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Chapter 22 Mannerism and rest
identification
19
Art History
03/11/2008

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Definition
JACOPO DA PONTORMO, Descent from the Cross, 1525-1528. Oil on wood, approx. 10' 3" x 6' 6". Capponi Chapel, Santa Felicità, Florence.
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PARMIGIANINO, Madonna with the Long Neck, ca. 1535. Oil on wood, approx. 7' 1" x 4' 4". Galleria degli Uffizi, Florence.
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BRONZINO, Venus, Cupid, Folly, and Time (Exposure of Luxury), ca. 1546. Oil on wood, approx. 5'1" x 4'83/4". National Gallery, London.
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 BRONZINO, Portrait of a Young Man, ca. 1530s. Oil on wood, approx. 3'11/2" x 2' 51/2". Metropolitan Museum of Art, New York (H. O. Havemeyer Collection, bequest of Mrs. H. O. Havemeyer, 1929).
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SOFONISBA ANGUISSOLA, Portrait of the Artist's Sisters and Brother, ca. 1555. Methuen Collection, Corsham Court, Wilshire.
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BENVENUTO CELLINI, Genius of Fontainebleau, 1543–1544. Bronze, more than life size. Louvre, Paris.
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GIOVANNI DA BOLOGNA, Abduction of the Sabine Women, Loggia dei Lanzi, Piazza della Signoria, Florence, completed 1583. Marble, approx. 13' 6" high
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GIULIO ROMANO, interior courtyard façade of the Palazzo del Tè, Mantua, 1525–1535.
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GIACOMO DELLA PORTA, façade of Il Gesù, Rome, ca. 1575–1584
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GIACOMO DA VIGNOLA , plan of Il Gesù, Rome, 1568
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TINTORETTO, Miracle of the Slave, 1548. Oil on canvas, approx. 14' x 18'. Galleria dell'Accademia, Venice

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TINTORETTO, Last Supper, Chancel, San Giorgio Maggiore, Venice, 1594. Oil on canvas, 12' x 18' 8".
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PAOLO VERONESE, Christ in the House of Levi, 1573. Oil on canvas, approx. 18' 6" x 42' 6". Galleria dell'Accademia, Venice.
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PAOLO VERONESE, Triumph of Venice, ceiling of the Hall of the Grand Council, Palazzo Ducale, Venice, ca. 1585. Oil on canvas, approx. 29' 8" x 19'
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JACOPO SANSOVINO, the Mint (la Zecca), 1535–1545 (left) and the State Library (right), begun 1536, Piazza San Marco, Venice
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ANDREA PALLADIO, Villa Rotonda (formerly Villa Capra), near Vicenza, ca. 1566–1570
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Plan of the Villa Rotonda (formerly Villa Capra), near Vicenza, ca. 1566–1570
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ANDREA PALLADIO, west façade of San Giorgio Maggiore
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 Interior of San Giorgio Maggiore (view facing east), Venice, 1565