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| flauto piccolo (fl. picc.) |
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orchestra follows the soloist
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improvised (or written-out) ornamental passage for soloist
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plucked (string instruments)
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resume bowing (string instruments)
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always/continuously plucked (string instruments)
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slightly faster than andante
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| capriccioso, quasi recitando |
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capriciously, almost recitative-like
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return to a precise tempo
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a little more agitated/moved
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at the performer's pleasure
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very moderate tempo (slower than allegro)
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in horn playing, stopped horns
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lively, brisk, and playful
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a little pressing (getting faster)
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at the performer's pleasure
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quick, continuous reiteration of a single pitch
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detached (but not as short as staccato)
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change of instrument and/or tuning ("muta in G/d" for timpani means to change the timpani's tuning to G and d; "muta in flauto piccolo" in a flute part means to change to the piccolo)
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| bon marcato e staccatissimo |
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well-marked and with extreme staccato
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to be performed as on the first playing
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very broadening, becoming slower, sometimes with crescendo
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general class of pitches produced by sounding the second or some higher harmonic of a vibrating system such as a string
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spirit, spirited, usually in association with fast tempo
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with the stick of the bow of a stringed instrument OR with the drumstick
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| Prelude a "L'apres-midi d'un faune" |
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Prelude to "The afternoon of a faun" (by Claude Debussy)
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sweet, soft and expressive
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a continuous or sliding movement from one pitch to another
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to bow over the fingerboard
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| diminuendo (dim.) et retenu |
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becoming softer and held back
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always/continuously animated
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change to Bb (si is the French name for the English pitch "B")
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very prominent or standing out
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(movement) any self-contained and thus at least potentially independent section of a larger work
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| meme mouvement et tres soutenu |
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same movement and very sustained
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up bow (string instruments)
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down bow (string instruments)
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same movement as the beginning
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in harp playing, prepare (to set pedals in appropriate positions for coming passages) for Eb (Mi is the French name for the English pitch "E")
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| dans le mouvement plus anime |
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in more animated movement
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a harsh or brassy tone (esp. on the horn)
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| tres lent et tres retenu jusqu'a la fin |
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very slow and very held back until the end
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last 2/3 of Romantic period; composers tried to celebrate their countries; Russia is primary country
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in St. Petersburg, Alexander Borodin, Modest Mussorgsky, and Nikolai Rimsky-Korsakov were the most well-known
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Rimsky-Korsakov's most well-known piece; program music; based on "1,001 Nights"
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conveys a story or concept
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1867-1918; French; pianist; Paris conservatory; trained as Romantic; bohemian; Impressionistic; 3 style periods (more conservative toward death); "emancipated dissonance"
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in art, focused on precise color, fluidity... musical movement followed artistic movement... akin to symbolism in literature
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invented use of grand pause for dramatic effect
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won by Debussy; allowed 1 year's study in Rome for sole purpose of composing
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group of like things (oratorio, lieder, etc.)
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course specifically on Beethoven, Haydn, etc.
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course studying a specific period
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1600-1900 (Baroque, Classical, Romantic); aka the Tonal Period
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multi-movement work for orchestra; each movement/piece is complete in and of itself
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multi-movement work for orchestra *w/ solo instruments*; Baroque period had solo concerto and concerto grosso (depending on # of solo instruments - concerto grosso had a solo group called a concertino: usually 2 violins)
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Baroque concerto with a solo instrument
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Baroque concerto with a solo group called a concertino (usually made up of 2 violins)
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no woodwinds/brass; continuo (accompaniment) - usually harpsichord; firm bass and florid treble; bass played continuo line with harpsichord
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writing in multiple parts
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no valves - all done with mouth
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C clef - alto or viola clef if middle line is C; tenor clef if line above that is C
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section of melody thrown back and forth from part to part
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written-out round - each part comes in on same melody on same pitch at different times
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the plot that holds the piece together; what one does to alter the plot
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1750-1825; symphony, concerto, string quartet, sonata (all multi-movement works - normally 4, concertos 3); 1) fast 2) slow 3) dance/minuet 4) faster; Haydn, Mozart, Beethoven
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worked in Leipzig, Germany at end of career; important to everything except opera; cantatas (weekly ~ 300); oratorios; Passions (events leading to Christ's crucifixion)
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different instruments repeat same melody on different pitches at different times
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end in a major third (Baroque)
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1st Rondo - ABA; 2nd Rondo - ABACA; 3rd Rondo - ABACADA
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1770-1827; German; worked in Vienna, Austria; born in Bonn; alcoholic and musician father; brought to Vienna by Haydn; went deaf early; composed 32 piano sonata, 9 symphonies (3-Eroica 6-Pastorale 9-Choral)
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| Beethoven's Symphony No. 8, Op. 93 |
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Beethoven's contemporary, invented metronome
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sonata form without development
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sacred choral composition (not for everday service); text from Roman Catholic service
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Kyrie, Gloria, Credo, Sanctus & Benedictus, Agnus Dei
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official language of Roman Catholic Church; 1962 decision that Mass could be said in vernacular
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3 statements represent Holy Trinity; until 14th century, almost all music was subdivided into 3 beats/measure to represent Trinity)
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highest note in a phrase (focal point)
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died of syphylus at age 31
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text for opera, word book (by a librettist)
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Giuseppe Verdi opera; based on "Le roi s'amuse" (the King Amuses Himself) by Victor Hugo; made king into duke for censors; Count Monterone curses Duke & Rigoletto - Gilda will be compromised
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