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Definition
| Icon of Christ, encaustic on wood, 6th century |
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| Palatine Chapel, Aachen (Germany), 792‐805 |
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| Gislebertus, Last Judgment, marble, tympanum of Saint Lazare, Autun, France, ca. 1120‐1135 |
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| Chartres Cathedral, France, rebuilt 1194‐1220 |
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| Christ as Pantokrator, dome mosaic in the Church of the Dormition, Daphni, Greece, ca. 1100 |
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| Giotto, Madonna Enthroned (“Ognissanti Madonna”), tempera and gold leaf on wood, ca. 1310 |
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| Robert Campin, Mérode Triptych (Altarpiece of the Annunciation), oil on wood, ca. 1425‐1430 |
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| Jan van Eyck, Ghent Altarpiece, oil on wood, completed 1432 |
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| Jan van Eyck, Ghent Altarpiece, oil on wood, completed 1432 |
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| Rogier van der Weyden, Descent from the Cross, oil on panel, ca. 1435 |
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The Limbourg Brothers, Les Trés Riches Heures du Duc de Berry (The Very Sumptuous Hours of the
Duke of Berry), manuscript, 1413‐1416
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| Lorenzo Ghiberti, Sacrifice of Isaac, bronze, 1401 |
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| Donatello, St. Mark, marble, ca. 1411‐13, for Or San Michele, Florence |
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| Donatello, St. George, marble, c. 1410‐15, for Or San Michele, Florence |
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| Donatello, David, bronze, ca. 1440‐1460 |
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| Gentile da Fabriano, Adoration of the Magi (Strozzi altarpiece), tempera and gold leaf on wood, 1423 |
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| Masaccio, The Holy Trinity, fresco, Santa Maria Novella, Florence, c. 1424‐27 |
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| Masaccio, Expulsion of Adam and Eve, Brancacci Chapel, Florence, frescoes, ca. 1427 |
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| Domenico Ghirlandaio, Portrait of Giovanna Tornabuoni, oil and tempera on wood, 1488 |
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Definition
| Sandro Botticelli, The Birth of Venus, tempera on canvas, ca. 1484‐1486 |
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| Filippo Brunelleschi, Santo Spirito, Florence, designed 1434‐1436 |
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| Leon Battista Alberti, Palazzo Rucellai, Florence, ca. 1452‐1470 |
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| Piero della Francesca, Madonna and Child with Saints and Federico da Montefeltro, ca. 1475 |
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| Andrea Mantegna, Dead Christ, tempera on canvas, ca. 1500 |
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| Leonardo da Vinci, Madonna of the Rocks, oil on wood, begun 1483 |
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| Raphael, Madonna of the Meadow, oil on wood, 1505‐1506 |
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| Raphael, Portrait of Baldassare Castiglione, oil on canvas, ca. 1514 |
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| Michelangelo, the Pietà, marble, from St. Peter’s, Rome, ca. 1498‐1500 |
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| Michelangelo, The Last Judgment, fresco, Sistine Chapel, Rome, 1534‐41 |
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| Parmigianino, The Madonna with the Long Neck, oil on wood, 1534‐1540 |
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| Donato Bramante, the Tempietto, Rome, 1502 |
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| Donato Bramante, design for the new St. Peter’s, Rome, 1505‐1506 |
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| Michelangelo, design for the new St. Peter’s, Rome, 1546 |
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| Andrea Palladio, Villa Rotonda, Vicenza, Italy, ca. 1550‐1570 |
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| Giorgione da Castelfranco, Pastoral Symphony, oil on canvas, ca. 1508‐1510 |
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| Titian, Venus of Urbino, oil on canvas, 1538 |
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Giovanni Bellini, Madonna and Saints (San Zaccaria altarpiece), oil on wood transferred to canvas,
1505
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| Titian, Portrait of Isabella d’Este, oil on canvas, 1534‐1536 |
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| Matthias Grünewald, Isenheim Altarpiece (Crucifixion, Resurrection), oil on panel, ca. 1510‐1515 |
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| Albrecht Dürer, Self‐portrait, oil on panel, 1500 |
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| Albrecht Dürer, Fall of Man (Adam and Eve), engraving, 1504 |
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| Albrecht Altdorfer, Battle of Issus, oil on wood, 1529 |
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| Hans Holbein the Younger, The French Ambassadors, oil and tempera on wood, 1533 |
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| Hans Holbein the Younger, Portrait of Henry VIII, oil on wood, 1540 |
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| Hieronymous Bosch, Garden of Earthly Delights, oil on wood, 1505‐1510 |
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| Caterina van Hemessen, Self‐Portrait, oil on wood, 1548 |
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| Pieter Bruegel the Elder, Hunters in the Snow, oil on wood, 1565 |
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