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| To import video into the computer |
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| Organizing shots from raw material in an order that makes sense in presenting information or a story |
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| Tape deck editing in which shots are placed one behind the other in a line |
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| Computerized editing where work can be done at any point at anytime on the timeline. |
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| The graphic representation of a project in the form of audio and video in non-linear editing |
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| A coherent assembly of shots |
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| Organizing your shots so that the video has a continuous, natural, orderly flow |
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| Creating a sequence by adding elements to the timeline |
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| Creating a sequence by removing elements from the timeline |
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| Edit points to mark exactly where you want a shot to begin and end |
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| The unique code number assigned to each frame of video in the form of time (hours, minutes, seconds, frames) |
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A single still picture of video. There are 30 frames (29.97) in 1 second of video.
Film records at 24 fps |
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| Processing media on the timeline; taking low quality media and making it high quality |
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| an edit where the incoming shot is too similar in size (WS, MS, TS) and angle to the outgoing shot |
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| a shot related to the action that can be used for emphasis and/or to cover a jump shot |
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| A frame left on the timeline usually at an edit transition |
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| Shooting with a pad at the start of your shot (heads) and at the end of your shot (tails) |
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| the general ratio for shooting to editing |
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| A cable used to import/export video |
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| The password used for Avid computers |
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| Comic book like sketches that portray how a program should be photographed shot by shot |
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| A 2 column script- video on the left, audio on the right; describes the action of every shot (v) and what the dialogue (a) will be |
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