 10" x 2;'

Sonnabend Collection

Roy Lichtenstein, Hopeless

1963

Oil on canvas, 3' 8" x 3' 8"

Offentliche Kunstsammlung Basel, Basel

Andy Warhol, Green Coca-Cola Bottles

1962

Oil on canvas, 6' 10 1/2" x 4' 9"

Whitney Museum of American Art, New York

Andy Warhol, Marilyn Diptych

1962

Oil, acrylic, and silk-screen enamel on canvas, each panel 6' 8" x 4' 9"

Tate Gallery, London

Claes Oldenburg, photo of one-person show at the Green Gallery, New York

1962

Audrey Flack, Marilyn

1977

Oil over acrylic on canvas, 8' x 8'

Collection of the University of Arizona Museum, Tucson

Chuck Close, Big Self-Portrait

1967-1968

Acrylic on canvas, 8' 11" x 6' 11" x 2"

Walker Art Center, Minneapolis

Duane Hanson, Supermarket Shopper

1970

Polyester resin and fibrglass polychromed in oil, with clothing, steel cart, and groceries, life-size

Nachfolgeinstitut

Robert Smithson, Spiral Jetty

1970

Black rock, salt crystals, earth, red water (algae) at Great Salt Lake, Utah

1,500' x 15' x 3' 6"

Christo and Jeanne-Claude, Surrounded Islands 1980-83

Biscayne Bay, Greater Miami, Florida

1980-1983

Pink woven polyptopylene fabric, 6 1/2 million sq. ft.

[image]

Richard Serra, Tilted Arc

1981

Cor-Ten steel, 12' x 120' x 2 1/2"

Installed Federal Plaza, New York City

Frank Lloyd Wright, Solomon R. Guggenheim Museum (exterior view from the north), New York

1943-1959

Frank Lloyd Wright, Interior of the Solomon R. Guggenheim Museum, New York

1943-1959

Le Corbusier, Notre-Dame-du-Haut

Ronchamp, France

1950-1955

Le Corbusier, Interior of Notre-Dame-du-Haut

Ronchamp, France

1950-1955

Joern Utzon, Sydney Opera House

Sydney, Australia

1959-1972

Reinforced concrete; height of highest shell, 200'

Eero Saarinen, Trans World Airlines terminal

Kennedy Airport, New York

1956-1962

Ludwig Mies van der Rohe and Philip Johnson, Seagram Building

New York

1956-1958

Skidmore, Owings and Merrill, Sears Tower

Chicago

1974

Charles Moore, Piazza d'Italia

New Orleans, Louisiana

1976-1980

Philip Johnson and John Burgee with Simmons Architects, associated architects, a model of the AT&T Building

New York

1978-1984

Michael Graves, the Portland Building

Portland, Oregon

1980

Robert Venturi, John Rauch, and Denise Scott Brown, house in Delaware (west elevation)

1978-1983

Richard Rogers and Renzo Piano, Georges Pompidou National Center of Art and Culture (the "Beaubourg")

Paris, France

1977

Gunter Behnisch, Hysolar Institute Building

University of Stuttgart, Stuttgart, Germany

1987

Frank Gehry, Guggenheim Museo Bilbao

Bilbao, Spain

1997

Julian Schnabel, The Walk Home

1984-1985

Oil, plates, copper, bronze, fiberglass, and Bondo on wood, 9' 3" x 19' 4"

Broad Art Foundation and the Pace Gallery, New York

Susan Rothenberg, Tattoo

1979

Acrylicm flashe on canvas, 5' 7" x 8' 7"

Walker Art Centerm Minneapolis

Anselm Kiefer, Nigredo

1984

Oil paint on photosensitized fabric, acrylic emulsion, straw, shellac, and relief paint on paper pulled from painted wood, 11' x 18'

Philapelphia Museum of Art

Chris Ofili, The Holy Virgin Mary

1996

Paper collage, oil paint, glitter, polyester, resin, map pins, elephant dung on linen, 7' 11" x 5' 11 5/16"

The Saatchi Collection, London

Judy Chicago, The Dinner Party

1979

Multimedia, including ceramics and stitchery, 48' along each side of triangular installation

Miriam Schapiro, Anatomy of a Kimono (section)

1976

Fabric and acrylic on canvas, 6' 8" x 8' 6"

Collection of Bruno Bishofberger, Zurich

Cindy Sherman, Untitled Film Still #35

1979

Gelatin silverprint, 10" x 8"

