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| John Vanbrugh, Blenheim Palace, Oxfordshire, England, 1705–1722. |
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| Balthasar Neumann, interior of the pilgrimage chapel of Vierzehnheiligen, near Staffelstein, Germany, 1743–1772 |
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| Plan of Vierzehnheiligen. |
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| Egid Quirin Asam, Assumption of the Virgin, monastery church at Rohr, Germany, 1723. |
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| Giambattista Tiepolo, The Apotheosis of the Pisani Family, ceiling fresco in the villa Pisani, Stra, Italy, 1761–1762. |
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| Germain Boffrand, Salon de la Princesse, with painting by Natoire and sculpture by J. B. Lemoine, Hôtel de Soubise, Paris, 1737–1740. |
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| Hall of Mirrors, the Amalienburg, Nymphenburg Palace Park, Munich, early eighteenth century. |
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| Antoine Watteau , L'Indifférent, ca. 1716. Oil on canvas, approx. 10" x 7". Louvre, Paris |
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| Antoine Watteau, View through the Trees in the Park of Pierre Crozat (La Perspective), ca. 1714-1715. Oil on canvas, 18 3/8" x 21 3/4". Maria Antoinette Evans Fund, courtesy of Museum of Fine Arts, Boston |
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| Antoine Watteau , Return from Cythera, 1717-1719. Oil on canvas, approx. 4' 3" x 6' 4". Louvre, Paris |
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| François Boucher, Cupid a Captive, 1754. Oil on canvas, approx. 5' 6" x 2' 10". Reproduced by permission of the Trustees of the Wallace Collection, London |
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| Jean-Honoré Fragonard, The Swing, 1766. Oil on canvas, approx. 35" x 32". Reproduced by permission of the Trustees of the Wallace Collection, London. |
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| Clodion, Nymph and Satyr, ca. 1775. Terracotta, approx. 23" high. Metropolitan Museum of Art, New York (bequest of Benjamin Altman, 1913). |
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