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Wall with Torah Niche
Who:
Where: Syria
When: 244-45 |
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The Good Sherpherd
Who:
Where: Anatolia (Turkey)
When: c. 250-300 ce |
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Good Sherpherd
Who:
Where: Italy
When: 425-426 |
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Interior of The Hagia Sophia
Who:
Where: Istanbul
When: 537
Extra
planned by Anthemius and Isodoros for Emperor Justinian |
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Dome of Rock
Who:
Where: Jerusalem,
When: 690 c.e.
Extra
paid for by Caliph Abd al-Malik ibn Marwan
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Great Mosque at Cordoba
Who:
Where: Cordoba, Spain
When: begun 786-787 ce |
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Tile Mosaic Mihrab
Who:
Where: Isfahan, Iran
When: 1354
Extra
with inscriptions in Arabic |
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Court of the Lions
Who:
Where: Granada, Spain
When: 1362 and 1391 AD |
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Taj Mahal
Who:
Where: Agra, India
When: 1631-1647 C.E |
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Seated Guanyin Bodhisattva
Who:
Where: China
When: Northern Song period
Extra
Wood with paint and gold. |
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Travelers Among Mountains and Streams
Who: Fan Kuan
Where: China
When: Northern Song dynasty
Extra
Ink and light color on silk |
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Guan ware vase
Who:
Where: China
When: Southern Song dynasty
Extra
Stoneware with crackled glaze. |
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Poet on a Mountaintop
Who: Shen Zhou
Where: China
When: Ming dynasty |
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Scene from The Tale of Genji
Who:
Where: Japan
When: Heian period
Extra
Note the bird’s eye-view with “blown-away roof” and the diagonal composition |
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Rock garden
Who:
Where: Royan-ji, Kyoto, Japan
When: 1480 |
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The Great Wave
Who: Katsushika Hokusai,
Where: Japan
When: Edo period, c. 1831 |
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Chi Rho page from Book of Kells
Who:
Where: Ireland
When: 8th century
extra
The work of 4 scribes, 3 illuminators
The skin of 185 calves
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Page with Matthew the Evangelist from Ebbo Gospels
Who:
Where: France
When: 816-835
extra
Ink and Tempera on Vellum |
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Interior view (transept) of Cathedral of St. James
Who:
Where: Galicia, Spain
When: 1078-1122 |
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The Last Judgement in Saint-Lazare Cathedral
Who:
Where: Autun, France
When: 12th cent. c.e. |
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Interior view of the Abbey Church of Saint-Denis
Who:
Where: Paris, France
When: 1140
Extra
Invention of the Gothic |
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Rose window and lancets in Chartres Cathedral
Who:
Where: Chartres, France
When: 12th Century |
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Virgin and Child
Who:
Where: France
When: 1324-1329
Extra
Commissioned for the Abbey of St. Denis By Jeanne D’Evreux |
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Maesta Altarpiece
Who: Duccio
Where: Italy
When: 1308 |
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Definition
Scrovegni ChapelFrescoes
Who: Giotto
Where: Italy
When: 1310 |
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Definition
The Arnolfini Portrait
Who: Jan van Eyck
Where: Netherlands
When: 1434 |
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Definition
Ghent Altarpice
Who: Jan van Eyck
Where: Netherlands
When: 1430 |
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David
Who: Donatello
Where: Italy
When: 15th century |
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Definition
Frescoes from the Brancacci Chapel
Who: Masaccio
Where: Italy
When: 1425 |
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Definition
Last Supper
Who: Leonado Di Vinci
Where: Milan
When: 1495-1498 |
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Definition
Ceiling of The Sistine Chapel
Who: Michelangelo
Where: Vatican City / Italy
When: 1508 |
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Definition
"Venus"
Who: Titian
Where: Italy
When: 1538 |
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Definition
Deposition
Who: Pontormo
Where: Italy
When: 1525 |
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Isenheim Altarpiece
Who: Grunewald
Where: France/Germany
When: 1510-1515 |
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Adam and Eve
Who: Durer
Where: Germany
When: 1504 |
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Definition
The French Ambassadors
Who: Hans Holbein
Where: Germany
When: 1533 |
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Definition
Garden of Earthly Delights
Who: Hieronymous Bosch
Where: Netherlands
When: 1510-1515 |
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Definition
| is a nine-branched candelabrum lit during the eight-day holiday of Hanukkah, |
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Definition
| an underground cemetery consisting of a subterranean gallery with recesses for tombs, as constructed by the ancient Romans |
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| Longitudinal and Central ("Mauseleum") Church Plans |
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Central plan building- any structure designed with a primary central space surrounded by symmetrical areas on each side
Longitudinal plan building- any structure designed with a rectangular shape. If a cross-shaped building, the main arm of the building is longer than any arm that cross it. |
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Pendentived- a concave triangular section of a vault that forms a transition between a square or polygonal space and the circular base of the dome.
