Term
Sir Christopher Wren
(Neoclassicism) |
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Definition
England's most renowned architect.
St. Pauls Cathedral, 1710. |
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Term
Robert Adam
(Neoclassicism) |
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Definition
Employed "Pompeian" style.
Etruscan Room in Osterley Park House, 1761. |
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Term
Jacques-Louis David
(Neoclassicism) |
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Definition
Painter-ideologist for French Revolution.
Oath of the Horatii, 1784. |
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Term
Jean-Auguste Ingres
(Neoclassicism) |
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Definition
Used combination of classical form + Romantic themes.
Grand Odalisque, 1814. |
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Term
Angelika Kauffman
(Neoclassicism) |
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Definition
Founding member of British Royal Academy of Art.
Mother of the Gracchi, 1785. |
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Term
Horatio Greenough
(Neoclassicism) |
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Definition
Known for his godlike statues.
George Washington, 1840. |
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Term
Eugene Delacroix
(Romanticism) |
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Definition
"Leader" of French Romantic painting.
Death of Sardanapalus, 1827. |
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Term
Henry Fuseli
(Romanticism) |
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Definition
Used distinctive manner to express vivid fantasies of his imagination.
The Nightmare, 1781. |
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Term
Theodore Gericault
(Romanticism) |
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Definition
"Father" of French Romantic painting.
Raft of the Medusa, 1818 |
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Term
Francisco Goya
(Romanticism) |
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Definition
Known for his Black Paintings.
Third of May, 1808, 1814. |
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Term
Caspar Friedrich
(Romanticism) |
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Definition
First to depict transcendental landscapes.
Wanderer above a Sea of Mist, 1817. |
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Term
John Constable
(Romanticism) |
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Definition
Addressed agrarian crisis in "authentic" landscape paintings.
The Haywain, 1821. |
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Term
Joseph (J.M.W) Turner
(Romanticism) |
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Definition
His works featured turblent swirls of frothy pigment.
The Slave Ship, 1840.
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Term
Albert Bierstadt
(Romanticism) |
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Definition
Used landscape genre to address moral + spiritual concerns.
Among the Sierra Nevada Mountains, California, 1868. |
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Term
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Definition
Created first practical photographic process, Daguerreotype.
Still Life in Studio, 1837. |
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Term
Eadweard Muybridge
(Realism) |
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Definition
Invented the zoopraxiscope.
Horse Galloping, 1878. |
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Term
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Definition
Most celebrated woman artist of 19th century.
The Horse Fair, 1855. |
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Term
Gustave Courbet
(Realism) |
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Definition
Leading figure of Realist art movement.
The Stone Breakers, 1849. |
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Term
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Definition
Father of Impressionism.
Olympia, 1863. |
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Term
Adolphe-William Bouguereau
(Realism) |
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Definition
Forgotten artist that used academic style in paintings.
Nymphs and a Satyr, 1873. |
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Term
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Definition
Depicted realities of human inexpeirence the way he saw them, not how the public wished he'd portray them.
The Gross Clinic, 1875. |
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Term
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Definition
Depicted everyday lives of African Americans.
The Thankful Poor, 1894. |
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Term
John A. + Washington A. Roebling
(Modernism) |
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Definition
Combined latest steel technology with motifs of Gothic + Egyptian architecture.
Brooklyn Bridge, 1883. |
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Term
Louis Sullivan
(Modernism) |
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Definition
First "truly modern" architect.
Prudential Building, 1894. |
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Term
Auguste Rodin
(Impressionism) |
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Definition
Leading French sculptor.
Walking Man, 1905. |
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Term
Mary Cassatt
(Impressionism)
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Definition
Subjects were primarily woman + children.
The Bath, 1892. |
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Term
Edgar Degas
(Impressionism) |
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Definition
Depicted formal leisure activitys that often included patterns of motion.
The Tub, 1886. |
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Term
Claude Monet
(Impresisonism) |
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Definition
"Head" of Impressionism.
Impression: Sunrise, 1872. |
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Term
Auguste Renoir
(Impressionism) |
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Definition
Claimed to follow no rules / methods in painting.
Le Moulin de la Galette, 1876. |
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Term
Vincent Van Gogh
(Post Impressionism) |
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Definition
Used expressive line; foregrounds Expressionism.
Starry Night, 1889. |
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Term
Paul Gauguin
(Post Impressionism)
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Definition
Freed up color + shape from the literal; relocated to Tahiti to get away from Industrialization of Europe.
Vision after the Sermon, 1888. |
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Term
Georges Seurat
(Post Impressionism) |
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Definition
Employed pointillism; asserted art's intellectual self-government.
A Sunday on La Grande Jatte, 1886. |
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Term
Paul Cezanne
(Post Impressionism)
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Definition
Asserted art's intellectual substance.
Mont Saint-Victoire, 1902. |
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Term
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Definition
Dominant figure of the Fauve movement.
Woman with the Hat, 1905. |
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Term
Kathe Kollwitz
(Expressionism) |
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Definition
Her prints expressed protest + satirical bitterness for the poor.
Woman with Dead Child, 1903. |
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Term
Emil Nolde
(Expressionism) |
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Definition
Content of his work contained religiously deep-rooted, forceful imagery.
St. Mary of Egypt among Sinners, 1912. |
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Term
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Definition
Created Analytic Cubism.
Guernica, 1937. |
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Term
Umberto Boccioni
(Futurism) |
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Definition
Is able to represent motion in sculptures.
Unique Forms of Continuity in Space, 1931. |
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Term
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Definition
Most influential Dadaist, created readymade sculptures.
Fountain, 1917.
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Term
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Definition
Created nonobjective photomontages called Merz.
The Large Glass, 1915. |
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Term
Charles Demuth
(Precisionism) |
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Definition
Rejected pure abstraction + favored American subjects.
My Egypt, 1927. |
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Term
Salvador Dali
(Surrealism) |
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Definition
Employed the paranoiac critical method to create his paintings.
The Persistance of Memory, 1931. |
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Term
Meret Oppenheim
(Surrealism) |
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Definition
Captured Surrealist characterisitcs of humor, visual appeal + eroticism in her works.
Object, 1936. |
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Term
Dorothea Lange
(Regionalism) |
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Definition
Was chosen to document the living conditions of the rural poor.
Migrant Mother, 1935. |
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