Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch33/map33.jpg |
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Definition
| Colonial Empires about 1900. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch33/33-02.jpg |
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Definition
| HENRI MATISSE, Red Room (Harmony in Red), 1908-1909. Oil on canvas, approx. 5' 11" x 8' 1". State Hermitage Museum, Saint Petersburg. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch33/33-03.jpg |
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Definition
| ANDRÉ DERAIN, The Dance, 1906. Oil on canvas, 6' 7/8" x 6' 10 1/4". Fridart Foundation, London. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch33/33-04.jpg |
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Definition
| ERNST LUDWIG KIRCHNER, Street, Dresden, 1908 (dated 1907). Oil on canvas, 4' 11 1/4" x 6' 6 7/8". Museum of Modern Art, New York (purchase). |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch33/33-05.jpg |
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Definition
| EMIL NOLDE, Saint Mary of Egypt among Sinners, 1912. Left panel of a triptych, oil on canvas, approx. 2' 10" x 3' 3". Hamburger Kunsthalle, Hamburg. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch33/33-06.jpg |
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Definition
| VASSILY KANDINSKY, Improvisation 28 (second version), 1912. Oil on canvas, 3' 7 7/8" x 5' 3 7/8". Solomon R. Guggenheim Museum, New York (gift of Solomon R. Guggenheim, 1937). |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch33/33-07.jpg |
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Definition
| FRANZ MARC, Fate of the Animals, 1913. Oil on canvas, 6' 4 3/4" x 8' 9 1/2". Kunstmuseum, Basel. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch33/33-08.jpg |
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Definition
| PABLO PICASSO, Gertrude Stein, 1906-1607. Oil on canvas, 3' 3 3/8" x 2' 8". Metropolitan Museum of Art, New York (bequest of Gertrude Stein, 1947). |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch33/33-09.jpg |
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Definition
| PABLO PICASSO, Les Demoiselles d'Avignon, June-July 1907. Oil on canvas, 8' x 7' 8". Museum of Modern Art, New York (acquired through the Lillie P. Bliss Bequest). |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch33/33-10.jpg |
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Definition
| GEORGES BRAQUE, The Portuguese, 1911. Oil on canvas, 3' 10 1/8" x 2' 8". Öffentliche Kunstsammlung Basel, Kunstmuseum, Basel (gift of Raoul La Roche, 1952). |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch33/33-11.jpg |
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Definition
| ROBERT DELAUNAY, Champs de Mars or The Red Tower, 1911. Oil on canvas, 5' 3" x 4' 3". Art Institute of Chicago, Chicago. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch33/33-12.jpg |
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Definition
| PABLO PICASSO, Still Life with Chair-Caning, 1912. Oil and oilcloth on canvas, 10 5/8" x 1' 1 3/4". Musée Picasso, Paris. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch33/33-13.jpg |
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Definition
| GEORGES BRAQUE, Bottle, Newspaper, Pipe and Glass, 1913. Charcoal and various papers pasted on paper, 1' 6 7/8" x 2' 1 1/4". Private collection, New York. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch33/33-14.jpg |
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Definition
| PABLO PICASSO, Maquette for Guitar, 1912. Cardboard, string, and wire (restored), 25 1/4" x 13" x 7 1/2". Museum of Modern Art, New York. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch33/33-15.jpg |
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Definition
| JACQUES LIPCHITZ, Bather, 1917. Bronze, 2' 10 3/4" x 1' 1 1/4" x 1' 1". Nelson-Atkins Museum of Art, Kansas City (gift of the Friends of Art). Copyright © Estate of Jacques Lipchitz/Licensed by VAGA, New York/Marlborough Gallery, NY. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch33/33-16.jpg |
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Definition
| ALEKSANDR ARCHIPENKO, Woman Combing Her Hair, 1915. Bronze, approx. 1' 1 3/4" high. Museum of Modern Art, New York (bequest of Lillie P. Bliss). |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch33/33-17.jpg |
