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By: Giuseppe Arcimboldo
[image] |
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| The Turning Road, I'Esraque |
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By: Andre Derain[image]
[image] |
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| Murder in the Rue Transnonain |
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By: Honore Daumier[image]
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By: Sandy Skoglund
(Serealism)
[image] |
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| The Temptaion of Saint Anthony |
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By: Salvador Dali
(Serealism)
[image] |
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| Artist and Model Reflected in the Mirror |
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By: Andrea Mantegna
Example of foreshortening |
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| Guggenheim Museum Bilbao in Spain |
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| Designed by Frank O. Gehry |
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| Guggenheim Museum in New York |
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| Designed by Frank Lloyd Wright |
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By: Bridget Riley
example of OP art |
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By: Giacomo Balla
Example of Dynamism and futurism |
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By: Frida Kahlo
Mirror image, example of symetrical balance |
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By: Paul Gauguin
Example of Approximate symmetry and the Hierarchical scale |
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By: Edward Hopper
Also the artist of "Gas"
[image] |
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| Endless Column and Bird in Space |
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A circle of stones
prehistoric megalithic structure |
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A large stone
has been used to consruct a structure or monument |
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| Era of the New stone age, last part of stone age |
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| Era distinguished by the development of stone tools |
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How different people view normal objects
Peeling paint on Irol Bench
By: Ernst Haas |
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Skull art
Latin for emptiness or meaningless of earthly life
Wheel of Fortune By: Audrey Flack |
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| Taking forms of the world and make them purposefully simplified, fragmented, or otherwise distorted |
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1) Subject
2) Content
3) Form |
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| The organization of lines, shapes, colors, and other art elements in a work of art |
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The Concepts or ideas involved in the work take precedence over the material concerns
One of Three chairs By: Joseph Kosuth |
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| Message communicated by the artist |
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| Personal and social circumstances surrounding the making, viewing, and interpreting of a work of art |
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3D geometrical figure
Cube, sphere, cylinder
Describes how work of art looks, size, and shape |
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| Studies the identifcation, description, and interpretation of contents in the image (Cross) |
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3D work that you can interact with
Mobiles/land art |
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Head of a King
Imitating or producing the effect or appearance of nature.
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| Non-Objective/ Non-representational |
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Does not represent or refer to wordly things
A bunch of colorful squares |
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Block features
Woman sitting with fan By: Pablo Picaso
Abstract and Cubism |
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| A charecteristic or a number of charecteristics that we can identify as constent, recurring, or content with a particular artists work |
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| Representational art on which methods for depicting forms have become standarized and contents be repeated without future observation of the real-worl model....like abstract |
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| In abstract or representational are, the object or events depicted |
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| Spiral Jetty By: Robert Smithson |
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| The daily lives of ordinary people considered as subjject matter for art (Daily life as subject) |
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Optical effects by the eye
Current By: Bridget Riley |
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| A body part of a saint or an ancient religious object carefully preserved |
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Art of fantasy or dreams
Temptation of saint anthony by: Salvador Dali |
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| A broad idea, message, or moral of a painting |
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The farther away an item gets the more blue they get
Leonardo Da Vinci |
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| 4 colors on the color wheel around eachother |
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| When starring at something for a long time then look away will see another image |
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| Colors across from eachother on the color wheel |
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| using light and darks to make things 3D |
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| th shade with lines that intersect |
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1) Line
2) Shape
3) Texture
4) Value
5) Color |
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Stron color over the representational or realistic values
Henri Matisse |
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| Concepts of speed, technology, youth and violence, and objects such as cars, airplanes, and cities |
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| background makes a picture and so does the other object in picture, depending on how your eyes adjust [image] |
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Things are shorter when they lay down then when they stand up
Dead Christ By: Andrea Mantegna |
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| Used to create shading effects by closely spaced parallel lines |
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| Main property of color, lights and darks of colors |
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| Slanted lines make depth and motion |
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| The brightness or the dullness of a color |
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Moves, mobiles
Alexander Calder |
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One point painting looks at
Last supper (Jesus)- by Leonardo Da Vinci
Brunelesci invented it |
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| Connects point A to B, path of a moving point |
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One color painting
"The old guitarist" (Blue) |
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| smal dots of different colors by one another to make another color |
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| Silhoutte or outer line and featureless interior |
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| The flat surface of canvas or the flat surface which is usually located between the center point and the object being viewed |
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| Positive shape is the object and the negative she is the space around it in the background |
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used to mix
Red, yellow, blue |
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| opposing colors, one placed next to eachother effects eachother. may seem darker ot lighter depending in what color is placed by it. |
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| Small dots with pen, black and white |
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| A secondary color with a primary color |
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| actual textue you can feel |
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| length, width, and depth in differnt planes |
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| Any three colors equally spaced on color wheel, three hues |
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| length and width on same plane |
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| Shadows, darkness, contrast and light |
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| yellows, reds, light greens. Vivid and energetic |
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| Arrangment of elements that are similar on either side of a vertical axis |
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| Off centered or odd mismatches, each side in not matchin but still balanced |
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A state of equilibrium
"The Red cube" by Yagushi |
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| The organization of visual elements in a work of art |
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| A point of focus wher initially eyes go |
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| To create beauty and balance in layout and desin (Used to design the Notre Dame Cathedral) |
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| more important figures are larger then less importnat figures (Kings larger) |
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| Size between an object and its surroundings |
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| balance that radiates from a center focal point |
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| A visual beat in a painting. Your eyes travel from one component to the next |
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| Size in relation to some "normal" or constant size |
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Mirror image of each side
Native art is like this a lot |
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A feeling of completeness is created by the use of elements. Oneness or sameness
160 cambell soup cans By: Andy Worhol |
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| Difference, counter part to unity |
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| Thirty are better than one |
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| Chronos devouring one of his children |
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| seated woman holding a fan |
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Pablo Picasso
cubism, representational |
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| Nude woman having her hair combed |
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| Giovanni Arnolfini and his Bride |
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Cimabue
Hierachical scale |
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| Self-Portrait with Monkeys |
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| The Garden of Earthly Delights |
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| A Sudden Gust of Wind (after Hokusai) |
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Georges Serat
Pointilism
[image] |
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Chuck Close
Modern art
[image] |
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| Nocturne in Blue and Gold (Old Battersea Bridge) |
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| James Abbott McNeill Whistler |
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Alexander Calder
Kinetic art |
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| Deers skull with pedernal |
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Georgia O'Keeffe
Example of aproximate symatry |
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| A Bar ar the Folies-Bergere |
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| Study of Human Propportions According to Vitruvius |
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