Barbara Kruger, Untitled (Your Gaze Hits the Side of My Face)

1981

Photograph and red painted frame, 4' 7" x 3' 5"

Courtesy Mary Boone Gallery, New York

Ana Mendieta, Flowers on Body

1973

Color photograph of earth-body work with flowersm executed at El Yaagul, Oaxaca, Mexico

Courtesy of the Estated of Ana Mediesta and Galerie Lelong, New York

Hannah Wilke, S.O.S. - Starification Object Series

1974-1982

Ten black-and-white photographs with 15 chewing-gum sculptures in Plexiglas cases mounted on ragboard, from a series originally made for S.O.S. Mastication Box and used in an exhibition-performance at the Clocktower, January 1, 1975

3' 5" x 5' 8"

Courtesy Ron Feldman Fine Arts, New York

Kiki Smith, Untitled

1990

Beeswax and microcrystalline wax figures on metal stands, female figure installed height 6' 1 1/2" and male figure installed height 6' 4 15/16"

Whitney Museum of American Art, New York

Faith Ringgold, Who's Afraid of Aunt Jemima?

1983

Acrylic on canvas with fabric borders, quilted, 7' 6" x 6' 8"

Private collection

Adrian Piper, Cornered

1988

Mixed-media installation of variable size; video monitor, table, and birth certificates

Museum of Contemporary Art, Chicago

Lorna Simpson, Stereo Styles

1988

10 black-and-white Polaroid prints and 10 engraved plastic plaques, 5' 4" x 9' 8" overall

Courtesy Sean Kelly Gallery

Melvin Edwards, Tambo

1993

Welded steel, 2' 4 1/8" x 2' 1 1/4"

Smithsonian American Art Museum, Washington, D.C.

David Hammons, Public Enemy

installation at Museum of Modern Art, New York

1991

Photographs, balloons, sandbags, guns and other mixed media

Jaune Quick-to-See Smith, Trade (Gifts for Trading Land with White People)

1992

Oil and mixed media on canvas, 5' x 14' 2"

Chrysler Museum of Art, Norfolk, Virginia

Leon Golub, Mercenaries (IV)

1980

Acrylic on linen, 10' x 19' 2"

Courtesy Ronald Feldman Fine Arts

Magdalena Abakanowicz, artist with Backs, at the Musee d'Art Moderne de la Ville de Paris

Paris, France

1982

David Wojnarowicz, "When I put my hands on your body"

1990

Gelatin-silver print and silk-screened text on museum board

2' 2" x 3' 2"

Krzysztof Wodiczko, The Homeless Projection

1986-1987

Outdoor slide projection at the Soldiers and Sailors Civil War Memorial, Boston

organized by First Night, Boston

Nam June Paik, Video still from Global Groove

1973

3/4" videotape, color, sound, 30 minutes

Collection of the artist

David Em, Nora

1979

Computer-generated color photograph, 1' 5" x 1' 11"

Private collection

Jenny Holzer, Untitled (selections from Truisms, Inflammatory Essays, The Living Series, The Survival Series, Under a Rock, Laments, and Child Text)

1989

Extended helical tricolor LED electronic display signboard, 16" x 162' x 6"

Solomon R. Guggenheim Foundation, New York

Bill Viola, The Crossing

1996

Video/sound installation with two channels of color video projection onto screens 16' high

Tony Oursler, Mansheshe

1997

Ceramic, glass, video player, videocassette, CPJ-200 video projector, sound 11" x 7" x 8" each

Courtesy of the artist and Metro Pictures, New York

Jeff Koons, Pink Panther

1988

Porcelain, 3' 5" x 1' 8 1/2" x 1' 7"

Museum of Contemporary Art, Chicago

Mark Tansey, A Short History of Modernist Painting

1982

Oil on canvas, three panels, each 4' 10" x 3' 4"

Courtesy Curt Marcus Gallery 

Robert Arneson, California Artist

1982

Glazed stoneware, 5' 8 1/4" x 2' 3 1/2" x 1' 8 1/4"

San Francisco Museum of Modern Art

Hans Haacke, MetroMobiltan

1985

Fiberglass construction, three banners, and photomural, 11' 8" x 20' x 5'

Centre Georges Pompidou, Paris

Guerrilla Girls, The Advantages of Being a Woman Artist

1988

Poster

Courtesy Guerrilla Girls