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Definition
| JULIO GONZÁLEZ, Woman Combing Her Hair, ca. 1930-1933. Iron, 4' 9" high. Moderna Museet, Stockholm. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch33/33-18.jpg |
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Definition
| FERNAND LÉGER, The City, 1919. Oil on canvas, approx. 7' 7" x 9' 9 1/2". Philadelphia Museum of Art, Philadelphia (A. E. Gallatin Collection). |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch33/33-19.jpg |
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Definition
| GIACOMO BALLA, Dynamism of a Dog on a Leash, 1912. Oil on canvas, 2' 11 3/8" x 3' 7 1/4". Albright-Knox Art Gallery, Buffalo, New York (bequest of A. Conger Goodyear, gift of George F. Goodyear, 1964). |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch33/33-20.jpg |
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Definition
| UMBERTO BOCCIONI, Unique Forms of Continuity in Space, 1913 (cast 1931). Bronze, 3' 7 7/8" high x 2' 10 7/8" x 1' 3 3/4". Museum of Modern Art, New York (acquired through the Lillie P. Bliss Bequest). |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch33/33-21.jpg |
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Definition
| GINO SEVERINI, Armored Train, 1915. Oil on canvas, 3' 10" x 2' 10 1/8". Collection of Richard S. Zeisler, New York. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch33/33-22.jpg |
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Definition
| JEAN ARP, Collage Arranged According to the Laws of Chance, 1916-1917. Torn and pasted paper, 1' 7 1/8" x 1' 1 5/8". Museum of Modern Art, New York (purchase). |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch33/33-23.jpg |
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Definition
| MARCEL DUCHAMP, Fountain, (second version), 1950 (originalversion produced 1917). Ready-made glazed sanitary china with black paint, 12" high. Philadelphia Museum of Art, Philadelphia (purchased with proceeds from the sale of deaccessioned works of art). |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch33/33-24.jpg |
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Definition
| MARCEL DUCHAMP, The Bride Stripped Bare by Her Bachelors, Even (The Large Glass), 1915-23. Oil, lead, wire, foil, dust, and varnish on glass, 9' 1 1/2" x 5' 9 1/8". Philadelphia Museum of Art, Philadelphia (Katherine S. Dreier Bequest). |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch33/33-25.jpg |
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Definition
| HANNAH HÖCH, Cut with the Kitchen Knife Dada through the Last Weimar Beer Belly Cultural Epoch of Germany, 1919-1920. Photomontage, 3' 9" x 2' 11 1/2". Neue Nationalgalerie, Staatliche Museen, Berlin. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch33/33-26.jpg |
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Definition
| KURT SCHWITTERS, Merz 19, 1920. Paper collage, approx. 7 1/4" x 5 7/8". Yale University Art Gallery, New Haven, (gift of Collection Société Anonyme). |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch33/33-27.jpg |
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Definition
| JOHN SLOAN, Sixth Avenue and 30th Street, 1907, 1909. Oil on canvas, 26 1/4" x 32". Private Collection (Mr. And Mrs. Meyer P. Potamkin). |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch33/33-28.jpg |
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Definition
| Installation photo of the Armory Show, New York National Guard's 69th Regiment, New York, 1913. Courtesy of the Museum of Modern Art, New York. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch33/33-29.jpg |
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Definition
| MARCEL DUCHAMP, Nude Descending a Staircase, No. 2, 1912. Oil on canvas, approx. 4' 10 “x 2' 11". Philadelphia Museum of Art, Philadelphia (Louise and Walter Arensberg Collection). |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch33/33-30.jpg |
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Definition
| ALFRED STIEGLITZ, The Steerage, 1907 (print 1915). Photogravure (on tissue), 1' 3/8" x 10 1/8". Courtesy of Amon Carter Museum, Fort Worth. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch33/33-31.jpg |
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Definition
| EDWARD WESTON, Nude, 1925. Platinum print. Collection, Center for Creative Photography, University of Arizona, Tucson. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch33/33-32.jpg |
