Term
|
Definition
Vignola, Church of Gesu
pilaster hiding behind another
square pilasters + round engaged columns
continuous line of lower pilasters and upper
Victorians inspired by Mannerism - warehouses |
|
|
Term
|
Definition
Palazzo Senatorio, Michelangelo, completed 17thc, on Capitoline Hill, Rome
Corinthian pilasters
pilasters 45ft high
orders pass through 2 storeys
ionic columns lower bay, alongside Corinthian
Smooth walls
did not see classicism/ vitruvius as binding |
|
|
Term
|
Definition
Palazzo de Te, Guilio Romano, Mantua
summer palace of Dukes of Mantua
Doric order
completely stuccoed - rustication is placed onto bricks (not really rough hewn).
major columns in triumphal arch
outside columns have plinth to themselves
inside columsn share plinth with minor doric
dropped stones in etablature - recalls ruins
"The stones seem to be quarelling all the time with the finished architectural detail."
keystones force cornice into stones above
intercolumnation is uneasy |
|
|
Term
|
Definition
San Andrea, Alberti, 1460,
Corinthian pilaster projects through two storeys |
|
|
Term
|
Definition
Bramante, Tempietto,
cylindrical drum covered by vault
16 columns
cloister of s pietro, montorio, rome
reformulation of roman circular temple - temple of vesta
Transposes from Corinthian to Doric
Palladio saw as archetype of divine building |
|
|
Term
|
Definition
| "beauty will result from beautiful form and the correspondence of the whole to the parts". |
|
|
Term
|
Definition
Tempio Malatestiano - development of the Triumphal arch
arch creates division of space into narrow, wide, narrow |
|
|
Term
|
Definition
Alberti, Chirch of San Andrea, Mantua
the triumphal arch is brought inside at the same scale as front - 3d expansion |
|
|
Term
|
Definition
John Soane, Dulwich Picture Gallery, 1817
inexpensive london brick, more expensive portland stone only used on lantern, frieze and base. |
|
|
Term
|
Definition
Jacques Germain Soufflot, Pantheon, Paris
intended to be more window than wall - Laugier's 1753 essay on architecture
John Summerson describes as the "first building which is neo-classical." - rationalist use of orders |
|
|
Term
|
Definition
Le Louvre, East Front, paris, Le Vau, Perrault and Le brun, 1667-70
five fold division of facade - idea of coupled columns comes from Bramante
corinthian collonade of fully articulated columns
intercolumnation allows wide spaces needed for windows
inner wall set back - columns stand out like temple front
in end blocks, wall moves forward and turns into pilasters |
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
