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First impressionist exhibition |
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Origin of modern architecture |
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| represents a pushing of the boundaries of what is accepted as the norm or the status quo, primarily in the cultural realm |
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| the first photographic process utilizing negative and paper positive. it was invented by William Henry Fox Talbot in the late 1830s |
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| an early cameralike device used in the renaissance and later for recording images of nature. Made from a dark box(or room) with a hole in one side (sometimes fitted with a lens) the camera obscura operates when bright light shines through the holes, casting an upside down image of an object outside onto the inside wall of the box |
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| an early photographic process that makes a positive print on a light sensitized capperplate; invented and marketed in 1839 by louis-jaques-made daguerre |
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| painting defined by the separation of colors into individual dots or patches which interacted optically |
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| the strong consciousness of and attention to the institution, theme, styles, and forms of the past, made accessible by historical research, textual study and archaeology |
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| thick applications of pigment that give a painting a palpable surface texture |
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| Characteristics of Impressionist paintings include relatively small, thin, yet visible brush strokes; opencomposition; emphasis on accurate depiction of light in its changing qualities |
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| a style in french and american nineteenth-century art that was highly influenced by Japenese art, especially prints |
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| a design drawn on a flat stone block with greasy crayon. Ink is applied to the wet stone and adheres only to the greasy areas of the design |
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| the fascination with midlle eastern culture |
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| concentrated on contemporary social realism |
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| an exhibition of works rejected by the jury of the official |
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