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| MATTHIAS GRÜNEWALD, Isenheim Altarpiece (closed), Crucifixion (center panel), ca. 1510-1515. Oil on panel, center panel 9' 91/2" x 10' 9", each wing 8' 21/2" x 3' 1/2", predella 2' 51/2" x 11' 2". Musée d'Unterlinden, Colmar. |
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| MATTHIAS GRÜNEWALD, Isenheim Altarpiece (open), ca. 1510–1515. Oil on panel, center panel 9' 91/2" x 10' 9", each wing 8' 21/2" x 3' 1/2", predella 2' 51/2" x 11' 2". Musée d'Unterlinden, Colmar. |
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| LUCAS CRANACH THE ELDER, Allegory of Law and Grace, ca. 1530. Woodcut, 10 5/8" x 12 3/4". British Museum, London |
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| ALBRECHT DÜRER, Last Supper, 1523. Woodcut, 8 3/8" x 11 13/16". British Museum, London |
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| ALBRECHT DÜRER, Four Apostles, 1526. Oil on panel, each panel 7' 1" x 2' 6". Alte Pinakothek, Munich |
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| ALBRECHT DÜRER, Philipp Melanchthon, 1526. Engraving, 6 7/8" x 5 1/16". British Museum, London |
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| ALBRECHT DÜRER, The Fall of Man (Adam and Eve), 1504. Engraving, approx. 10" x 71/2". Courtesy Museum of Fine Arts, Boston (centennial gift of Landon T. Clay). |
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| ALBRECHT DÜRER, The Great Piece of Turf, 1503. Watercolor, approx. 16" x 121/2". Graphische Sammlung Albertina, Vienna. |
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| ALBRECHT DÜRER, Knight, Death, and the Devil, 1513. Engraving, 95/8" x 73/8". Metropolitan Museum of Art, New York. |
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| ALBRECHT ALTDORFER, The Battle of Issus, 1529. Oil on panel, 4' 41/4" x 3'111/4". Alte Pinakothek, Munich |
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| HANS HOLBEIN THE YOUNGER, The French Ambassadors, 1533. Oil and tempera on panel, approx. 6' 8" x 6' 91/2". Reproduced by courtesy of the trustees of the National Gallery, London. |
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| JEAN CLOUET, Francis I, ca. 1525–1530. Tempera and oil on panel, approx. 3' 2" x 2' 5". Louvre, Paris. |
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| ROSSO FIORENTINO and FRANCESCO PRIMATICCIO, ensemble of architecture, sculpture, and painting, Gallery of King Francis I, Fontainebleau, France, ca. 1530–1540. |
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| Château de Chambord, Chambord, France, begun 1519 |
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| PIERRE LESCOT and JEAN GOUGON, west façade of the Square Court of the Louvre, Paris, France, begun 1546 |
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| JEAN GOUJON, Nymphs, from the dismantled Fountain of the Innocents, Paris, France, 1548–1549. Marble reliefs. Louvre, Paris. Each relief 6' 43/4" x 2' 43/4 |
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| JAN GOSSAERT (MABUSE), Neptune and Amphitrite, ca. 1516. Oil on panel, 7' 2" x 4' 1". Gemäldegalerie, Staatliche Museen, Berlin-Dahlem. |
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| QUINTEN MASSYS, Money-Changer and His Wife, 1514. Oil on panel, 2' 33/4" x 2' 23/8". Louvre, Paris |
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| PIETER AERTSEN, Meat Still-Life, 1551. Oil on panel, 4' 3/8" x 6' 5 3/4". Uppsala University Art Collection, Uppsala |
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| CATERINA VAN HEMESSEN, Self-Portrait, 1548. Panel, 12 1/4" x 9 7/8". Kunstmuseum, Öffentiliche Kunstsammlung Basel. |
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| JOACHIM PATINIR, Landscape with Saint Jerome, ca. 1520-1524. Oil on panel, 2' 51/8" x 2' 117/8". Prado, Madrid |
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| PIETER BRUEGEL THE ELDER, Hunters in the Snow, 1565. Oil on panel, approx. 3' 10" x 5' 4". Kunsthistorisches Museum, Vienna |
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| PIETER BRUEGEL THE ELDER, Netherlandish Proverbs, 1559. Oil on panel, 3' 10" x 5' 41/8". Gemäldegalerie, Staatliche Museen, Berlin. |
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| Portal and detail, Colegio de San Gregorio, Valladolid, Spain, ca. 1498 |
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| PEDRO MACHUCA, courtyard of the palace of Charles V, Alhambra, Granada, Spain, ca. 1526–1568 |
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| JUAN DE HERRERA, Escorial (bird's-eye view), near Madrid, Spain, ca. 1563–1584 (after an anonymous eighteenth-century painting). |
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| EL GRECO, The Burial of Count Orgaz, Santo Tomé, Toledo, Spain, 1586. Oil on canvas, approx. 16' x 12'. |
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