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| professor emeritus of sociology at Open University, Milton Keynes, England, & leading proponent of Cultural Studies |
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| Neo- Marxisr critique that sets forth the position that mass media manufacture consent for dominant ideologies |
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| Frameworks through wich we interpret, understand & "make sense" of some aspect of social existence. |
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| the myth that society is held together by common norms such as equal oppourtunity, respect for diversity, one peoson-one vote, individual rights, rule of law. |
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| the process of speaking out on oppression and linking that subjugation witht he media representations; the work of cultural studies |
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| the laboring class who lack capital or means of production so must sell their labor to live |
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| the belief that himan behavior & relationships are ultimately caused by a difference in financial resources and the disparity in power that those gaps create. |
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| the producers of culture; tv, radio, film, music, fashion, magazines, newspapers, etc. |
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| the subtle sway of societies haves over its have nots |
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a leading 20th century french Philosopher who believed signs & symbols are inextricably linked to mass media messages & that the frameworks people use to interpret them are provided through the dominant discaurse of the day
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| frameworks of interpretation |
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| the process by which unquestioned & seemingly natural ways of interpreting the would becomes ideologies |
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| first introduced in ch.25, this media scholar from UCLA has provided many specific examples of hegemonic encoding by the media |
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| a communication scholar from the university of Iowa who notes that although Hall attacks the dominant ideology of Communication studies , he has became the most dominant figure in the field. |
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