Squinches- an arch or lintel built over the upper corners of a square space, allowing a circular or polygonal dome to be more securely set on top of the walls. |
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| A tall, slender tower on the exterior of a mosque from which believers are called to prayer. |
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| A large interior characterized by many closely spaced columns that support its roof. |
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| The direction of Mecca. In a mosque, the qibla wall is oriented towards Mecca |
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| A type of corbel employed as a decorative device in traditional Islamic and Persian architecture. |
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| A cenotaph is an "empty tomb" or a monument erected in honor of a person or group of people whose remains are elsewhere. It can also be the initial tomb for a person who has since been reinterred elsewhere. |
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| A long, narrow, horizontal painting and/or text common in Chinese and Japanese art intended for individual use. A handscroll is stored wrapped tightly around a wooden pin and is unrolled for viewing or reading. |
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| The data placed at the end of a book listing the book's author, publisher, illuminator, and other information related to its production. |
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| A type of extremely hard and fine white ceramic first made by Chinese potters in the eighth century CE. Made from a mixture of kaolin and petuntze, porcelain is fired at a very high temperature and the final product has a translucent surface. |
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[image]
literati painting |
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Definition
| depictions of nature, man, or objects, virtues, strength of purpose, and sensitivity towards the conditions of human life. |
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Definition
“wabi-sabi”: rustic simplicity & desolation
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Ukiyo-e woodblock prints. |
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| refers to a parchment made from calf skin |
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Term
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| interlace is a decorative element found in medieval art |
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Term
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Definition
| Europe from approximately 1000 AD to the rise of the Gothic style in the 13th century, or later, depending on region. |
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tapesty-woven
embroibery- placed upon |
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Definition
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-
The book of hours is a Christian devotional book popular in the Middle Ages. It is the most common type of surviving medieval illuminated manuscript.
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| Mary gets told she's prego with jesus |
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| is a piece of art such as a painting, sculpture or relief representing a religious subject and suspended in a frame behind the altar of a Christian church |
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Definition
| is a period from the 14th to the 17th century, considered the bridge between the Middle Ages and Modern history |
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Definition
Tempera, also known as egg tempera, is a permanent, fast-drying painting medium consisting of colored pigment mixed with a water-soluble binder medium
a paste made with ground pigment and a drying oil such as linseed oil, used chiefly by artists
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In Early Christian Art, the depiction of Old Testament persons and events as prophetic forerunners of Christ and New Testament events. |
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Term
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| is a term for painting executed entirely in monochrome or near-monochrome, usually in shades of grey |
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| is a depth cue that is related to both relative size and the next depth cue, texture gradient |
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Term
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Definition
an effect of contrasted light and shadow created by light falling unevenly or from a particular direction on something
(the “realistic” kind) |
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Definition
| one of the four canonical painting modes of the Renaissance |
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| is a period of European art that emerged from the later years of the Italian High Renaissance around 1520. It lasted until about 1580 in Italy, when the Baroque style began to replace it, but Northern Mannerism continued into the early 17th century |
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