Term
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Definition
Plowing in the Nivernais
Rosa Bonheur
1849
Realism |
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Term
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Definition
Le Dejeuner sur l'herbe (Luncheon on the Grass)
Edouard Manet
1863
Realism |
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Term
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Definition
| means "advance guard" or "vanguard".[1] The adjective form is used in English, to refer to people or works that are experimental or innovative, particularly with respect to art, culture, and politics. |
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Term
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Definition
| French for “exhibition of rejects” (French pronunciation: [salɔ̃ de ʁəfyze]), is generally an exhibition of works rejected by the jury of the official Paris Salon, but the term is most famously used to refer to the Salon des Refusés of 1863. |
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Term
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Definition
Olympia
Edouard Manet
1865
Realism |
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Term
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Definition
| a French expression which means "in the open air", and is particularly used to describe the act of painting outdoors. |
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Term
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Definition
Impression, Sunrise
Claude Monet
1872
Impressionism |
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Term
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Definition
On the Bank of the Seine
Claude Monet
1868
Impressionism |
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Term
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Definition
Gustave COURBET, 1819-77
Stone Breakers,
1849
Realism
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Term
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Definition
Gustave COURBET, 1819-77
Burial at Ornans,
1849
Realism
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Term
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Definition
Honore DAUMIER, 1808-1879
Third-Class Carriage,
1863-65
Realism
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Term
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Definition
| (French for "the wild beasts"), a short-lived and loose group of early twentieth-century Modern artists whose works emphasized painterly qualities and strong colour over the representational or realistic values retained by Impressionism. |
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Term
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Definition
The Gare Saint-Lazare: Arrival of a Train
1877
Claude MONET
Impressionism |
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Term
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Definition
Claude MONET, 1840-1926
Wheatstack, Sun in the Mist
1891
Impressionism |
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Term
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Definition
Auguste RENOIR, 1841-1919
Luncheon of the Boating Party
1881
Impressionism |
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Term
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Definition
Edouard MANET
Bar at the Folies Bergeres
1882
Impressionism |
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Term
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Definition
Edgar DEGAS, 1834-1917
The Orchestra of the Paris Opera
1868-1869
Impressionism |
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Term
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Definition
Mary CASSAT, American, lived in France. 1845-1926
The Child’s Bath
ca. 1892
Impressionism |
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Term
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Definition
Paul CEZANNE, 1839-1906
Still Life with Apples in a Bowl
c.1879-1883
Post-Impressionism |
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Term
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Definition
Paul CEZANNE, 1839-1906
Mont Sainte-Victoire
c. 1885-1887
Post-Impressionism |
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Term
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Definition
Georges SEURAT, 1851-91
Sunday Afternoon on the Island of La Grande Jatte
1884-6
Post-Impressionism |
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Term
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Definition
Henri de TOULOUSE-LAUTREC, 1864-1901
La Goulue
1891, colored lithographic poster
Post-Impressionism |
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Term
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Definition
Vincent VAN GOGH, (Dutch, worked in France. 1853-90)
The Potato Eaters
1885
Post-Impressionism |
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Term
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Definition
Vincent VAN GOGH, (Dutch, worked in France. 1853-90)
The Night Café
1888
Post-Impressionism |
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Term
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Definition
Paul GAUGUIN, 1848-1903
The Vision after the Sermon, or Jacob Wrestling with the Angel
1888
Post-Impressionism |
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Term
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Definition
Paul GAUGUIN, 1848-1903
Where Do We Come From? What Are We? Where Are We Going?
