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From the Italian word " to make into a paste". It describes paint, usually oil paint, applied very thickly. |
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In a tomb sculpture, a representation of the deceased. At times, the gisant may be represented in states of decay. |
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Putting the subject of the picture in the background of many images |
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The intense contrast of light and dark in painting
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- Typical of the renaissance - Could make a clear cut, definite lines |
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- Typical of the Baroque period
- Blending with not well-defined lines - Can see the brush strokes - Sense that it was done quickly |
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- Characteristic of the renaissancec - More like stages of depth |
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- Baroque - Gradual recession |
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- Renaissance - Figures contained within the composition |
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- Baroque - Figures are diagonals leading the painting |
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- Renaissance - Individual figures, less blending
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- Baroque - A clump of figures more important than the individuals - Blending |
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- Visually pleasing or interesting as if resembling a picture |
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| An elegant townhouse for french nobility |
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- Italian word for light and dark - In painting, a method of modeling form primarily by the use of light and shade |
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| Painted scenes depicted in panels on the curved ceiling of a vault |
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- A darkened enclosure or box with a small opening or lens on one wall through which light enters to form an inverted image on the opposite wall. - Used as an aid in picture making in the 16th century |
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- Can make all of the other colors - Red, blue, yellow |
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- Blend of primary colors - Purple, green, orange |
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-Blend of secondary and primary colors
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- The name of the color such as green or red |
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- The amount of white vs. black in a color |
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- Amount of pure pigment put into the mix of color |
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- Musical improv played on the street |
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- A printing technique in which the design formed from ink-filled lines cut into a surface. - Examples include engraving, etching, an drypoint |
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- Cutting a design into a metal plate using a pointed tool (burin) - Ink is then rubbed into the plate and wiped off the surface - Then the plate is covered with paper and put under a press - Done by moving the plate instead of your hand |
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- The same as engraving except a fine steel needle is used and the burr (little lines coming off the main line) is retained - Has softer lines than engravings |
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- Coating a plate with an acid-resistant resin (the ground) and then scraping it off to expose the metal - Then you bathe it in an acid bath and the exposed metal is eroded - The plate is heated to remove the resin - Then it is printed on paper |
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- A print made by carving a design on a wooden block and then applying ink to the wooden surfaces that remain and making a print from it |
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