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Definition
| MAN RAY, Cadeau (Gift), ca. 1958 (replica of 1921 original). Painted flatiron with row of 13 tacks with heads glued to the bottom, 6 1/8" high, 3 5/8" wide, 4 1/2" deep. Museum of Modern Art, New York (James Thrall Soby Fund). |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch33/33-33.jpg |
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Definition
| MARSDEN HARTLEY, Portrait of a German Officer, 1914. Oil on canvas, 5' 8 1/4" x 3' 5 3/8". The Metropolitan Museum of Art, New York (Alfred Stieglitz Collection). |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch33/33-34.jpg |
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Definition
| STUART DAVIS, Lucky Strike, 1921. Oil on canvas, 2' 9 1/4" x 1' 6". Museum of Modern Art, New York (gift of The American Tobacco Company, Inc.). Copyright © Estate of Stuart Davis/Licensed by VAGA, New York, NY. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch33/33-35.jpg |
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Definition
| AARON DOUGLAS, Noah's Ark, ca. 1927. Oil on masonite, 4' x 3'. Fisk University Galleries, Nashville, Tennessee. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch33/33-36.jpg |
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Definition
| CHARLES DEMUTH, My Egypt, 1927. Oil on composition board, 2' 11 3/4" x 2' 6". Collection of Whitney Museum of American Art, New York (purchase, with funds from Gertrude Vanderbilt Whitney). |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch33/33-37.jpg |
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Definition
| GEORGIA O'KEEFFE, New York, Night, 1929. Oil on canvas, 3' 4 1/8" x 1' 7 1/8". Sheldon Memorial Art Gallery, Lincoln, Nebraska (Nebraska Art Association, Thomas C. Woods Memorial Collection). |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch33/33-38.jpg |
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Definition
| GEORGE GROSZ, Fit for Active Service, 1916-1917. Pen and brush and ink on paper, 1' 8" x 1' 2 3/8". Museum of Modern Art, New York (A. Conger Goodyear Fund). Copyright © Estate of George Grosz/Licensed by VAGA, New York, NY. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch33/33-39.jpg |
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Definition
| MAX BECKMANN, Night, 1918-1919. Oil on canvas, 4' 4 3/8" x 5' 1/4". Kunstsammlung Nordrhein-Westfalen, Düsseldorf. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch33/33-40.jpg |
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Definition
| OTTO DIX, Der Krieg (The War), 1929-1932. Oil and tempera on wood, 6' 8 1/3" x 13' 4 3/4". Staatliche Kunstsammlungen, Gemäldegalerie Neue Meister, Dresden. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch33/33-42.jpg |
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Definition
| WILHELM LEHMBRUCK, Seated Youth, 1917. Composite tinted and plaster, 3' 4 5/8" x 2' 6" x 3' 9". National Gallery of Art, Washington. (Andrew W. Mellon Fund). |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch33/33-43.jpg |
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Definition
| ERNST BARLACH, War Monument, from Güstrow Cathedral, Güstrow, Germany, 1927. Bronze. Schildergasse Antoniterkirche, Cologne. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch33/33-44.jpg |
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Definition
| GIORGIO DE CHIRICO, Melancholy and Mystery of a Street, 1914. Oil on canvas, 2' 10 1/4" x 2' 4 1/2". Private collection. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch33/33-45.jpg |
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Definition
| MAX ERNST, Two Children Are Threatened by a Nightingale, 1924. Oil on wood with wood construction, 2' 3 1/2" high, 1' 10 1/2" wide, 4 1/2" deep. Museum of Modern Art, New York (purchase). |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch33/33-46.jpg |
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Definition
| SALVADOR DALÍ, The Persistence of Memory, 1931. Oil on canvas, 9 1/2" x 1' 1". Museum of Modern Art, New York (given anonymously). |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch33/33-47.jpg |
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Definition
| RENÉ MAGRITTE, The Treachery (or Perfidy) of Images, 1928-1929. Oil on canvas, 1' 11 5/8" x 3' 1". Los Angeles County Museum of Art, Los Angeles (purchased with funds provided by the Mr. and Mrs. William Preston Harrison Collection). |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch33/33-48.jpg |
