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The Battle of San Romano
Paolo Uccello
1438-40 |
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Beginning of the Italian Renaissance
Arena Chapel, Padua
(Scrovegni's Chapel) |
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| Charging high interest on loans. Non-Christian.Scrovegni's sin. |
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"Beautiful Style"
attributed to Giotto |
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| A method of sketching out a fresco. Uses a red clay-like material. Named after the place in Turkey where it's found. |
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| the rough base (of a fresco) that's attached to the wall. |
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| the top, or final layer of plaster (the painting surface of a fresco). |
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| what one fresco painter can do in one day. (usually 4 x 5 feet.) |
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| the plague. happens in 1348, 11 years after Giotto's death. considered to mark the end of the first renaissance. destroys 1/2 of the population of Europe. |
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| occurs mainly in Flanders. Art characterized by lots of details. Not always logical/realistic images. |
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Page with February, Tres Riches Heures
Paul, Herman & Jean Limbourg (the Limbourg brothers)
1413-16 |
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Well of Moses, detail of Moses & David
Claus Sluter
1395-1406 |
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Flemish Netherlands. (Modern Belgium)
Main setting of the Northern Renaissance. |
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| Plaster Solution used to seal panel |
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| Water-based pigment with egg |
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Merode Altarpiece (Triptych of the Annunciation)
Robert Campin
1425-28 |
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| a title given to Robert Campin |
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| Image breakers. Thou shall not make graven images... |
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Man in a Red Turban
Jan van Eyck
1433 |
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Portrait of Giovanni Arnolfini and His Wife
Jan van Eyck
1434 |
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Deposition
Rogier van der Weyden
1442 |
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Saint Eloy (Eligius) in His Shop
Petrus Christus
1449 |
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| a container for sacred relics |
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Portinari Altarpiece
Hugo van der Goes
1474-76 |
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| Order of the Golden Fleece |
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| an Honorary fraternity founded by Duke Philip the Good in 1430 with 23 knights |
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| lines cut into the surface of a copper plate with burin. |
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Battle of the Nudes
Antonio del Pollaiuolo
1465-70 |
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| a printmaker's cutting tool |
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| Gothic architect of Duomo. Begain his work in 1296. |
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| means "Cathedral" in Italian. refers to the Cathedral of Florence. |
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| the Duke of Milan. Tried to invade Florence but died. |
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Dome of Florence Cathedral
Filippo Brunelleschi
1417-36 |
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| Michelangelo's criticism of the decorative arcade balcony of Brunelleschi's dome. |
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Foundling Hospital
Filippo Brunelleschi
1419 |
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| Andrea Della Robbia's glazed clay decorations on Brunelleschi's Foundling Hospital |
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| creates Democratic art (for everyone.) Terra-cotta a cheap alternative to bronze or marble. |
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a 'baby drop'
in use from 1419 to 1875
on the Foundling Hospital |
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| a rota (baby drop) on the Foundling Hospital. |
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| Michelozzo di Bartolomeo Michelozzi |
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| a Florentine sculptor and architect. Created the Palazzo Medici-Riccardi. |
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Palazzo Medici-Riccardi
Michelozzo di Bartolomeo Michelozzi
1444 |
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| rough hewn stone, like a fortress that is strong and invulnerable. used on the Palazzo Medici-Riccardi. |
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| Roman architect and military engineer. Wrote The Ten Books of De Architectura which described all the main aspects of Roman architecture and was a major influence for Alberti, Palladio and Michelangelo. |
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Studiolo of Federico da Montefeltro
Luciano Laurana
1470 |
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| wood inlay decoration (wood mosaic). |
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| "against the pose." The S-curve commonly seen in Renaissance sculpture. |
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| warfare of the soul. strong emotion shown in a work of art. |
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| sacred conversation, psychological linkage. |
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| Four Crowned Martyrs. Four Christian sculptors who refused to carve graven images for Diocletian. Became Republican models of ancient virtue of self-sacrifice. |
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| The kitchen garden of St Michael. A guild hall which provided workers' representation. Located between the main church and government centers of Rome. Housed the Four Crowned Martyrs in one of its 14 niches. |
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Four Crowned Martyrs
Nanni di Banco
1410-13 |
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| restored Ilaria. Hated by James Beck. Sues him for slander. |
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| a Renaissance Art History professor at Columbia University who criticized the restoration of Ilaria del Carretto. Called it a disgrace and a spic-and-span cleaning. |
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| like a tomb marker, does not have a body. |
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Ilaria del Carretto
Jacopo della Quercia
1408 |
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| Coloration of sculpture by chemical change/aging/dirt. |
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Gates of Paradise
Lorenzo Ghiberti
1425-52 |
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| One of the greatest sculptors of all time and the founder of modern sculpture. |
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Feast of Herod
Donatello
mid-1420s |
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| secure, posed for beauty. |
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| vulnerable, without clothing, pornographic. |
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| 1973 Supreme Court definition of pornography stating that something is not pornographic if it has artistic redeeming value. |
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Mary Magdalen
Donatello
1455 |
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| Archbishop Antonino Pierozzi |
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| Archbishop of Florence from 1446 to 1459. He entered the city with bare feet and tried to start a spiritual revival. Was later sainted for his work in saving Florence from its spiritual crisis. |
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Equestrian Monument of Erasmo da Narni (Gattamelata)
Donatello
1443-53 |
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| Erasmo da Narni, "honey cat" |
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Equestrian Monument of Bartolomeo Colleoni
Andrea del Verrocchio
1486-88 |
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Hercules and Antaeus
Antonio del Pollaiuolo
1475 |
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Madonna and Child with Lilies
Luca della Robbia
1455-60 |
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| ceramic sculptor, inventor of blue and white glazes. Creator of 'art for the people.' Brother of Andrea della Robbia. |
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| fired earthenware of a grey, buff, or reddish color. |
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| The first great painter of the Italian Renaissance. Died at the age of 27 in 1428. |
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Trinity with the Virgin, Saint John the Evangelist, and Donor
Masaccio
1425 |
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| Ambassador to Cairo until 1423 and art patron |
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| Occurs in 1427. The 1st income tax. |
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The Expulsion from Paradise
Masaccio
1427 |
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Tribute Money
Masaccio
1427 |
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Annunciation
Fra Angelico
1441-45 |
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| Fra Filippo Lippi's love. A "nun on the run." |
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Madonna and Child
Fra Filippo Lippi
1455 |
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Last Supper
Andrea del Castagno
1447 |
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| Andrea of hanged (executed) men, meaning he was an artist who dealth with harsh realities of life and death. He enjoyed going to public hangings. |
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Delivery of the Keys to St. Peter
Perugino
1482 |
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Portraits of Battista Sforza and Federico da Montefeltro
Piero della Francesca
1472-3 |
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| Condottiere, in battle a sword badly cut his eye and nose... |
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| Student of Lippi's. Under heritage of Masaccio. Developed a highly personal style characterized by elegant execution, a sense of melancholy, and a strong emphasis on line. |
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The Birth of Venus
Botticelli
1484-6 |
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| Tried to reconcile classical and Christian views. |
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| Modest venus. Referring to her post, as in The Birth of Venus. |
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Saint Ursula Reliquary
Hans Memling
1489 |
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