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| The meeting between the subjective artist and the objective world that leads to the creation of an idea for an artwork |
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| First Dialectical Principal in Creativity |
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| A rational understanding of the principles and rules for constructing a work of art |
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| Second Dialectical Principal in Creativity |
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| Inspiration that leads the artist to begin a work of art |
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| The artist selects and arranges the various elements of art so that they work together to achieve her expressive purpose |
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| What the work of art is about |
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| The artist selects and arranges the various elements of art so that they work together to achieve her expressive purpose |
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| The materials used by the artist in creating a work such as oil, water colors, fresco for a painter. |
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| The artist's special skill with a particular medium |
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| The unique handling of the elements of art that helps us identify a particular artist, aesthetic movement, or period in art history |
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| An object or image used in a work of art to stand for something else, usually an abstract idea or concept |
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| A printmaking process in which ink is transferrd from the grooves of a metal plate to paper by extreme pressure |
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| Symbolic representation of conventional meanings such as cultural core values attached to an image |
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| A mid-twentieth century art movement exploring the landscape and agriculture of the Midwest |
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