• Realism
• E'douard Manet
• Le De'jeuner sur l'Herbe
• or Luncheon on the Grass
• 1863
• France
• flat
• avant guarde

• realism
• E'douard Manet
• Olympia
• 1863
• France
• compare to titians's venus of urbino
• stark, stagnant, flat

• Pre-raphaelites
• John Everett Millais
• Ophelia
• 1852
• England
• detailed

• Pre-raphaelites
• Dante Rossetti
• Beata Beatrix
• 1863
• England
• symbols (love and death)

• Impressionism
• Claude Monet
• Rouen Cathedral: The Portal (in Sun)
• 1894
• Paris, France
• focused on light
• art for art's sake

• Impressionism
• Monet
• Saint-Lazare Train Station
• 1877
• France
• light
• doesnt use black

• Impressionism
• Berthe Morisot
• Villa at the Seaside
• 1874
• France
• painterly
• light
• mother and child

• Impressionism
• Pierre-Auguste Renoir
• Le Moulin de la Galette
• 1876
• France
• colors not blended
• no focal point
• instant impression

• Impressionism
• E'douard Manet
• Bar at the Folies-Berge're
• 1882
• France
• reflection not accurate
• more interst in light
• color pallet lightened
• still loose

• Impressionism
• Edgar Degas
• The Rehearsal
• 1874
• space is differnt
• \modern life
• snapshot scene

• Impressionism
• Edgar Degas
• The Tub
• 1886
• interst in japanese art

vs

• Torii Kiyonaga
• Two Women at the Bath
• 1780

• Impressionism
• Mary Cassatt
• The Bath
• 1892
• American artist
• influenced by japanese art also
• oblique angle
• modern interpretation of love between mother and child

• Post-Impressionism
• Georges Seurat
• A Sundary on La Grande Jatte
• 1884
• French
• pointilist method

• Post impressionism
• Vincent Van-Gogh
• Night Cafe'
• 1888
• France
• drunk view
• strong colors
• uses colors to express

• Post Impressionism
• Van Gogh
• Starry Night
• 1889
• from asylum window

• Post Impressionism
• Paul Gauguin
• Vision after the sermon
• 1888
• subjective color use

• post impressionism
• Paul Gauguin
• Where do we come from? What are we? Where are we going?
• 1897
• french
• went to tahiti

• post impressionism
• paul ce'zanne
• mont sainte-victoire
• 1902
• patches of color
• flat yet uses cool colors to push scene back
• geometric

• post impressionism
• ce'zanne
• basket of apples
• 1895
• flat
• inaccurate: falling of cloth, table lifts up,

• Symbolism
• odilon redon
• the cyclops
• 1898
• french

• symoblism
• Edvard Munch
• The Scream
• 1893
• norwegian
• schematic:higly simiplified
• expressive

• Late 19th cent. sculture
• Auguste Rodin
• Walking Man
• 1905
• french
• interested in motion
• conceptual
• communicating an idea

• Fauvism
• Henri Matisse
• Woman with the Hat
• 1905
• continued to move away from realism
• expressive
• painterly
• color exaggerated

• Fauvism
• Henri Matisse
• Red room
• 1908
• french
• influenced by Manet, Ce'zanne, Gaugan, Van Gogh
• color
• subjective

• German Expressionism
• Ernst Ludwig Kirchner
• Street, Dresden
• 1908
• german
• color

• german expressionism
• vassily kandinsky
• improvisation 28 (2nd version)
• 1912
• german
• psychic vibration: line/color reaction
• "Father of Abstraction"

• Proto Cubism
• pablo picasso
• les demoiselles d'avignon
• 1907
• france

• cubism
• Georges Braque
• the portuguese
• 1911

• cubism
• pablo picasso
• still life with chair-caning
• 1912

• Dada
• marcel duchamp
• fountain
• 1950

• dada
• hannah h:och
• cut with the kitchen knife dada through the last weimar beer belly cultural epoch of germany
• 1919

• surrealism
• salvador dali'
• the persistence of memory
• 1931

• surrealism
• meret oppenheim
• object (le de'jeuner en fourrure)
• 1936

• surrealism
• joan miro'
• painting
• 1933