Term
| Caravaggio, Italian, Conversion of St. Paul, 1600 |
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| Caravaggio, Italian, Calling of Saint Matthew, 1600 |
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| Caracci, Italian, Loves of the Gods, 1600 |
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Definition
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| Rubens, Flemish, Arrival of Marie de ‘Medici at Marseilles, 1620 |
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Definition
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| Rubens, Flemish, Allegory of the Outbreak of War, 1630 |
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Definition
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| Van Dyck, Flemish, Charles I Dismounted, 1630 |
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| Bernini, Italian, Piazza San Pietro, 1650 |
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| Bernini, Italian, Baldacchino, 1620 |
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| Bernini, Italian, Ecstasy of Saint Teresa, 1650 |
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| da Cortona, Italian, Triumph of the Barberini, 1630 |
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| Velazquez, Spanish, Las Meninas, 1650 |
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| Hals, Dutch, Archers of Saint Hadrian, 1630 |
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| van Rijn, Dutch, Return of the Prodigal Son, 1660 |
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| van Rijn, Dutch, The Night Watch, 1640 |
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Definition
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| Vermeer, Dutch, Allegory of the Art of Painting, 1670 |
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Definition
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| Hardouin-Mansart/Le Brun, French, Hall of Mirrors, 1680 |
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Definition
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| le Notre, French, Garden/Park at Versailles, 1660 |
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Definition
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| Boffrand, French, Salon de la Princesse, 1730 |
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Definition
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| Watteau, French, Return from Cythera, 1710 |
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| Boucher, French, Cupid a Captive, 1750 |
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| Fragonard, French, The Swing, 1760 |
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| West, American, The Death of General Wolfe, 1770 |
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| Kauffmann, Swiss, Cornelia Presenting her Children as Her Treasures, 1780 |
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| David, French, Oath of the Horatii, 1780 |
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| David, French, The Death of Marat, 1790 |
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