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Definition
| MERET OPPENHEIM, Object (Le Déjeuner en fourrure), 1936. Fur-covered cup, 4 3/8" in diameter; saucer, 9 3/8" in diameter; spoon, 8". Museum of Modern Art, New York (purchase). |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch33/33-49.jpg |
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Definition
| FRIDA KAHLO, The Two Fridas, 1939. Oil on canvas, 5' 7" x 5' 7". Collection of the Museo de Arte Moderno, Mexico City. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch33/33-50.jpg |
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Definition
| JOAN MIRÓ, Painting, 1933. 5' 8" x 6' 5". Museum of Modern Art, New York (Loula D. Lasker Bequest by exchange). |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch33/33-51.jpg |
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Definition
| PAUL KLEE, Twittering Machine, 1922. Watercolor and pen and ink, on oil transfer drawing on paper, mounted on cardboard, 2' 1" x 1' 7". Museum of Modern Art, New York (purchase). |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch33/33-52.jpg |
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Definition
| KAZIMIR MALEVICH, Suprematist Composition: Airplane Flying, 1915 (dated 1914). Oil on canvas, 1' 10 7/8" x 1' 7". Museum of Modern Art, New York (purchase). |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch33/33-53.jpg |
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Definition
| NAUM GABO, Column, ca. 1923 (reconstructed 1937). Perspex, wood, metal, glass, 3' 5" x 2' 5" x 2' 5". Solomon R. Guggenheim Museum, New York. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch33/33-54.jpg |
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Definition
| Photograph of Vladimir Tatlin with Monument to the Third International, 1919-1920. Annenberg School for Communication, University of Southern California, Los Angeles. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch33/33-55.jpg |
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Definition
| PIET MONDRIAN, Composition in Red, Blue, and Yellow, 1930. Oil on canvas, 2' 4 5/8" x 1' 9 1/4". Private Collection. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch33/33-56.jpg |
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Definition
| GERRIT THOMAS RIETVELD, Schröder House, Utrecht, the Netherlands, 1924. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch33/33-57.jpg |
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Definition
| LÁSZLÓ MOHOLY-NAGY, From the Radio Tower Berlin, 1928. Gelatin silver print. The Art Institute of Chicago, Chicago. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch33/33-58.jpg |
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Definition
| JOSEF ALBERS, Homage to the Square: “Ascending", 1953. Oil on composition board, 3' 7 1/2" x 3' 7 1/2". Collection of Whitney Museum of American Art, New York (purchase). |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch33/33-59.jpg |
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Definition
| WALTER GROPIUS, Shop Block, the Bauhaus, Dessau, Germany, 1925-1926. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch33/33-60.jpg |
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Definition
| MARCEL BREUER, tubular chair, 1925. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch33/33-61.jpg |
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Definition
| GUNTA STÖLZL, Gobelin tapestry, 1926-1927. Linen and cotton. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch33/33-62.jpg |
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Definition
| LUDWIG MIES VAN DER ROHE, model for a glass skyscraper, Berlin, Germany, 1922 (no longer extant). |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch33/33-63.jpg |
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Definition
| LE CORBUSIER, perspective drawing for Domino House project, Marseilles, France, 1914. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch33/33-64.jpg |
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Definition
| LE CORBUSIER, Villa Savoye, Poissy-sur-Seine, France, 1929. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch33/33-65.jpg |
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Definition