1897
Post-Impressionism |
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Term
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Definition
Henri ROUSSEAU, 1844-1910
The Dream
1910
Symbolism |
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Term
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Definition
Gustav KLIMT, 1862-1918
The Kiss
1907-1908
Symbolism |
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Term
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Definition
| the term coined by the British artist and art critic Roger Fry in 1910 to describe the development of French art since Manet. |
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Term
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Definition
| a group of Post-Impressionist avant-garde artists who set the pace for fine arts and graphic arts in France in the 1890s. |
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Term
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Definition
| a technique of painting in which small, distinct dots of pure color are applied in patterns to form an image. |
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Term
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Definition
| a late nineteenth-century style of French, Russian and Belgian origin in poetry and other arts. |
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Term
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Definition
| an international philosophy[2] and style of art, architecture and applied art—especially the decorative arts—that were most popular during 1890-1905. |
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Term
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Definition
| a term that describes art that conveys emotional feelings. |
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Term
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Definition
The Woman with the Hat
Henri MATISSE
1905
Fauvism |
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Term
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Definition
Henri MATISSE
Le Bonheur de Vivre (The Joy of Life)
1905-6
Fauvism |
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Term
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Definition
Henri MATISSE
The Red Studio
1911
Fauvism |
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Term
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Definition
Ernst Ludwig KIRCHNER 1880-1938
Street, Dresden
1908
Expressionism |
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Term
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Definition
Vassily KANDINSKY 1866-1944
Sketch for Composition VII
1913
Expressionism |
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Term
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Definition
| a 20th century avant-garde art movement, pioneered by Pablo Picasso and Georges Braque, that revolutionized European painting and sculpture, and inspired related movements in music, literature and architecture. |
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Term
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Definition
Pablo PICASSO 1881-1973
Les Demoiselles d’Avignon
1907
Cubism |
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Term
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Definition
Pablo PICASSO 1881-1973
Guitar, Sheet Music, and Wine Glass
1912
Cubism |
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Term
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Definition
Georges BRAQUE 1882-1963
The Portuguese
1911
Cubism |
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Term
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Definition
Marcel DUCHAMP 1887-1968
Nude Descending a Staircase, No. 2
1912
Dada |
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Term
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Definition
Marcel DUCHAMP 1887-1968
Bicycle Wheel
1913
Dada |
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Term
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Definition
Joan MIRO 1893-1983
Composition
1933
Surrealism |
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Term
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Definition
Rene MAGRITTE 1898-1967
The False Mirror
1928
Surrealism |
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Term
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Definition
Salvador DALI 1904-1989
The Persistence of Memory
1931
Surrealism |
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Term
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Definition
| a modernist movement, initially in poetry and painting, originating in Germany at the beginning of the 20th century. Its typical trait is to present the world solely from a subjective perspective, distorting it radically for emotional effect in order to evoke moods or ideas. |
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Term
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Definition
| the style of les Fauves (French for "the wild beasts"), a short-lived and loose group of early twentieth-century Modern artists whose works emphasized painterly qualities and strong colour over the representational or realistic values retained by Impressionism. While Fauvism as a style began around 1900 and continued beyond 1910, the movement as such lasted only a few years, 1904–1908, and had three exhibitions.[1][2] The leaders of the movement were Henri Matisse and André Derain.[1] |
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Term
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Definition
| a 20th century avant-garde art movement, pioneered by Pablo Picasso and Georges Braque, that revolutionized European painting and sculpture, and inspired related movements in music, literature and architecture. |
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Term
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Definition
| The first branch of cubism that was both radical and influential as a short but highly significant art movement between 1907 and 1911 in France. |
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Term
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Definition
| The second phase of cubism. The movement spread and remained vital until around 1919, when the Surrealist movement gained popularity. |
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Term
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Definition
| a work of formal art, primarily in the visual arts, made from an assemblage of different forms, thus creating a new whole. |
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Term
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Definition
| a cultural movement that began in Zurich, Switzerland, during World War I and peaked from 1916 to 1922. The movement primarily involved visual arts, literature—poetry, art manifestoes, art theory—theatre, and graphic design, and concentrated its anti-war politics through a rejection of the prevailing standards in art through anti-art cultural works. Its purpose was to ridicule what its participants considered to be the meaninglessness of the modern world. In addition to being anti-war, dada was also anti-bourgeois and anarchist in nature. |
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Term
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Definition
| describes art created from the undisguised, but often modified, use of objects that are not normally considered art, often because they already have a non-art function. Marcel Duchamp was the originator of this in the early 20th century. |
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Term
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Definition
Edvard MUNCH, (Norwegian, 1863-1944)
The Scream
1893
Symbolism |
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