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a line used to follow the edges of forms describing their outlines
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a line that describing their outlines
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a visual element of length; it can be created by setting a point in motion
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position a series of points so the eye will connect them; ex) - - - -
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a mental connection between two points or elements; occurs when a figure is pointing or looking in a certain direction which causes the eye to follow toward the intended focus
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type of line that portrays movement, action, mass; it stays away from the edges of a subject and tries to portray what the subject is doing, as opposed to what it looks like
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parallel lines in a crisscross pattern to create shades of gray
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a description of a form in which and object is revealed by distinct contours in some areas while other edges simply vanish or dissolve
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a measure of relative lightness and darkness
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black, gray, or white with no distinctive hues; no color is used
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relating to the hue or saturation of color
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relationship between areas of dark and light
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contrast would be between 50%-60% on value scale
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contrast would be between 20%-90%
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arrangement and amount of variation in light and dark values independent of any colors used
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limited value range with subtle variation- limited to lights
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limited value range with subtle variation- limited to dark
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artistic device of using lights and darks to imply depth and volume (italian term meaning clear and obsure)
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(pencil, charcoal, chair conte crayon) blend the media to create a continuous tone value
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(crosshatching and stippling) the placement and density of marks and create value
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mix ink and water to create shades of gray
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dots of various sizes to create visual grays
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a traditionally and visually understood method for presenting a 3D impression on flat surface
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spatial system, as parallel lines recede they appear to converge and meet on an imaginary horizon line (eye level)
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where receding parallel lines converge at horizon line
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a single point is placed on the horizon line; all the lines of objects at right angles to the canvas plane angle off toward that point
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no objects are parallel to the picture plane and all edges recede to two points on the horizon
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a variety of angles are present, different objects have seperate sets of vanishing points of they are not parallel to each other
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dramatic and eye-catching; an item is pointed directly at you
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looking at the figure or object from more then one vantage point- several different views are combined in one image- more subjective and conceptual views of forms
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spatial convention where lines remain parallel and do not converge, seen in eastern art used in mechanical and engeneering drawing
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a complete scene contained within the plane; eyes are not led outside of the frame (frames a border around the perimeter that visually turns the eye inward creating a closed form)
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a partial glimpse of a portion of a scene that continues beyond the format
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purposeful ambiguity, not a clear spatial pattern
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two forms overlap and both are seen completely; unclear what is in front and what is in back
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refers to the internal parts of a form that support and define its appearance and contribute to conveying its message
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perfect rectangle; ideal proportions (seen in Greek ways)
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proportions of the golden rectangle; width is to length, as lengh is to length plus width
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relative size; measured against other elements or some mental norm (can be used to create focal point)
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creates 3D space in a 2D surface
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the frontal plane of a composition
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the frontal plane of a composition
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things that appear closer to us appear larger; things become smaller as they recede in space
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place object on top of one another to create depth
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elevating an element on the page often indicates a recession in depth
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eye- level, the farthest point we can see where the sky and ground become indistinct
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the use of color or value to show depth; also called atmospheric perspective; less distinction between colors and valuesis they appear farther away, thing blend to the background
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the use of relative size to show importance (not space, thematic importance)
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symbols that stand for an idea are not phonetic repesent actions of a spoken language (chinese caligraphy)
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that which is created with basic components (elements and priciples of design) as well as symbols, letters, and photographs
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using components, objects, or images as codes or sues to express intangible, complex, or multiple meanings; decede using analysis and interpretation
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a way of revealing deeper meaning and understanding or complex or absract concepts; form can take a meaning beyond its primary or literal appearance
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presents information for the purpose of gaining or maintaing power and centered, distorted view of reality; wartime and politics
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encourages people to change attitudes; can also inform or enlighten, not necessarily negative
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cut and paste photographs, juxtapose images
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earth sculpture; earth sites; artwork created by altering a large area of land using organic/ earth materials (spiral in lake, great salt lake UT)
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