| WILLIAM VAN ALEN, Chrysler Building, New York, New York, 1928-1930. Spire of stainless steel, overall height 1,048'. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch33/33-66.jpg |
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Definition
| FRANK LLOYD WRIGHT, Robie House, Chicago, Illinois, 1907-1909. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch33/33-67.jpg |
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Definition
| FRANK LLOYD WRIGHT, plan of the Robie House, Chicago, Illinois, 1907-1909. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch33/33-68.jpg |
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Definition
| FRANK LLOYD WRIGHT, Kaufmann House (Fallingwater), Bear Run, Pennsylvania, 1936-1939. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch33/33-69.jpg |
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Definition
| CONSTANTIN BRANCUSI, Bird in Space, 1928. Bronze (unique cast), 4' 6" x 8" x 6" high. Museum of Modern Art, New York (given anonymously). |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch33/33-70.jpg |
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Definition
| BARBARA HEPWORTH, Oval Sculpture (No. 2), 1943. Plaster cast, 11 1/4" x 16 1/4" x 10". Tate Gallery, London. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch33/33-71.jpg |
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Definition
| HENRY MOORE, Reclining Figure, 1939. Elm wood, 3' 1" x 6' 7" x 2' 6". Detroit Institute of Arts, Detroit (Founders Society purchase with funds from the Dexter M. Ferry, Jr. Trustee Corporation). |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch33/33-72.jpg |
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Definition
| ALEXANDER CALDER, Untitled, 1976. Aluminum honeycomb, tubing, and paint, 29' 10 1/2" x 76'. National Gallery of Art, Washington, D.C. (Gift of the Collectors Committee). |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch33/33-73.jpg |
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Definition
| PABLO PICASSO, Guernica, 1937. Oil on canvas, 11' 5 1/2" x 25' 5 3/4". Museo Nacional Centro de Arte Reina Sofia, Madrid. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch33/33-74.jpg |
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Definition
| VERA MUKHINA, Worker and Collective Farm Worker. Sculpture for the Soviet Pavilion, Paris Exposition, 1937. Stainless steel, approx. 78' high. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch33/33-75.jpg |
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Definition
| DOROTHEA LANGE, Migrant Mother, Nipomo Valley, 1935. Gelatin silver print. Copyright © the Dorothea Lange Collection, The Oakland Museum of California, City of Oakland (gift of Paul S. Taylor). |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch33/33-76.jpg |
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Definition
| EDWARD HOPPER, Nighthawks, 1942. Oil on canvas, 2' 6" x 4' 8 11/16". The Art Institute of Chicago, Chicago (Friends of American Art Collection). |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch33/33-77.jpg |
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Definition
| JACOB LAWRENCE, No. 49 from The Migration of the Negro, 1940-1941. Tempera on masonite, 1' 6" x 1'. The Phillips Collection, Washington. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch33/33-78.jpg |
|
Definition
| GRANT WOOD, American Gothic, 1930. Oil on beaverboard, 2' 5 7/8" x 2' 7/8". Art Institute of Chicago, Chicago (Friends of American Art Collection). |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch33/33-79.jpg |
|
Definition
| THOMAS HART BENTON, Pioneer Days and Early Settlers, State Capitol, Jefferson City, 1936. Mural. Copyright © T. H. Benton and R. P. Benton Testamentary Trusts/Licensed by VAGA, New York, NY. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch33/33-80.jpg |
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Definition
| JOSÉ CLEMENTE OROZCO, Epic of American Civilization: Hispano-America (panel 16), Baker Memorial Library, Dartmouth College, Hanover, ca. 1932-1934. Fresco. Copyright © Orozco Valladares Family/SOMAAP, Mexico/Licensed by VAGA, New York, NY. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch33/33-81.jpg |
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Definition
| DIEGO RIVERA, Ancient Mexico, from the History of Mexico fresco murals, National Palace, Mexico City, 1929-1935. Fresco. |
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