Term
|
Definition
|
grouping, partitioning patterning of musical events
|
|
|
Term
|
Definition
|
How fast a piece moves--indicated by metronome marking
|
|
|
Term
|
Definition
|
measurement of the number of pulses between regularly recurring accents
|
|
|
Term
|
Definition
|
pulses in a metric context
|
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
upper number is 2, 3, 4; lower can be 2, 4, 8,16
|
|
|
Term
|
Definition
|
upper number is 6, 9, 12 (lower can be 2,4,5,16). At faster tempo, beats grouped at lowest common denominator
|
|
|
Term
|
Definition
|
divide asymmetrically--5/8, 7/8, 8/8, 11/8; 3+2, 4+4+3, etc
|
|
|
Term
|
Definition
|
shift from on meter to another (2/4 -> 3/4 and back)
|
|
|
Term
|
Definition
|
distinction of strong and weak beats in a meter
|
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
the accentuation of the weak metric beat through note length, harmony, tonality, grouping
|
|
|
Term
|
Definition
|
accentuation of a beat through duration
|
|
|
Term
|
Definition
|
accentuation of a beat through dynamic and articulative change (p, mp, mf, f)
|
|
|
Term
|
Definition
|
note or group of notes that begin a melody on an upbeat
|
|
|
Term
|
Definition
|
one that has an anacrusis
|
|
|
Term
| irregular division of the beat |
|
Definition
|
division into triplets, 5-note groups, septuplets parts
|
|
|
Term
|
Definition
|
placement of a regular division of the beat against an irregular division
|
|
|
Term
|
Definition
|
contradiction of the usual metrical pattern of strong and weak beats
|
|
|
Term
|
Definition
|
interplay of 2 and 3 beats at a metric level (1-2-3, 1-2-3, 1-2, 1-2, 1-2-3)
|
|
|
Term
|
Definition
|
a constantly and literally repeated rhythmic figure
|
|
|