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refers to the surface quality of things. It makes objects appeal to our sense of touch and sight.
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Tactile Texture and Visual texture (or Implied Texture)
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Our appreciation of the environment comes not only from visual but tactile perception or SENSE OF TOUCH (pictures of hands touching another hand, hand touching rocks, photo of just rocks.)
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| Tactile Texture in Art and Design |
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-Textile and apparel -ceramics -wood -metal -folk art -interior -landscape Impasto -impressionism Collage -hand cut and paste collage Assemblage -installation -site specific installation
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We experience an illusion or impression of real texture through its visual representation Much of how we appreciate visual texture is how we remember our own haptic experience
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| Visual Texture in Art and Design |
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Painting (Trompe l'oeil technique) Wood or Lino Cut Printing and Dyeing Photography Faux Finish Computerized Collage
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| Words to Describe texture |
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smooth, rough, refined, shiny, dull, glossy, matte, sheen, iridescent, lustrous, sheer, bumpy, crude
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the shape, depth, contour or color of a texture can be perceived through the way light falls on the surface "Reflected light"
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| 3 Types of ways light falls on the surface |
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1. Reflected Light 2. Refracted Light 3. Diffused Light
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-Pattern in nature and art -pattern/repetition and rhythm -specific terms relating to patterns -pattern networks and the basic grid -variations of the basic grid
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from the repetition of line, shape, size, color and value which have predictable rhythmic effect
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while repetition creates structure, rhythm gives life and movement to pattern
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-regular -irregular -random
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Repetition Structure *Regular repetition* |
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-simple repeat -alternate repeat -inversion repeat -gradation/progression repeat
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| Repetition Structure in Pattern Design |
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When unit forms are repeated at regular intervals with an equal amount of space surrounding each of them, they may be said to be in a "repetition structure" The repetition structure is formal and is the simplest of all structures. It is particularly useful in the construction of all-over pattern.
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a design composed through the repetition of visual elements and attributes within a single composition.
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the unit that gets repeated
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can produce different visual effect to the whole pattern
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Super motif again... not motive... |
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a single unit that is repeated in four-fold symmetry the form a new combined motif
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the lines of one shape form the boundaries of another usually through alternating the color
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-units repeated in a visible grid -some may be in an invisible grid (shape bound)
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each row of structural subdivisions can slide in either a horizontal or vertical direction
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the vertical or horizontal lines or both can be tilted in any direction (Diamond Pattern)
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the set of vertical or horizontal lines are regularly curved into the same size and shape (Scale pattern)
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the tilting of the direction of the structural lines and then subdividing
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The combining of adjacent spatial units of a triangular grid
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The element of space 2-D space |
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-a two- or three- dimensional area defined by visual elements -defined as a flat plane with only length and width -depth is created through illusion
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| Actual Three-Dimensional Space |
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-boundless and limitless in all directions -In design, we refer to 3-D space as the environment or building interior
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As white light travels through the prism, the light bends and the colors spread out
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the ultraviolet radiation itself is invisible to the human eye, but illuminating certain materials with UV radiation prompts the visible effects of fluorescence phosphorescence.
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Infared has a longer wavelength than red. Red is a long wavelength.... Violet is the shortest wavelength
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| Color perception results from a system of phenomena |
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The color seen in an unaffected setting under a balanced light source
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Our perception of the color of objects remains relatively constant under varying illumination conditions.
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The colors that reflect from surfaces of natural and man-made objects come from pigments or chemical compounds
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| Additive Color Theory = RGB |
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when all three primaries are added together, they produce white. These are the "additive" combinations: Red + Green = Yellow Red+ Blue = Magenta Blue + Green = Cyan
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used for sharp central vision (reading, watching tv, driving)
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Subtractive Color Theory Physicist Color Theory CMYK |
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used in color printing in the middle, black is created
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